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Collection
Prints and Drawings
160
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
81
Hakewill, James, 1778–1843
35
Unknown artist
19
Pye, John, 1782–1874
17
Alken, Henry Thomas, 1784–1851
11
Cooke, George, 1781–1834
10
Sutherland, Thomas, ca. 1785–1838
10
Heath, Charles, 1785–1848
7
Smith, William R., active 1819–1851
7
Arnald, George, 1763–1841
6
Murray, John, founded 1768
6
Byrne, John, 1786–1847
5
Cooke, William Bernard, 1778–1855
5
Hollis, George, 1792–1842
5
Le, Keux John, 1783–1846
5
Middiman, Samuel, ca. 1750–1831
5
Smith, Charles John, 1803–1838
5
Rawle, Samuel, 1771–1860
4
Fittler, James, 1758–1835
3
Havell, Robert, 1769–1832
3
more
Creator
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Date
1834
593
1800
499
1789
413
1802
372
1827
360
1794
348
1835
340
1795
319
1792
315
1825
308
1793
301
1830
297
1833
297
1797
291
1782
280
1799
278
1803
278
1791
266
1804
266
1836
256
1808
251
1546
247
1820
243
1700
229
1775
221
1796
221
1823
217
1798
210
1780
208
1790
208
1832
206
1809
205
1821
205
1801
201
1824
196
1783
194
1739
190
1812
189
1807
185
1828
183
1630
181
1788
178
1837
178
1826
177
1814
176
1813
175
1811
173
1784
165
1816
163
1831
163
1810
161
1818
[remove]
160
1819
148
1786
142
1787
139
1805
139
1785
136
1822
134
1778
131
1806
131
1850
130
1754
128
1745
125
1817
123
1838
123
1779
119
1815
119
1755
117
1781
115
1829
115
1859
115
1776
113
1770
110
1750
108
1771
106
1772
99
1768
98
1839
94
1762
91
1765
91
1674
88
1773
88
1738
87
1751
87
0
86
1777
86
1900
84
1769
82
1855
81
1767
80
1758
79
1735
76
1743
75
1842
73
1880
72
1882
71
1760
70
1667
68
1881
68
1847
67
On-site Access
Accessible by appointment in the Study Room
160
Image Use
Free to Use
[remove]
160
Image Available
Available
145
Unavailable
15
Classification
Prints
[remove]
160
Creator Gender
male
156
unknown
19
Collective Title
A Picturesque Tour of Italy
35
Whitaker's History of Richmondshire
33
Cooke's Picturesque Views of the Southern Coast of England
5
Liber Studiorum
2
Picturesque Views of the Antiquities of Pola in Istria
2
Cooke's Views in Sussex
1
Period
19th century
160
Materials & Techniques
etching (printing process)
88
wove paper
86
line engraving
65
chine collé
45
laid paper
22
engraving (printing process)
16
mezzotint
11
stipple engraving
7
brown ink
3
colored ink
3
aquatint
2
sepia
2
engraver's proof
1
graphite
1
lithography
1
soft-ground etching
1
Height [cm]
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0
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72
Unknown
18
Width [cm]
Width [cm] range begin
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0
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89
Unknown
18
Work Type
intaglio print
111
frontispiece
2
Genre
landscape
67
architectural subject
50
cityscape
27
genre subject
14
marine art
13
animal art
4
portrait
4
botanical subject
1
military art
1
religious and mythological subject
1
sporting art
1
Subject Terms
river
41
landscape (representation)
33
architectural subject
30
cityscape
20
church
15
genre subject
12
bridge
11
men
10
castle
9
trees
8
waterfall
8
abbey
7
boats
7
buildings
6
canoes
6
cliffs
6
labor
6
poles
6
riverbanks
6
ruin
6
more
Subject Terms
»
Associated Places
England
33
United Kingdom
32
Europe
24
Italy
15
Durham
14
Tees
13
North Yorkshire
10
Richmond
9
Swale
7
Meuse
6
Greta
5
Grand Canal
4
Lazio
4
Ponte di Rialto
4
Rokeby
4
San Bartolomeo church
4
Veneto
4
Venezia
4
Wycliffe
4
Wycliffe Hall
4
more
Associated Places
»
Associated People
West, Benjamin (1738–1820), American history painter active in Britain
2
Royal Academy
1
Venus
1
Exhibition History
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
2
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
135
Yale Center for British Art, Paul Mellon Fund
9
Yale Center for British Art; Yale University Art Gallery Collection
7
Yale Center for British Art; Gift of Herman W. Liebert
3
Yale Center for British Art
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund
1
Yale Center for British Art, Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of James B. Richardson, Jr., B.A. 1957
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mr. & Mrs. S.S. Duryee, B.A. 1917
1
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Date
1818
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1
Etched by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1818
2
Print made by James Johnson, 1803–1834
Venus Bathing
undated
3
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
4
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
5
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
6
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
7
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
8
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
9
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1818-1823
10
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
11
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
12
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
13
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
14
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
15
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
16
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1818-1820
17
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
18
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
19
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
20
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
21
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
22
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
23
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1818-1823
24
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1818-1823
25
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
26
Joseph Constantine Stadler, active 1780–1812
View of Waterloo Bridge from the East End of Somerset House Terrace
1818
27
William Angus, 1752–1821
St. John Wapping
1818
28
John Coney, 1786–1833
St. Mary, Rotherhithe
1818
29
unknown artist
Westminster Abbey, the North Transept
1818
30
Charles John Smith, 1803–1838
House Occupied by the Royal Society, Crane Court, Fleet Street
undated
31
Augustus Charles Pugin, 1762–1832
The Opening of the Waterloo Bridge on the 18th June 1817
1818
32
Daniel Havell, 1785–1826
South East View of St. Paul's Cathedral
1818
33
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
34
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1818
35
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
36
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
37
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
38
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
39
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
40
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
41
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
42
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
43
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
44
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
45
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1818-1820
46
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
47
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
48
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
49
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
50
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
51
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
52
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
53
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
54
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
55
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
56
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
57
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
58
Print made by Samuel Rawle, 1771–1860
Brignall Church
1818-1823
59
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
60
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
61
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
62
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
63
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
64
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
65
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
66
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
67
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
68
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1818
69
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
70
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
71
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
72
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1818-1820
73
Print made by John Landseer, 1769–1852
Cascade of Terni
1818-1820
74
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
75
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
76
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
77
Print made by William Richardson, active 1842–1877
The Roman Forum, from the Tower of the Capitol
1818-1820
78
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
79
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
80
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
81
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
82
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
83
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
84
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
85
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
86
Print made by William Ward, 1766–1826
Filho da Puta and Sir Joshua
1818
87
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
88
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
89
Print made by James Johnson, 1803–1834
Music Has Charms
undated
90
Charles Turner, 1774–1857
The Right Honorable Edward Lord Viscount Exmouth
1818
91
Print made by Thomas Goff Lupton, 1791–1873
Ploughing, Eton
1818, printed after 1851
92
William James Ward, ca. 1800–1840
David Wilkie, R.A
1818
93
Robert Havell, 1769–1832
Clifton Spring and Woods near Maidenhead
1818
94
Thomas Sutherland, ca. 1785–1838
Margate with the Venus Steam Packet Entering the Harbour
ca. 1823
95
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
96
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
97
unknown artist
A View of Cold Harbor in Thames Street, London
1818
98
Bartholomew Howlett, 1767–1827
Cornhill, London as it appeared in 1630
1818
99
unknown artist
Near Brixton Hill, Windy Day
1818
100
unknown artist
The Seven Sisters, Tottenham
1818
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