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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
33
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
30
Pye, John, 1782–1874
10
Smith, William R., active 1819–1851
5
Middiman, Samuel, ca. 1750–1831
4
Arnald, George, 1763–1841
3
Higham, Thomas, 1796–1844
3
Scott, John, 1774–1828
3
Heath, Charles, 1785–1848
2
Landseer, John, 1769–1852
2
Cooke, William Bernard, 1778–1855
1
Hakewill, James, 1778–1843
1
Le, Keux Henry, 1787–1868
1
Longman,, active 1804–1914
1
Radclyffe, William, 1780–1855
1
Robinson,, Son & Holdsworth, active 1813–1816
1
Varrall, J. C., active 1815–1827
1
Date
1782
144
1818
[remove]
33
1816
27
1897
25
1823
24
1821
19
1745
18
1820
15
1822
15
1824
15
1859
14
1834
13
1819
12
1812
11
1927
9
1792
8
1825
8
1896
8
1920
8
1715
7
1751
7
1775
7
1667
6
1799
6
1807
6
1813
6
1879
6
1762
5
1774
5
1776
5
1785
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1788
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1789
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1797
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1817
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1902
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1916
5
1697
4
1742
4
1773
4
1787
4
1790
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1800
4
1809
4
1815
4
1826
4
1828
4
1830
4
1835
4
1852
4
1864
4
1887
4
1890
4
1893
4
1900
4
1911
4
1917
4
1925
4
1618
3
1671
3
1675
3
1765
3
1795
3
1850
3
1858
3
1860
3
1884
3
1907
3
1926
3
1616
2
1658
2
1674
2
1680
2
1695
2
1700
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1725
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1737
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1771
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1772
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1780
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1791
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1798
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1805
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1806
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1810
2
1814
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1831
2
1832
2
1863
2
1865
2
1868
2
1875
2
1885
2
1886
2
1891
2
1913
2
On-site Access
Accessible by appointment in the Study Room
33
Image Use
Free to Use
33
Image Available
Available
33
Classification
Prints
33
Creator Gender
male
33
Collective Title
Whitaker's History of Richmondshire
27
A Picturesque Tour of Italy
1
Cooke's Views in Sussex
1
Period
19th century
33
Materials & Techniques
etching (printing process)
31
line engraving
29
wove paper
23
chine collé
14
laid paper
10
mezzotint
2
brown ink
1
engraver's proof
1
sepia
1
stipple engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
14
to
40
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
22
to
56
Work Type
intaglio print
[remove]
33
Genre
landscape
32
architectural subject
7
cityscape
4
animal art
3
genre subject
3
Subject Terms
landscape (representation)
23
river
20
architectural subject
8
church
7
waterfall
7
castle
5
abbey
4
cityscape
4
rivers
4
boats
3
canoes
3
cliffs
3
genre subject
3
men
3
mountain
3
poles
3
riverbanks
3
ruin
3
sampans
3
trees
3
more
Subject Terms
»
Associated Places
England
22
United Kingdom
21
Durham
12
Tees
12
North Yorkshire
7
Richmond
6
Greta
4
Rokeby
4
Swale
4
Bowes
3
Church of St. Mary the Virgin
3
Egglestone Abbey
3
Europe
3
Meuse
3
Richmond Castle
3
Richmond Falls
3
Wycliffe
3
Wycliffe Hall
3
Aysgarth
2
Aysgarth Falls
2
more
Associated Places
»
Exhibition History
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
30
Yale Center for British Art, Paul Mellon Fund
3
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Date
1818
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Work Type
intaglio print
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Height [cm]
19
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1
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
2
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
3
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
4
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
5
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1818-1823
6
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
7
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
8
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
9
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
10
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1818-1823
11
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1818-1823
12
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
13
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1818-1820
14
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
15
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
16
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
17
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
18
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
19
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
20
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
21
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
22
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
23
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
24
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
25
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
26
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1818
27
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
28
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
29
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
30
Print engraved by John Pye, 1782–1874
Hardraw Fall
1818
31
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1818-1823
32
Etched by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1818
33
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823