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1. View of the Island Pool in lower Thornery of Sezincot Mansion House

View of the Island Pool in lower Thornery of Sezincot Mansion House
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
ca. 1818
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. East View of Mansion House

East View of Mansion House
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
ca. 1818
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. View of the Farm House with Screen to Stables & Farm Buildings to Sezincot House

View of the Farm House with Screen to Stables & Farm Buildings to Sezincot House
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
ca. 1818
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 17 1/2 x 22 9/16in. (44.5 x 57.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. View of Temple Fountain & Cave

View of Temple Fountain & Cave
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
ca. 1818
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. The Entrance Door of East Front of Mansion House

The Entrance Door of East Front of Mansion House
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
ca. 1818
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 17 1/2 x 22 1/4in. (44.5 x 56.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. South Front of Mansion House & Conservatory

South Front of Mansion House & Conservatory
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
ca. 1818
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 17 1/4 x 22 1/2in. (43.8 x 57.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund