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The Farm-yard with the Cock
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Riders Fording a River
Creator:
Samuel Jackson, 1794–1869
Date:
undated
Materials & Techniques:
Brown wash over graphite with scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 x 16 1/2 inches (31.4 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Distant View of Edinburgh
Creator:
Thomas Stothard, 1755–1834
Date:
1809
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 5/16 x 16 5/16in. (21.1 x 41.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ecstasy of St. Francis
Creator:
Print made by William Say, 1768–1834
Date:
1809
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 16 1/2 inches (54.3 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sketch made for a Vignette by Mr. Ed Hall's History of Caernarvonshire, Which Was Never Published
Creator:
Isaac Weld, 1774–1856
Date:
1809
Materials & Techniques:
Pen and brown ink, over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 × 16 3/8 inches (27.9 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Conway (Castle, North Wales)
Creator:
Isaac Weld, 1774–1856
Date:
1809
Materials & Techniques:
Watercolor, brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 1/16 × 16 9/16 inches (33.2 × 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection