Date: 1815 / Associated Places: England - YCBA Collections Search Search Results

1. Harwich: The Low Lighthouse and Beacon Hill

Creator:: John Constable, 1776–1837
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 20 inches (33 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Sketch for "The Hay Wain"

Creator:: John Constable, 1776–1837
Date:: ca. 1820
Materials & Techniques:: Oil on canvas laid to paper
Dimensions:: 4 7/8 × 7 inches (12.4 × 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A View of Cheddar Gorge

Creator:: George Vincent, 1796–1832
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. An Extensive View of the Oxford Races

Creator:: Charles Turner, 1774–1857
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 25 1/8 x 36 1/4 inches (63.8 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Clarence Gold Cup at Hampton

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1815
Materials & Techniques:: Oil on four-fold mahogany screen
Dimensions:: Overall: 70 × 94 inches (177.8 × 238.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. London Bridge, with St. Paul's Cathedral in the distance

Creator:: William Anderson, 1757–1837
Date:: 1815
Materials & Techniques:: Oil on panel
Dimensions:: 6 3/8 × 12 3/4 inches (16.2 × 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Oxford from the River with Christ Church in the Foreground

Creator:: William Turner of Oxford, 1789–1862
Date:: ca. 1820
Materials & Techniques:: Oil on millboard
Dimensions:: 11 × 18 3/4 inches (27.9 × 47.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Osmington: A View to the Village

Creator:: John Fisher, 1788–1832
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 5 3/4 x 10 inches (14.6 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Kensington Gardens

Creator:: John Martin, 1789–1854
Date:: between 1815 and 1816
Materials & Techniques:: Oil on panel
Dimensions:: 5 1/4 × 7 7/8 inches (13.3 × 20 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Hanson Toot, View in Dovedale

Creator:: John Linnell, 1792–1882
Date:: 1815, reworked, 1846, 1854, and 1870
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 x 35 1/2 inches (62.2 x 90.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. The Avon Gorge, Looking toward Clifton

Creator:: Francis Danby, 1793–1861
Date:: ca. 1820
Materials & Techniques:: Watercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 28 3/4 inches (48.9 x 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Lulworth Castle, Dorset

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1820
Materials & Techniques:: Watercolor and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Steeton Manor House, Near Farnley

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1815 and 1818
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 x 6 5/8 inches (11.1 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Windsor Forest

Creator:: John Linnell, 1792–1882
Date:: 1815
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 6 1/8 x 8 3/8 inches (15.6 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Lecture House, Watford

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 x 16 3/4 inches (32.4 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. A Lodge at Cassiobury

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 x 14 7/8 inches (27 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Bushey Church from the South West

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 3/4 x 15 inches (24.8 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Dagnall Lane, St. Albans

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 11 5/8 inches (23.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Cromer Pier

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/8 × 6 3/8 inches (11.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

20. Herstmonceux Castle, Sussex

Creator:: John Greig, active 1803–1853
Date:: 1815
Materials & Techniques:: Engraving, with graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 3 3/4 × 6 1/4 inches (9.5 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Harwich, Essex

Creator:: William Daniell, 1769–1837
Date:: ca. 1820
Materials & Techniques:: Brown wash, brown ink, and white chalk over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/2 inches (16.2 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1815
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Sunrise

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

26. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Mew Stone at the Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Essex Chantry, Watford Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 3/16 × 14 1/4 inches (46.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/16 × 17 1/16 inches (29.1 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and engraving; engraver's proof (a) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 11/16 × 17 1/2 inches (29.7 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. North West view of Charlton House, Kent; The Seat of Lady Wilson

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Ground Plan of Newby Hall, Yorkshire; the Seat of the Right Hon'ble Lord Grantham

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The North Country Mails at The Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A Ball at Scarborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

Creator:: Attributed to John Carter, 1748–1817
Date:: 1815
Materials & Techniques:: Graphite on smooth, medium, white wove paper
Dimensions:: Sheet: 6 1/4 × 8 3/4 inches (15.9 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Part of the Old Dormitory

Creator:: Attributed to John Carter, 1748–1817
Date:: 1815
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Springing of groins

Creator:: Attributed to John Carter, 1748–1817
Date:: 1815
Materials & Techniques:: Graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Harvesters in Landscape in Sussex

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 7/8 × 38 3/4 inches (65.7 × 98.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Houses of Lords and Commons

Creator:: Print made by Miss Mary Byrne, 1776–1846
Date:: 1815
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 4 5/8 × 6 1/8 inches (11.7 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Westminster Hall

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 7 15/16 × 8 3/4 inches (20.1 × 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Lower Lobby, House of Commons

