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Date 1811

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Creator St., Clair T., active 1810–1815

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No. 7 Distant View of Cuidad Rodrigo from Oak Wood near the Village Espeja March 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 10 Troop bivoacked below the village of the villa Velha, 19th May 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 11 The Passage of the Tagus by the 3rd Division at Villa Velha, 20 May 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No. 9 The Frontier of Pina Macor. Portugese Troops on the March to Costello Branco, 18th May 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No.12 Badajos during the Siege of June 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No.4 Town of Poinbal. Evacuated by the French on the Morning of 11 March 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No.6 Battle of Fuontes d'Ouoro, 5th July 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No.8 The March of the 3rd. Division through the Sierra de Estiella or de Neve, May 16, 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection