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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
3
Creator
Blake, William, 1757–1827
2
Haydon, Benjamin Robert, 1786–1846
1
Date
1712
10
1768
6
1800
5
1755
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1772
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1804
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1700
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1749
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1765
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1630
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1893
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1904
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1920
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1926
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2016
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On-site Access
Accessible by appointment in the Study Room
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Classification
Prints
2
Drawings & Watercolors
1
Creator Gender
male
3
Collective Title
Jerusalem: The Emanation of The Giant Albion, Copy E
2
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
1
Period
19th century
3
Materials & Techniques
black ink
2
relief etching
2
watercolor
2
wove paper
2
brown ink
1
laid paper
1
pen
1
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27
Work Type
drawing
3
relief print
2
watercolor
2
Genre
religious and mythological subject
3
literary theme
2
Subject Terms
heads
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3
religious and mythological subject
3
women
3
literary theme
2
men
2
text
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arch
1
bats (animals)
1
birds
1
children
1
clouds
1
faces
1
figure study
1
gown
1
nudes
1
reclining
1
seated
1
serpent
1
sky
1
snake
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Associated People
The Virgin Mary
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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1
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
2
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
3
Benjamin Robert Haydon, 1786–1846
Figure Studies of the Virgin Mary
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