Creator:: Print made by James Sands, active 1813–1846
Date:: 1815
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A Chest in Dersingham Church, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1815
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 x 15 inches (19.1 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Great Snoring Church, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1815 to 1816
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 x 9 1/4 inches (15.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

Creator:: Print made by James Basire II, 1769–1822
Date:: 1815
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Chatham Dockyard from Upnor

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Princes in the Tower

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

54. Newbury Market Place, Berkshire

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. North-Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815 to 1823
Materials & Techniques:: Graphite and pen and brown ink, numbered for transfer on medium, slightly textured, beige wove paper, mounted on board
Dimensions:: Sheet: 22 7/8 x 31 7/8 inches (58.1 x 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The costume of the University of Oxford : illustrated by a series of engravings from original drawings by Thomas Uwins : to which is prefixed a brief account of the members and officers of that university.

Creator:: Uwins, Thomas, 1782–1857
Date:: MDCCCXV [1815]
Physical Description:: [6], 18 p., [17] leaves of plates : ill. ; 35 cm.
Collection:: Rare Books and Manuscripts

57. Prospectus for publishing by subscription, Laporte's progressive lessons in landscape, from nature, in imitation of pencil, from the original drawings : to be contained in six numbers, price to subscribers nine shillings each.

Creator:: Griffiths, Thomas (Publisher)
Date:: February, 1815
Physical Description:: 1 sheet ([1] page) ; 24 cm
Collection:: Rare Books and Manuscripts

58. A copy of the last will and testament of Thomas Guy, Esq. : with an act (passed 11th George the First) for incorporating the executors of the said will.

Creator:: Guy, Thomas, 1645?-1725
Date:: 1815
Physical Description:: 55, [1], 43, [1] p. ; 22 cm.
Collection:: Rare Books and Manuscripts

59. A catalogue of a very interesting and valuable collection of water-colour drawings, by Nash, Shepherd, Whichelo, &c. : illustrative of Pennant's History of London, among which are many views of building no longer extant : likewise portraits in Indian ink of some of the principal characters mentioned in that popular work : to which are added, a small collection of loose engravings, by the best Masters : viz. Audran, Roullet, Bervic, Wille, Strange and Woollett : etchings by Du Jardin and Waterloo : a few books of prints : a set of Boydell's Shakspeare : pictures, books, coins, & astronomical instruments : the contents of an observatory, of a man of science : which will be sold by auction by Mr. Christie, at his Great Room in Pall Mall, on Tuesday, May 2, 1815 and following day, precisely at one o'clock : may be viewed two days preceding and catalogues had in Pall Mall.

Creator:: Christie, James, 1773–1831
Date:: [1815]
Physical Description:: 22 pages ; 27 cm
Collection:: Rare Books and Manuscripts

60. The rejected pictures, &c. with descriptive sketches of the several compositions by some ci-devant and other cognoscenti: (being a supplement to the Royal Academy catalogue of 1815.) To which are added, a few of the secret reasons for their rejection, by a distinguished member of the hanging committee ...

Date:: 1815
Physical Description:: vi, [2], 112 p. 23 cm.
Collection:: Rare Books and Manuscripts

61. Lives of topographers and antiquaries who have written concerning the antiquities of England, : with portraits of the authors, and a complete list of their works, so far as they relate to the topography of this kingdom, together with a list of portraits, monuments, views, and other prints ... / By J. P. Malcolm ...

Creator:: Malcolm, James Peller, 1767–1815
Date:: 1815
Physical Description:: 128 p. in various pagings, [26] leaves of plates : ports. ; 29 cm.
Collection:: Rare Books and Manuscripts

62. Bibliotheca Peirsoniana, or, Catalogue raisonné : (adapted to serve as a perpetual Vade mecum for young clergy-men and students in Divinity) of the very valuable and extensive library of the Rev. Thomas Peirson, D.D. Senior Minster of the Established English Church, in the City of Amsterdam.

Creator:: Peirson, Thomas
Date:: [1815]
Physical Description:: [2], xi, [1], 219, [1] p. ; 22 cm.
Collection:: Rare Books and Manuscripts

63. In the press, and speedily will be published, The history of Richard the Third, King of England. etc., composed in five books by Sir George Buck : now first printed entire from the original ms. in the possession of the editor : with an appendix of notes and documents by Charles Yarnold, Esq.

