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Collection
Prints and Drawings
163
Rare Books and Manuscripts
3
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
72
Cooke, William Bernard, 1778–1855
27
Unknown artist
22
Havell, Robert, 1769–1832
8
Hill, John, 1770–1850
8
Turner, Charles, 1774–1857
8
Nash, Frederick, 1782–1856
7
Dawe, Henry E., 1790–1848
6
Green, William, 1760–1823
6
Nuttall,, Fisher & Dixon, active 1818
6
Smirke, Robert, 1752–1845
5
Allen, James C., active 1821–1831
4
Havell, Daniel, 1785–1826
4
Marks, J. L., active 1787–1799
4
Rawle, Samuel, 1771–1860
4
Say, William, 1768–1834
4
Smith, Anker., 1759–1819
4
Beechey, William, Sir, 1753–1839
3
Cousins, Samuel, 1801–1887
3
Lupton, Thomas Goff, 1791–1873
3
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Creator
»
Date
1800
823
1834
601
1789
417
1802
375
1825
365
1827
365
1794
350
1835
346
1795
334
1792
322
1830
310
1793
309
1833
301
1700
294
1797
294
1799
286
1782
283
1803
283
1791
277
1804
270
1808
268
1820
268
1836
259
1546
248
1796
225
1775
224
1823
224
1798
219
1809
215
1821
215
1780
213
1801
210
1790
209
1832
209
1824
200
1783
198
1807
196
1739
192
1812
190
1828
189
1826
183
1814
182
1630
181
1811
181
1837
181
1813
180
1788
178
1784
171
1810
170
1818
167
1816
[remove]
166
1831
165
1850
156
1819
153
1822
145
1786
144
1805
144
1754
141
1787
141
1785
140
1806
134
1778
132
1838
132
1745
127
1815
127
1817
125
1779
122
1771
121
1859
121
1781
118
1829
118
1755
117
1770
114
1776
114
2000
113
1989
110
1750
109
1880
109
1900
105
0
104
1772
103
1999
103
1768
99
1839
97
1876
95
1765
93
1762
91
1773
90
1777
89
1897
89
1674
88
1751
88
1890
88
1738
87
1855
87
1882
87
1896
86
1767
82
1769
82
1887
80
On-site Access
Accessible by appointment in the Study Room
166
Image Use
Free to Use
163
Under Certain Circumstances
3
Image Available
Available
144
Unavailable
22
Classification
Prints
[remove]
166
Creator Gender
male
149
unknown
25
female
1
Collective Title
Liber Studiorum
23
Cooke's Views in Sussex
21
'History of Cassiobury Park,' 1816 and 1837
8
Cooke's Rivers of Devon
6
Illustrations from Camden's 'The imperial history of England'
6
Whitaker's 'Loidis and Elmete'
6
Cooke's Picturesque Views of the Southern Coast of England
3
Iconographie Anglaise par Reynolds et Autres
2
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
1
Surtees' History of Durham
1
The British Gallery of Contemporary Portraits
1
Period
19th century
166
Materials & Techniques
etching (printing process)
64
wove paper
46
laid paper
39
mezzotint
35
line engraving
29
brown ink
23
aquatint
12
hand coloring
9
chine collé
5
engraving (printing process)
3
letterpress printing
3
stipple engraving
2
gray wash
1
progressive proofs
1
proof before letters
1
soft-ground etching
1
watercolor
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
73
Unknown
42
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
71
Unknown
42
Work Type
intaglio print
98
relief print
3
engraving
2
accordion fold format (binding)
1
advertisement
1
aquatint
1
ephemera
1
frontispiece
1
panorama
1
trade cards (advertising)
1
Genre
landscape
61
architectural subject
33
historical subject
12
portrait
12
marine art
8
animal art
7
genre subject
7
military art
4
religious and mythological subject
3
cityscape
2
cartographic material
1
literary theme
1
still life
1
Subject Terms
architectural subject
8
landscape (representation)
6
portrait
6
river
6
frame (furnishing)
5
historical subject
5
bridge
4
marine art
4
channel (water body component)
3
death
3
religious and mythological subject
3
abbey
2
estate
2
king (person)
2
landscape
2
mourning
2
park
2
people
2
plague
2
prince
2
more
Subject Terms
»
Subject Period
19th century
1
Associated Places
United Kingdom
8
England
6
France
6
Alps
4
Europe
4
Arve
3
Bonneville
3
Calais
3
Cornwall
3
Devon
3
Dover, Strait of
3
English Channel
3
Tamar
3
City of Westminster
2
Dunblane
2
Dunblane Cathedral
2
Great Britain
2
London
2
Mount Edgcumbe Country Park Estate
2
Palace of Westminster
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
2
Angelo, Henry, 1756–1835
1
Angelo, Henry, 1780–1852
1
Caratacus [Caractacus] (fl. AD 40–51), king in Britain
1
Claudius [Tiberius Claudius Nero Germanicus] (10 BC–AD 54), Roman emperor
1
Cupid
1
Edward I (1239–1307), king of England and lord of Ireland, and duke of Aquitaine
1
Edward IV (1442–1483), king of England and lord of Ireland
1
Henry IV (1367–1413), king of England and lord of Ireland, and duke of Aquitaine
1
Leopold I (1790–1865), king of the Belgians
1
Potter, John (Hatter)
1
Psyche
1
Sumner, Charles Richard (1790–1874), bishop of Winchester
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
5
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Darkness Visible - The Prints of John Martin (Clark Art Institute, 1986-09 - 1987-07-21)
1
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
136
Yale Center for British Art, Paul Mellon Fund
7
Yale Center for British Art, Gift of James Wilson, YCBA Docent
6
Yale Center for British Art; Yale University Art Gallery Collection
6
Yale Center for British Art, Gift of Frederick W. Hilles
2
Yale Center for British Art
1
Yale Center for British Art, Fry Print Collection, transfer from the Yale University Art Gallery
1
Yale Center for British Art, Gift of James Langhorne
1
Yale Center for British Art, Gift of Mr. J. Richardson Dilworth
1
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn
1
Yale Center for British Art, Gift of Stephen Parks, Yale BA 1961
1
Language
English
3
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Date
1816
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1
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
9
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
10
