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John Constable Study of a Cloudy Sky
John Constable, 1776–1837
Study of a Cloudy Sky
ca. 1825
Not on view
Samuel Palmer The Valley of Vision
Samuel Palmer, 1805–1881
The Valley of Vision
undated
Samuel Palmer Ivy Cottage, Shoreham
Samuel Palmer, 1805–1881
Ivy Cottage, Shoreham
undated
Henry William Burgess St. Jacques, Dieppe
Henry William Burgess, active 1809–1860
St. Jacques, Dieppe
1820
William Bernard Cooke Bridport, Dorsetshire
Print made by William Bernard Cooke, 1778–1855
Bridport, Dorsetshire
1820
John Pye The Rialto, Venice
Print made by John Pye, 1782–1874
The Rialto, Venice
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
John Wykeham Archer Richmond Castle and Town
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
John Wykeham Archer Richmond Castle and Town
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
Edward Francis Burney Preparatory drawing for The Waltz
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
Edward Francis Burney Preparatory drawing for The Waltz
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
John Wykeham Archer Richmond Castle and Town
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
John Franklin Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London
Print made by John Franklin, c.1800–1868
Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London
ca. 1825
George Cooke Gledhow
Print made by George Cooke, 1781–1834
Gledhow
1820
John Scott Aysgarth Force
Print made by John Scott, 1774–1828
Aysgarth Force
1820
Robert Isaac Cruikshank A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
Richard Parkes Bonington Mademoiselle Rose Nue, Vue de Dos
Richard Parkes Bonington, 1802–1828
Mademoiselle Rose Nue, Vue de Dos
1820
Alfred Adlard The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings
Print made by Alfred Adlard, 1803–1869
The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings
1820