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Collection
Prints and Drawings
45
Creator
Turner, Charles, 1774–1857
21
Turner, J. M. W. (Joseph Mallord William), 1775–1851
21
Blair, Robert, 1699–1746
12
Schiavonetti, Luigi, 1765–1810
12
Blake, William, 1757–1827
10
Ackermann, Rudolph, 1764–1834
4
Cadell, Thomas, 1773–1836
4
Cromek, Robert Hartley, 1770–1812
4
Pugin, Augustus Charles, 1762–1832
4
Rowlandson, Thomas, 1756–1827
4
Condy, Nicholas, 1793–1857
2
Hill, John, 1770–1850
2
Phillips, Thomas, 1770–1845
2
Stadler, Joseph Constantine, active 1780–1812
2
Bluck, John, active 1791–1819
1
Daniell, William, 1769–1837
1
Freeman, Samuel, 1773–1857
1
Gillray, James, 1756–1815
1
Head, Guy, 1753–1800
1
Holland, William, 1757–1815
1
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1804
104
1825
84
1808
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1811
34
1812
30
1859
29
1826
24
1790
23
1768
22
1809
22
1748
20
1813
20
1824
20
1767
19
1774
19
1776
19
1827
19
1764
17
1784
17
1819
17
1788
16
1771
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1830
15
1836
15
1772
14
1793
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1800
14
1823
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1834
14
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13
1807
13
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13
1818
13
1801
12
1817
12
1867
12
1630
11
1745
11
1775
11
1787
11
1792
11
1798
11
1821
11
1757
10
1820
10
1822
10
1832
10
1782
9
1802
9
1810
9
1715
8
1785
8
1786
8
1789
8
1791
8
1828
8
1840
8
1763
7
1773
7
1780
7
1794
7
1796
7
1805
7
1814
7
1831
7
1835
7
1710
6
1746
6
1777
6
1795
6
1797
6
1806
6
1815
6
1833
6
1848
6
1850
6
1858
6
1738
5
1754
5
1755
5
1778
5
1783
5
1829
5
1853
5
1674
4
1690
4
1719
4
1732
4
1743
4
1759
4
1760
4
1761
4
1770
4
1803
4
1839
4
1855
4
1857
4
1860
4
1874
4
On-site Access
Accessible by appointment in the Study Room
45
Image Use
Free to Use
[remove]
45
Image Available
Available
34
Unavailable
11
Classification
Prints
40
Drawings & Watercolors
5
Creator Gender
male
45
female
2
Collective Title
Liber Studiorum
21
The Grave, A Poem, by Robert Blair
12
Microcosm of London
2
Iconographie Anglaise par Reynolds et Autres
1
The Egremont Sea-piece
1
Period
19th century
43
18th century-19th century
2
Materials & Techniques
etching (printing process)
36
laid paper
28
brown ink
21
mezzotint
21
wove paper
15
aquatint
4
watercolor
4
gouache
3
hand coloring
3
black ink
2
graphite
2
brown wash
1
card
1
chine collé
1
colored ink
1
pen
1
scratching out
1
stipple engraving
1
Height [cm]
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Current results range from
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56
Width [cm]
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Current results range from
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51
Work Type
intaglio print
39
drawing
5
watercolor
5
frontispiece
2
Genre
landscape
15
religious and mythological subject
13
architectural subject
12
literary theme
12
marine art
7
genre subject
5
portrait
3
Subject Terms
landscape
11
death
9
religious and mythological subject
9
man
8
clouds
7
wine
7
goblet
6
nude
6
soul
6
The Grave (1743) by Robert Blair (1699-1746)
5
bed
5
flying
5
literary theme
5
sailboats
5
trees
5
window
5
woman
5
barefoot
4
bread
4
flames
4
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Subject Terms
»
Associated Places
England
5
United Kingdom
5
Devon
3
Europe
2
Lake Thun
2
Plymouth
2
Switzerland
2
Breakwater lighthouse
1
Bridewell Prison
1
City of London
1
Egypt
1
English Channel
1
Exmouth
1
Greater London
1
Lambeth
1
London
1
Plymouth Camera Obscura
1
Plymouth Hoe
1
Plymouth Sound
1
Surrey
1
Associated People
Blake, William (1757–1827), engraver, artist, and poet
2
Iris
1
Napoleon I (1769–1821), Emperor of the French
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
3
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
3
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
3
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
3
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
41
Yale Center for British Art, Gift of Chauncey Brewster Tinker
3
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
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Date
1808
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26
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1
Etched by Joseph Mallord William Turner, 1775–1851
Holy Island Cathedral
1808
2
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
3
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
4
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
5
Etched by Joseph Mallord William Turner, 1775–1851
Dunstanborough Castle
1808
6
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
7
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
8
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
9
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
10
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
11
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
12
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
13
Etched by Joseph Mallord William Turner, 1775–1851
Holy Island Cathedral
1808
14
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
15
Etched by Joseph Mallord William Turner, 1775–1851
The Bridge in Middle Distance
1808
16
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
17
Etched by Joseph Mallord William Turner, 1775–1851
Pembury Mill, Kent
1808
18
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
19
Etched by Joseph Mallord William Turner, 1775–1851
The Castle above the Meadows
1808
20
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
21
Etched by Joseph Mallord William Turner, 1775–1851
Holy Island Cathedral
1808
22
Nicholas Condy, 1793–1857
H.M.S. St. Vincent at Plymouth
undated
23
Joseph Severn, 1793–1879
Caulking the Schooner, Falmouth Harbour
undated
24
after Thomas Rowlandson, 1756–1827
Billingsgate Market
1808
25
Print made by Caroline Watson, 1760–1814
Elizabeth Carter
1808
26
John Hill, 1770–1850
Pass-Room Bridewell
1808
27
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808, published 1813
28
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
29
Print made by Samuel Freeman, 1773–1857
Iris
1808
30
Francis Nicholson, 1753–1844
River Scene
1808
31
Joseph Constantine Stadler, active 1780–1812
Court of Chancery, Lincoln's Inn Hall
1808
32
John Hill, 1770–1850
Dining Hall, Asylum
1808
33
Nicholas Condy, 1793–1857
Plymouth Sound from the Hoe
undated
34
William Daniell, 1769–1837
Exmouth, Devon
ca. 1813
35
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
36
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
37
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
38
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
39
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
40
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
41
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
42
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
43
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
44
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
45
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808