Creator:: Rees, Richard (Publisher)
Date:: [1815]
Physical Description:: [1] page ; 23 cm
Collection:: Rare Books and Manuscripts

64. A catalogue of the singularly fine and very rare drawings : selected with great taste and at considerable expence from those distinguished cabinets, the Calonne, Knapton, and Spencer Collections : some very valuable books relating to the fine arts : amongst which are Antichita di Ercolano, 8 tome : ... copy of Holbein's Heads by Chamberlaine : Antiche Statue de Venezia, 2 vols. : Bartolozzi's Etchings from Guercino, 2 vols. : Roger's Imitations, with Lives of the Painters : and the small and valuable collection of Italian and Dutch pictures : containing the undoubted works of Titian, Guido, C. Cagliari, Corregio, Rembrandt, Both, Ostade, Ruysdael, N. & G. Poussin : Which will be sold by auctions, by Mr. Squibb, by order of the executors, without reserve, at his Great Room, Saville Place, Saville Row, on Thursday the thirteenth of April 1815, and two following days, at twelve o'clock : to be viewed two days preceding the sale, when catalogues may be had at one & sixpence each.

Creator:: Squibb, Mr.
Date:: [1815]
Physical Description:: 24 pages ; 25 cm
Collection:: Rare Books and Manuscripts

65. Just published, (no. I), price one guinea, a selection of Hebrew melodies, with appropriate symphonies and accompaniments by Mr. Braham and Mr. Nathan : the poetry written expressly for the work, by the Right Honourable Lord Bryon.

Creator:: Nathan, Isaac, 1792–1864
Date:: [1815]
Physical Description:: 1 sheet ([1]) page ; 24 cm
Collection:: Rare Books and Manuscripts

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Date 1815

Associated Places England

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1. Harwich: The Low Lighthouse and Beacon Hill

2. Sketch for "The Hay Wain"

3. A View of Cheddar Gorge

4. An Extensive View of the Oxford Races

5. The Clarence Gold Cup at Hampton

6. London Bridge, with St. Paul's Cathedral in the distance

7. Oxford from the River with Christ Church in the Foreground

8. Osmington: A View to the Village

9. Kensington Gardens

10. Hanson Toot, View in Dovedale

11. The Avon Gorge, Looking toward Clifton

12. Lulworth Castle, Dorset

13. Steeton Manor House, Near Farnley

14. Windsor Forest

15. The Lecture House, Watford

16. A Lodge at Cassiobury

17. Bushey Church from the South West

18. Dagnall Lane, St. Albans

19. Cromer Pier

20. Herstmonceux Castle, Sussex

21. Harwich, Essex

22. The Mew Stone at the Entrance of Plymouth Sound

23. The Mew Stone at the Entrance of Plymouth Sound

24. Teignmouth, Devon

25. Sunrise

26. Plymouth Citadel

27. The Mew Stone at the Entrance of Plymouth Sound

28. The Essex Chantry, Watford Church

29. Falmouth, Cornwall

30. Falmouth, Cornwall

31. North West view of Charlton House, Kent; The Seat of Lady Wilson

32. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

33. North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea

34. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

35. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

36. Ground Plan of Newby Hall, Yorkshire; the Seat of the Right Hon'ble Lord Grantham

37. The North Country Mails at The Peacock Inn, Islington

38. South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam

39. South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot

40. North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot

41. A Ball at Scarborough

42. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

43. Part of the Old Dormitory

44. Springing of groins

45. Harvesters in Landscape in Sussex

46. The Houses of Lords and Commons

47. Westminster Hall

48. The Lower Lobby, House of Commons

49. A Chest in Dersingham Church, Norfolk

50. Great Snoring Church, Norfolk

51. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

52. Chatham Dockyard from Upnor

53. The Princes in the Tower

54. Newbury Market Place, Berkshire

55. North-Country Mails at the Peacock, Islington

56. The costume of the University of Oxford : illustrated by a series of engravings from original drawings by Thomas Uwins : to which is prefixed a brief account of the members and officers of that university.

57. Prospectus for publishing by subscription, Laporte's progressive lessons in landscape, from nature, in imitation of pencil, from the original drawings : to be contained in six numbers, price to subscribers nine shillings each.

58. A copy of the last will and testament of Thomas Guy, Esq. : with an act (passed 11th George the First) for incorporating the executors of the said will.

62. Bibliotheca Peirsoniana, or, Catalogue raisonné : (adapted to serve as a perpetual Vade mecum for young clergy-men and students in Divinity) of the very valuable and extensive library of the Rev. Thomas Peirson, D.D. Senior Minster of the Established English Church, in the City of Amsterdam.

63. In the press, and speedily will be published, The history of Richard the Third, King of England. etc., composed in five books by Sir George Buck : now first printed entire from the original ms. in the possession of the editor : with an appendix of notes and documents by Charles Yarnold, Esq.

65. Just published, (no. I), price one guinea, a selection of Hebrew melodies, with appropriate symphonies and accompaniments by Mr. Braham and Mr. Nathan : the poetry written expressly for the work, by the Right Honourable Lord Bryon.