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Collection
Prints and Drawings
164
Rare Books and Manuscripts
3
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
81
Hakewill, James, 1778–1843
35
Unknown artist
22
Pye, John, 1782–1874
17
Alken, Henry Thomas, 1784–1851
11
Cooke, George, 1781–1834
10
Sutherland, Thomas, ca. 1785–1838
10
Heath, Charles, 1785–1848
7
Smith, William R., active 1819–1851
7
Arnald, George, 1763–1841
6
Murray, John, founded 1768
6
Byrne, John, 1786–1847
5
Cooke, William Bernard, 1778–1855
5
Hollis, George, 1792–1842
5
Le, Keux John, 1783–1846
5
Middiman, Samuel, ca. 1750–1831
5
Smith, Charles John, 1803–1838
5
Rawle, Samuel, 1771–1860
4
Reynolds, Joshua, Sir, 1723–1792
4
Fittler, James, 1758–1835
3
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Creator
»
Date
1800
823
1834
601
1789
417
1802
375
1825
365
1827
365
1794
350
1835
346
1795
334
1792
322
1830
310
1793
309
1833
301
1700
294
1797
294
1799
286
1782
283
1803
283
1791
277
1804
270
1808
268
1820
268
1836
259
1546
248
1796
225
1775
224
1823
224
1798
219
1809
215
1821
215
1780
213
1801
210
1790
209
1832
209
1824
200
1783
198
1807
196
1739
192
1812
190
1828
189
1826
183
1814
182
1630
181
1811
181
1837
181
1813
180
1788
178
1784
171
1810
170
1818
[remove]
167
1816
166
1831
165
1850
156
1819
153
1822
145
1786
144
1805
144
1754
141
1787
141
1785
140
1806
134
1778
132
1838
132
1745
127
1815
127
1817
125
1779
122
1771
121
1859
121
1781
118
1829
118
1755
117
1770
114
1776
114
2000
113
1989
110
1750
109
1880
109
1900
105
0
104
1772
103
1999
103
1768
99
1839
97
1876
95
1765
93
1762
91
1773
90
1777
89
1897
89
1674
88
1751
88
1890
88
1738
87
1855
87
1882
87
1896
86
1767
82
1769
82
1887
80
On-site Access
Accessible by appointment in the Study Room
167
Image Use
Free to Use
160
Under Certain Circumstances
7
Image Available
Available
146
Unavailable
21
Classification
Prints
[remove]
167
Creator Gender
male
158
unknown
25
Collective Title
A Picturesque Tour of Italy
35
Whitaker's History of Richmondshire
33
Cooke's Picturesque Views of the Southern Coast of England
5
Liber Studiorum
2
Picturesque Views of the Antiquities of Pola in Istria
2
Cooke's Views in Sussex
1
Period
19th century
167
Materials & Techniques
etching (printing process)
88
wove paper
86
line engraving
65
chine collé
45
laid paper
22
engraving (printing process)
16
mezzotint
11
stipple engraving
7
brown ink
3
colored ink
3
aquatint
2
sepia
2
engraver's proof
1
graphite
1
lithography
1
soft-ground etching
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
72
Unknown
23
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
89
Unknown
23
Work Type
intaglio print
111
aquatint
2
frontispiece
2
panorama
2
scroll
2
engraving
1
sporting print
1
Genre
landscape
67
architectural subject
50
cityscape
27
genre subject
14
marine art
13
animal art
4
portrait
4
botanical subject
1
military art
1
religious and mythological subject
1
sporting art
1
Subject Terms
river
41
landscape (representation)
33
architectural subject
30
cityscape
20
church
15
genre subject
12
bridge
11
men
10
castle
9
trees
8
waterfall
8
abbey
7
boats
7
buildings
6
canoes
6
cliffs
6
labor
6
poles
6
riverbanks
6
ruin
6
more
Subject Terms
»
Associated Places
England
33
United Kingdom
32
Europe
24
Italy
15
Durham
14
Tees
13
North Yorkshire
10
Richmond
9
Swale
7
Meuse
6
Greta
5
Grand Canal
4
Lazio
4
Ponte di Rialto
4
Rokeby
4
San Bartolomeo church
4
Veneto
4
Venezia
4
Wycliffe
4
Wycliffe Hall
4
more
Associated Places
»
Associated People
West, Benjamin (1738–1820), American history painter active in Britain
2
Royal Academy
1
Venus
1
Exhibition History
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
2
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
137
Yale Center for British Art, Paul Mellon Fund
9
Yale Center for British Art; Yale University Art Gallery Collection
7
Yale Center for British Art; Gift of Herman W. Liebert
5
Yale Center for British Art
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund
1
Yale Center for British Art, Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of James B. Richardson, Jr., B.A. 1957
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mr. & Mrs. S.S. Duryee, B.A. 1917
1
Language
English
3
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Date
1818
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1
Etched by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1818
2
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
3
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
4
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
5
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
6
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
7
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
8
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
9
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
10
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
11
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
12
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1818-1823
13
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1818-1823
14
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
15
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
16
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1818-1823
17
