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Collection
Prints and Drawings
4
Paintings and Sculpture
1
Creator
Crome, John, 1768–1821
3
Hills, Robert, 1769–1844
1
Vollweiler, Georg Jacob, active 1805–1807
1
White Abbott, John, 1763–1851
1
Date
1795
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1807
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1800
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1756
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1764
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1804
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1827
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1847
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1896
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1921
1
1939
1
1974
1
On-site Access
Accessible by appointment in the Study Room
4
Not on view
1
Image Use
Free to Use
5
Image Available
Available
4
Unavailable
1
Classification
Prints
3
Drawings & Watercolors
1
Paintings
1
Creator Gender
male
5
Collective Title
Specimens of Polyautography
1
Period
19th century
5
Materials & Techniques
etching (printing process)
2
wove paper
2
Asian paper
1
canvas
1
gray ink
1
gray wash
1
laid paper
1
lithography
1
oil paint
1
painting (technique)
1
pen
1
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75
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Work Type
intaglio print
2
drawing
1
painting
1
planographic print
1
watercolor
1
Genre
landscape
4
genre subject
2
animal art
1
Subject Terms
woods
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5
trees
4
bushes
3
fences
3
landscape
3
clouds
2
forest
2
genre subject
2
grass
2
man
2
resting
2
animal art
1
botany
1
cattle
1
cows
1
fishing
1
hat
1
hill
1
leaves
1
livestock
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Exhibition History
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
4
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
1
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1807
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woods
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1
Attributed to John Crome, 1768–1821
An Egyptian Poppy and a Water Mole
ca. 1812
Not on view
2
Print made by John Crome, 1768–1821
Wooded Landscape
ca. 1812
3
Print made by Robert Hills, 1769–1844
Cattle Resting
1807
4
John White Abbott, 1763–1851
Trees in a Wood
1807
5
Print made by John Crome, 1768–1821
The Back of the Mills
ca. 1812