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Collection
Prints and Drawings
61
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
59
Cooke, William Bernard, 1778–1855
23
Dawe, Henry E., 1790–1848
6
Allen, James C., active 1821–1831
4
Turner, Charles, 1774–1857
4
Havell, Robert, 1769–1832
3
Hill, John, 1770–1850
3
Lupton, Thomas Goff, 1791–1873
3
Scott, John, 1774–1828
3
Cooke, George, 1781–1834
2
Hodgetts, Thomas, active 1801–1846
2
Robinson,, Son & Holdsworth, active 1813–1816
2
Say, William, 1768–1834
2
Byrne, John, 1786–1847
1
Kennion, Charles John, 1789–1853
1
Kennion, Edward, 1743–1809
1
Martin, John, 1789–1854
1
Rawle, Samuel, 1771–1860
1
Unknown artist
1
Date
1834
299
1827
122
1835
112
1836
112
1825
93
1830
86
1833
81
1832
70
1818
67
1816
[remove]
61
1837
57
1859
56
1803
52
1828
50
1850
50
1811
47
1814
46
1823
46
1831
44
1820
42
1819
40
1812
39
1821
37
1847
36
1824
33
1838
33
1822
32
1800
30
1826
30
1813
29
1896
28
1829
26
1808
24
1839
23
1900
22
1864
21
1776
20
1860
20
1789
19
1802
19
1897
19
1915
19
1921
19
1908
18
1920
18
2000
18
1792
17
1852
17
1865
17
1810
16
1775
15
1807
15
1845
15
1925
15
1842
14
1855
14
1913
14
1917
14
1922
14
1799
13
1817
13
1844
13
1851
13
1887
13
1914
13
1916
13
1926
13
1927
13
2005
13
1794
12
1805
12
1857
12
1911
12
1912
12
1918
12
1928
12
1931
12
1741
11
1809
11
1856
11
1875
11
1880
11
1881
11
1902
11
1905
11
1932
11
1742
10
1797
10
1841
10
1863
10
1877
10
1891
10
1674
9
1744
9
1773
9
1840
9
1890
9
1907
9
1910
9
1929
9
On-site Access
Accessible by appointment in the Study Room
61
Image Use
Free to Use
61
Image Available
Available
61
Classification
Prints
[remove]
61
Creator Gender
male
61
unknown
1
Collective Title
Liber Studiorum
20
Cooke's Views in Sussex
17
'History of Cassiobury Park,' 1816 and 1837
6
Cooke's Rivers of Devon
6
Whitaker's 'Loidis and Elmete'
5
Cooke's Picturesque Views of the Southern Coast of England
3
Surtees' History of Durham
1
Period
19th century
61
Materials & Techniques
etching (printing process)
49
wove paper
31
laid paper
23
line engraving
21
brown ink
20
mezzotint
20
aquatint
6
hand coloring
5
engraving (printing process)
3
chine collé
2
gray wash
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
53
Unknown
6
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
15
to
58
Unknown
6
Work Type
intaglio print
61
Genre
landscape
[remove]
61
architectural subject
23
animal art
7
genre subject
6
marine art
5
cityscape
2
historical subject
2
religious and mythological subject
2
Subject Terms
landscape (representation)
6
river
6
bridge
4
abbey
2
architectural subject
2
death
2
estate
2
landscape
2
mourning
2
park
2
people
2
plague
2
religious and mythological subject
2
stairs
2
Old Testament
1
bananas
1
bay (body of water)
1
branches
1
castle
1
child
1
more
Subject Terms
»
Associated Places
United Kingdom
6
Alps
4
England
4
Europe
4
Arve
3
Bonneville
3
Cornwall
3
Devon
3
France
3
Tamar
3
Dunblane
2
Dunblane Cathedral
2
Mount Edgcumbe Country Park Estate
2
Plymouth Sound
2
Scotland
2
Africa
1
Carrick Roads
1
Dartmoor
1
Egypt
1
Falmouth
1
more
Associated Places
»
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
5
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
2
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Darkness Visible - The Prints of John Martin (Clark Art Institute, 1986-09 - 1987-07-21)
1
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
60
Yale Center for British Art, Gift of James Langhorne
1
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Date
1816
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Genre
landscape
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1
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
4
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
9
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
11
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
17
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
19
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
20
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
21
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
22
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
23
Print made by John Scott, 1774–1828
Harewood House
1816
24
Print made by George Cooke, 1781–1834
Gledhow
1816
25
Print made by George Cooke, 1781–1834
Gledhow
1816
26
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
27
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
28
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
29
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
30
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
31
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
32
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
33
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
34
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
35
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
36
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
37
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
38
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
39
Print made by unknown artist
Little Devil's Bridge
between 1816 and 1820
40
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
41
Print made by John Martin, 1789–1854
A Classical City
1816
42
Print made by John Scott, 1774–1828
Harewood House
1816
43
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
44
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
45
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
46
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
47
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
48
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
49
Print made by John Scott, 1774–1828
Harewood House
1816
50
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
51
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
52
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
53
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
54
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
55
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
56
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
57
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
58
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
59
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
60
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
61
Print made by John Byrne, 1786–1847
A View of Hall-head Sugar Plantation, Jamaica
1816