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
18
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
19
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1818
20
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
21
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
22
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
23
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
24
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
25
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
26
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
27
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
28
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
29
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
30
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
31
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1818
32
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
33
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
34
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
35
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
36
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1818-1820
37
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
38
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1818-1820
39
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
40
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
41
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
42
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
43
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
44
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
45
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
46
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
47
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
48
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
49
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
50
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
51
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
52
Print made by Samuel Rawle, 1771–1860
Brignall Church
1818-1823
53
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
54
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
55
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
56
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
57
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
58
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
59
Print made by Charles Heath, 1785–1848
Benjamin West, Esq., President of the Royal Academy of London
1818
60
Print made by Charles Heath, 1785–1848
Benjamin West, Esq., President of the Royal Academy of London
1818
61
Print made by Thomas Goff Lupton, 1791–1873
Ploughing, Eton
1818, printed after 1851
62
William James Ward, ca. 1800–1840
David Wilkie, R.A
1818
63
Robert Havell, 1769–1832
Clifton Spring and Woods near Maidenhead
1818
64
Print made by William Ward, 1766–1826
Filho da Puta and Sir Joshua
1818
65
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
66
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
67
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
68
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
69
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
70
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
71
Print made by James Johnson, 1803–1834
Venus Bathing
undated
72
Print made by James Johnson, 1803–1834
Music Has Charms
undated
73
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
74
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
75
Augustus Charles Pugin, 1762–1832
The Opening of the Waterloo Bridge on the 18th June 1817
1818
76
Joseph Constantine Stadler, active 1780–1812
View of Waterloo Bridge from the East End of Somerset House Terrace
1818
77
John Coney, 1786–1833
St. Mary, Rotherhithe
1818
78
Charles John Smith, 1803–1838
House Occupied by the Royal Society, Crane Court, Fleet Street
undated
79
Charles John Smith, 1803–1838
Holland House
undated
80
unknown artist
North West Suburbs of London
1818
81
Daniel Havell, 1785–1826
Hampstead Heath, Middlesex
1818
82
unknown artist
The Seven Sisters, Tottenham
1818
83
Bartholomew Howlett, 1767–1827
A South East View of London, Before 1666
1818
84
Bartholomew Howlett, 1767–1827
Cornhill, London as it appeared in 1630
1818
85
unknown artist
Near Brixton Hill, Windy Day
1818
86
Print made by François-Séraphin Delpech, 1778–1825
Ratisbonne
between 1818 and 1825
87
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818
88
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
89
unknown artist
St. Giles's in the Fields Parish
1818
90
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1818-1823
91
Charles J. Hullmandel, 1789–1850
Richmond Hill, From Petersham
1818
92
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
93
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
94
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
95
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
96
Print made by John Landseer, 1769–1852
Cascade of Terni
1818-1820
97
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
98
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1818-1820
99
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
100
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
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