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Collection
Prints and Drawings
83
Paintings and Sculpture
11
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
60
Cooke, William Bernard, 1778–1855
23
Constable, John, 1776–1837
10
Dawe, Henry E., 1790–1848
6
Allen, James C., active 1821–1831
4
Cooper, Edwin W. of Beccles, 1785–1833
4
Turner, Charles, 1774–1857
4
Havell, Robert, 1769–1832
3
Hill, John, 1770–1850
3
Lupton, Thomas Goff, 1791–1873
3
Scott, John, 1774–1828
3
Unknown artist
3
Cooke, George, 1781–1834
2
Cox, David, 1783–1859
2
Haygarth, William, active 1810–1816
2
Hodgetts, Thomas, active 1801–1846
2
Martin, John, 1789–1854
2
Robinson,, Son & Holdsworth, active 1813–1816
2
Say, William, 1768–1834
2
Vigne, Godfrey Thomas, 1801–1863
2
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Creator
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Date
1791
622
1834
338
1867
254
1800
216
1835
191
1826
189
1827
182
1836
174
1814
173
1802
154
1825
144
1830
139
1820
132
1833
129
1818
107
1816
[remove]
94
1832
94
1803
88
1837
78
1819
75
1829
70
1801
69
1811
68
1828
68
1841
65
1859
65
1821
64
1805
63
1808
63
1812
60
1831
57
1810
56
1823
55
1813
54
1822
53
1847
53
1860
53
1838
51
1817
48
1845
47
1815
46
1824
45
1804
43
1850
42
1857
41
1807
40
1840
40
1851
39
1809
36
1839
36
1793
34
1855
34
1896
32
1864
30
1865
30
1870
30
1842
29
1861
29
1844
27
1880
27
1854
24
1863
24
1806
23
1846
21
1890
21
1848
19
1874
19
1875
19
1843
18
1852
18
1866
18
1853
16
1856
16
1858
16
1795
13
1873
11
1877
11
1881
11
1891
11
1849
10
1862
10
1869
10
1879
10
1885
10
1887
10
1796
9
1868
9
1799
8
1872
8
1882
6
1884
6
1888
6
1889
5
1892
5
1893
5
1797
4
1871
4
1876
4
1878
4
1886
4
On-site Access
Accessible by appointment in the Study Room
83
Not on view
11
Image Use
Free to Use
94
Image Available
Available
94
Classification
Prints
61
Drawings & Watercolors
22
Paintings
11
Creator Gender
male
94
unknown
3
Collective Title
Liber Studiorum
20
Cooke's Views in Sussex
17
'History of Cassiobury Park,' 1816 and 1837
6
Cooke's Rivers of Devon
6
Whitaker's 'Loidis and Elmete'
5
Cooke's Picturesque Views of the Southern Coast of England
3
Surtees' History of Durham
1
Period
19th century
[remove]
94
Materials & Techniques
wove paper
52
etching (printing process)
49
brown ink
28
laid paper
23
line engraving
21
mezzotint
20
watercolor
15
graphite
14
oil paint
11
painting (technique)
11
pen
10
black ink
7
aquatint
6
paper
6
gray ink
5
hand coloring
5
brown wash
4
gouache
4
panel (wood)
4
canvas
3
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
53
Unknown
6
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
15
to
58
Unknown
6
Work Type
intaglio print
61
drawing
22
watercolor
21
painting
11
Genre
landscape
[remove]
94
architectural subject
26
genre subject
14
animal art
7
marine art
6
cityscape
4
sporting art
4
historical subject
2
religious and mythological subject
2
Subject Terms
landscape
26
trees
12
river
10
men
8
science
8
clouds
7
genre subject
7
landscape (representation)
6
meteorology
6
architectural subject
5
dogs (animals)
5
houses
5
road
5
bridge
4
fence
4
fox hunting
4
gray (color)
4
horseback riders
4
horseback riding
4
horses (animals)
4
more
Subject Terms
»
Associated Places
United Kingdom
17
England
15
Europe
9
Alps
4
Devon
4
Arve
3
Bonneville
3
Cornwall
3
Dorset
3
France
3
Tamar
3
Central America
2
Dunblane
2
Dunblane Cathedral
2
Jamaica
2
Mount Edgcumbe Country Park Estate
2
Plymouth Sound
2
Scotland
2
Africa
1
Aldbury
1
more
Associated Places
»
Exhibition History
John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1969-04-30 - 1969-11-01)
8
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
5
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
3
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
3
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
2
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
2
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Art, Artifact, Artifice (Yale University Art Gallery, 2020-02-14 - 2021-03-15)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
91
Yale Center for British Art, Gift of James Langhorne
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, Paul Mellon Fund
1
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Date
1816
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1
Francis Danby, 1793–1861
The Avon Gorge
between 1816 and 1818
Not on view
2
John Constable, 1776–1837
Osmington Village
1816 to 1817
Not on view
3
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
4
John Constable, 1776–1837
Extensive Landscape with Grey Clouds
ca. 1821
Not on view
5
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
6
John Constable, 1776–1837
A Cloud Study, Sunset
ca. 1821
Not on view
7
John Constable, 1776–1837
Rushes by a pool
ca. 1821
Not on view
8
Attributed to John Constable, 1776–1837
A View on Hampstead Heath, Early Morning
ca. 1821
Not on view
9