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
11
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
12
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
15
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
19
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
20
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
21
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
22
unknown artist
Mortar in St. James' Park
1816
23
J. L. Marks, active 1787–1799
Adventures in a Snoozing Cellar
ca. 1821
24
J. L. Marks, active 1787–1799
Disagreeable Adventures of Brian Boru and Captain Grammachree in an Irish Whiskey Parlour (from: Caricature, vol. 6)
ca. 1821
25
J. L. Marks, active 1787–1799
His Majesty Landing on the Pier at Howth
ca. 1821
26
J. L. Marks, active 1787–1799
Going to the Levee
ca. 1821
27
Attributed to Richard Dighton, 1795–1880
A Discharged Fifer
ca. 1821
28
Charles Turner, 1774–1857
John, Earl of St. Vincent, Admiral of the Red
1816
29
unknown artist
An Interior View of the Porch of the Parish Church at St. Alphage
1816
30
Robert William Smart, active 1820–1834
A Perspective View of the Royal Hospital for Seamen at Greenwich
1816
31
unknown artist
Ceiling Plan of Crosby Hall
1816
32
unknown artist
The New Custom House
1816
33
unknown artist
Portrait of Engelmann, in profile
1816
34
Daniel Havell, 1785–1826
A View of the London Dock, from St. Georges in the East
1816
35
William Wise, Active 1823–1876
Interior of Crosby Hall (Looking South)
1816
36
Samuel Rawle, 1771–1860
Interior of Part of Crosby Hall, Called the Council Room
1816
37
unknown artist
A View of the Waterloo Bridge
1816
38
Samuel Rawle, 1771–1860
Elevation of Part of the Interior of Crosby Hall (Council Room)
1816
39
William Wise, Active 1823–1876
Plan and View of the Vaults of Crosby Hall
1816
40
William Wise, Active 1823–1876
Northeast View of Crosby Hall
1816
41
Robert Wallis, 1794–1878
Interior of the Royal Exchange
1816
42
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
43
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
44
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
45
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
46
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
47
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
48
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
49
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
50
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
51
Robert Havell, 1769–1832
View of the Royal Artillery Barracks, Woolwich
1816
52
Print made by Robert Havell, 1769–1832
View of the Royal Military Academy, Woolwich
1816
53
Samuel Rawle, 1771–1860
A Southwest View of the Principal Quadrangle or Court Yard of Crosby Hall
1816
54
S. Jenkins, active 1814–1818
St. Leonard, Shoreditch
1816
55
unknown artist
Gateway St. Stephen's Church, Coleman Street
1816
56
unknown artist
St. Botolph's Church, Bishopsgate
1816
57
John Chapman, active ca. 1792–1823
St. Botolphs
1816
58
Print made by unknown artist
Little Devil's Bridge
between 1816 and 1820
59
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
60
Print made by John Scott, 1774–1828
Harewood House
1816
61
Print made by William Say, 1768–1834
Cupid and Psyche
1816
62
William Say, 1768–1834
Mrs. Litchfield
1816
63
Joseph Constantine Stadler, active 1780–1812
A View of Horse Guards from Whitehall
1816
64
Print made by Charles Turner, 1774–1857
Field Marshal, The Duke of Wellington
1816
65
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
66
Print made by John Martin, 1789–1854
A Classical City
1816
67
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
68
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
69
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
70
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
71
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
72
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
73
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
74
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
75
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
76
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
77
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
78
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
79
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
80
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
81
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
82
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
83
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
84
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
85
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
86
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
87
Thomas Sutherland, ca. 1785–1838
Ante Chamber Leading to the Throne Room, Carlton House
1816
88
William Thomas Fry, 1789–1843
Thos. Jephson, Camberwell
1816
89
unknown artist
Buckingham Stairs Water Gate
1816
90
Daniel Havell, 1785–1826
A View of the Bank of England
1816
91
unknown artist
View of the Vauxhall Iron Bridge
1816
92
unknown artist
View of the Vauxhall Iron Bridge
1816
93
Giovanni Vendramini, 1769–1839
Sir Francis Bourgeois
1816
94
Richard Gilson Reeve, 1803–1889
The King's Presence Chamber
1816
95
Daniel Havell, 1785–1826
London, taken near the New Custom House
1816
96
Daniel Havell, 1785–1826
A View of London from the Queen's Palace
1816
97
John Young, 1755–1825
Christ giving sight to the blind
1816
98
unknown artist
Chapel of St. Giles in the Fields, Church of St. James, Tottenham Court Road
1816
99
Henry R. Cook, active 1802–1849
Proscenium of the Opera House
1816
100
Henry R. Cook, active 1802–1849
Interior and Exterior Views of the Olympic Theatre near Drury Lane
1816
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