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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
16
Creator
Blake, William, 1757–1827
16
Date
1804
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16
1809
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1690
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1770
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1772
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1815
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On-site Access
Accessible by appointment in the Study Room
16
Image Use
Free to Use
16
Image Available
Available
16
Classification
Prints
16
Creator Gender
male
16
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
16
Period
19th century
16
Materials & Techniques
black ink
16
relief etching
16
watercolor
16
wove paper
16
gold
3
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Work Type
drawing
16
relief print
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watercolor
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Genre
literary theme
16
religious and mythological subject
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Subject Terms
literary theme
16
nudes
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religious and mythological subject
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text
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men
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women
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sky
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vines
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flames
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roots
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sun
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fire
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leaf
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stars
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branches
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moon
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night
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sitting
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clouds
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nude
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Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
16
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
16
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
5
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
3
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
1
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
1
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
16
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1804
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nudes
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1
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
2
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
3
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
4
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
5
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
6
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
7
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
8
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
9
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
10
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
11
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
12
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
13
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
14
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
15
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
16
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820