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
10
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
11
John Linnell, 1792–1882
Landscape with Figures
1816
Not on view
12
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
19
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
20
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
21
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
22
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
23
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
24
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
25
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
26
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
27
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
28
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
29
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
30
Joseph Mallord William Turner, 1775–1851
Leeds
1816
31
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
32
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
33
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
34
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
35
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
36
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
37
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
38
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
39
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
40
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
41
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
42
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
43
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
44
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
45
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
46
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
47
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
48
Print made by John Scott, 1774–1828
Harewood House
1816
49
Print made by John Scott, 1774–1828
Harewood House
1816
50
Print made by George Cooke, 1781–1834
Gledhow
1816
51
Print made by George Cooke, 1781–1834
Gledhow
1816
52
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
53
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
54
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
55
William Haygarth, active 1810–1816
Mount Soratte from Civita Castellana
1816
56
Godfrey Thomas Vigne, 1801–1863
Clifton Mount
undated
57
John Varley, 1778–1842
The Thames Near the Penitentiary, Millbank, London
1816
58
William West of Clifton near Bristol, 1801–1861
An Island with Returning Birds at Nightfall
undated
59
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
60
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
61
Print made by John Martin, 1789–1854
A Classical City
1816
62
Isaac Weld, 1774–1856
Mt. St. Bernard (Switzerland)
1816
63
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
64
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
65
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
66
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
67
Print made by unknown artist
Little Devil's Bridge
between 1816 and 1820
68
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
69
Print made by John Scott, 1774–1828
Harewood House
1816
70
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
71
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
72
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
73
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
74
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
75
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
76
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
77
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
78
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
79
Sir George Hayter, 1792–1871
Stormy Sunset, Legh Park, Wiltshire
1816
80
John Harden, 1772–1847
From the Church Hill, Ambleside
1816
81
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
82
Godfrey Thomas Vigne, 1801–1863
Greytown
undated
83
unknown artist
View of Swanage Bay, Dorset
1816
84
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Near the Death
1816
85
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: The Death
1816
86
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Full Cry
1816
87
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Unkennelling the Pack
1816
88
William West of Clifton near Bristol, 1801–1861
Bowmen at a Moonlit Lake Shooting Wildfowl
undated
89
David Cox, 1783–1859
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
90
John Martin, 1789–1854
Classical City in Landscape
1816
91
Print made by John Byrne, 1786–1847
A View of Hall-head Sugar Plantation, Jamaica
1816
92
unknown artist
Sheet of Composition Studies of River Scenes
after 1816
93
George Cumberland, 1754–1848
Near Weston-Super-Mare with Steep Holme Island
1816
94
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816