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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
28
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
27
Cooke, William Bernard, 1778–1855
13
Dawe, Henry E., 1790–1848
5
Lupton, Thomas Goff, 1791–1873
3
Cooke, George, 1781–1834
2
Rawle, Samuel, 1771–1860
1
Rhodes, Richard, 1765–1838
1
Thurston, John, 1744–1822
1
Date
1782
145
1823
37
1818
34
1816
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28
1897
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1789
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1745
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1859
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1831
3
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1616
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1803
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1827
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1855
2
On-site Access
Accessible by appointment in the Study Room
28
Image Use
Free to Use
28
Image Available
Available
28
Classification
Prints
[remove]
28
Creator Gender
male
28
Collective Title
Cooke's Views in Sussex
13
Liber Studiorum
11
Whitaker's 'Loidis and Elmete'
2
Surtees' History of Durham
1
Period
19th century
28
Materials & Techniques
etching (printing process)
25
wove paper
14
laid paper
13
brown ink
11
mezzotint
11
line engraving
10
chine collé
2
Height [cm]
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55
Work Type
intaglio print
27
Genre
landscape
27
architectural subject
5
animal art
3
genre subject
2
portrait
1
Subject Terms
bridge
3
landscape (representation)
3
river
3
abbey
2
portrait
1
Associated Places
Alps
3
Arve
3
Bonneville
3
France
3
Dunblane
2
Dunblane Cathedral
2
Scotland
2
United Kingdom
2
Associated People
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Credit Line
Yale Center for British Art, Paul Mellon Collection
27
Yale Center for British Art, Paul Mellon Fund
1
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Date
1816
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19
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Prints
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1
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
4
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
6
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
9
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
10
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
11
Print made by George Cooke, 1781–1834
Gledhow
1816
12
Print made by George Cooke, 1781–1834
Gledhow
1816
13
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
14
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
15
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
16
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
17
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
18
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
19
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
20
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
21
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
22
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
23
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
24
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
25
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
26
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
27
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
28
Print made by Richard Rhodes, 1765–1838
Shakespeare
1816