Date: 1803 - YCBA Collections Search Search Results

201. Portrait of Samuel Lyons

Creator:: Henry Bone, 1755–1834
Date:: 1803
Materials & Techniques:: Enamel on porcelain
Dimensions:: Image: 4 7/8 x 3 7/8 inches (12.4 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/8 x 23 3/8in. (44.1 x 59.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Henry VIII, Act V, Scene IV, The Palace

Creator:: Joseph Collyer, 1748–1827
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 5/16 x 23 1/16in. (44 x 58.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Henry VIII: Act III, Scene I, A Room in the Queen's Apartments

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/8 x 23 1/4in. (44.1 x 59.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc.

Creator:: Thomas Ryder, 1746–1810
Date:: 1803
Materials & Techniques:: Engraver's early proof
Dimensions:: Sheet: 17 3/8 x 23 11/16in. (44.1 x 60.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Titus Andromicus, Act IV, Scene I, Titus' House

Creator:: Thomas Kirk, 1765–1797
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/4 x 19 3/4in. (37.5 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc.

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 5/16 x 23 1/4in. (44 x 59.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc.

Creator:: Print made by Francis Legat, 1755–1809
Date:: 1803
Materials & Techniques:: Engraving, unfinished state
Dimensions:: Sheet: 17 x 23 1/4in. (43.2 x 59.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. The Gardener's Offering

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1803 and 1805
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 x 14 15/16 inches (27.6 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. George Romney

Creator:: William Ridley, 1764–1838
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy

Creator:: Print made by William Daniell, 1769–1837
Date:: 1803
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 8 3/4 inches (29.8 x 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1803
Materials & Techniques:: Etching
Dimensions:: Sheet: 14 1/2 x 19 7/8in. (36.8 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Title page for: A Selection of the most Picturesque Views in Paris and its environs

Creator:: James Girtin, ca. 1780–after 1820
Date:: 1803
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Westminster Abbey, Geometrical elevation of the West entrance; Westminster Abbey, Geometrical elevation of the North Front; and Project for a monument to Charles James Fox

Westminster Abbey, Geometrical elevation of the West entrance; Westminster Abbey, Geometrical elevation of the North Front; and Project for a monument to Charles James Fox

Creator:: unknown artist
Date:: c.1803
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Her Grace the Duchess of Bedford

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1803
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 27 3/8 × 19 9/16 inches (69.5 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. The Village of Charing &c. from Rodolphus Aggas's Map

Creator:: unknown artist
Date:: 1803
Materials & Techniques:: Reproduction / engraving
Dimensions:: Sheet: 7 13/16 x 10 1/4in. (19.8 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. View of Blackfriars Bridge and St. Paul's

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1803
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 13 7/8 x 19 1/8in. (35.2 x 48.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Maniac Ravings or Little Boney in a Strong Fit

Creator:: James Gillray, 1756–1815
Date:: 1803
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Patriotic Petitions on the Convention

Creator:: James Gillray, 1756–1815
Date:: ca. 1808
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. View of the Pantheon, taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown, laid paper
Dimensions:: Sheet: 7 x 17 1/8in. (17.8 x 43.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. The Water Mill above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brwon, laid paper
Dimensions:: Sheet: 6 3/4 × 11 7/8 inches (17.1 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. On the Banks of the Marne below the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 1/4 × 10 1/8 inches (15.9 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 8 × 21 3/4 inches (20.3 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 7/8 × 21 inches (17.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 7 7/8 × 19 inches (20 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. View of the Gate of St. Denis taken from the Suburbs

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 9 3/4 × 19 1/4 inches (24.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. The Rapacious Steward or Unfortunate Tenant

Creator:: Haveill Gillbank, 18th–19th centuries
Date:: 1803
Materials & Techniques:: Engraving, mixed method
Dimensions:: Sheet: 18 1/8 x 24in. (46 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. View of the Palace and Village of Choisi, on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 16 3/4 × 26 3/4 inches (42.5 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Mount: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. View of the Village of Chaillot, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. The Benevolent Heir or The Tenant Restored to his Family

Creator:: Haveill Gillbank, 18th–19th centuries
Date:: 1803
Materials & Techniques:: Engraving, mixed method
Dimensions:: Sheet: 18 1/8 x 24in. (46 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. As You Like It: Act II, Scene I: Forest of Arden

Creator:: Samuel Middiman, ca. 1750–1831
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Twelfth Night, Act V, Scene I: The Street

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Etching and stipple engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. MacBeth, Act I, Scene III: "A Heath"

Creator:: Print made by Thomas Trotter, ca. 1750–1803
Date:: 1803
Materials & Techniques:: Engraving, progress proof
Dimensions:: Sheet: 19 5/8 x 25in. (49.8 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection, Transfer from the Beinecke Rare Book and Manuscript Library

235. MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 9/16 x 24 3/4in. (49.7 x 62.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection, Transfer from the Beinecke Rare Book and Manuscript Library

236. Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

Creator:: Samuel Middiman, ca. 1750–1831
Date:: 1803
Materials & Techniques:: Engraving and etching
Dimensions:: Plate: 20 x 25 1/8in. (50.8 x 63.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. MacBeth, Act I, Scene V: "Inverness. A Room in MacBeth's Castle"

Creator:: James Parker, 1750–1805
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 7/8 x 22 7/16in. (42.9 x 57cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection, Transfer from the Beinecke Rare Book and Manuscript Library

238. King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."

Creator:: Benjamin West, 1738–1820
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 9/16 x 24 5/8in. (49.7 x 62.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower

Creator:: Peter Simon, 1750–1810
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/4 x 21 9/16in. (40 x 54.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Henry IV, Part I, Act II, Scene IV: " The Boar's Head"

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 3/16 x 23 3/8in. (43.7 x 59.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

Creator:: Samuel Middiman, ca. 1750–1831
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 5/8 x 24 7/8in. (49.8 x 63.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

Creator:: Samuel Middiman, ca. 1750–1831
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 5/16 x 23 7/16in. (44 x 59.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Henry IV: Part II, Act II, Scene IV. "Doll Tearsheet, Falstaff, Henry & Poins"

Creator:: William S. Leney, 1769–1831
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/4 x 19 3/8in. (36.2 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Twelfth Night, Act III, Scene IV: Olivia's House

Creator:: Thomas Ryder, 1746–1810
Date:: 1803
Materials & Techniques:: Stipple engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Wynnstay Theatre Ticket

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 6 3/8in. (21.6 x 16.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Boy Seated

Creator:: Print made by Thomas Barker, 1769–1847
Date:: 1803
Materials & Techniques:: Lithograph on moderately thick, slightly textured, gray laid paper
Dimensions:: Sheet: 11 7/16 x 7 7/8 inches (29.1 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

247. Twickenham Meadows

Creator:: John Landseer, 1769–1852
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. View of the Freemason's School, with the Adjacent Buildings from the Asylum, to the Toll Gate, near the Royal Circus

Creator:: unknown artist
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Racing: The Return from Coursing

Creator:: Anthony Cardon, 1772–1813
Date:: 1803
Materials & Techniques:: Hand colored stipple engraving
Dimensions:: Sheet: 18 7/8 x 23 15/16in. (47.9 x 60.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. William Cowper

Creator:: William Ridley, 1764–1838
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Pamela pointing an error in a direction, Vide, vol. 6, letter 30, page 200

Creator:: unknown artist
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 3 3/16 x 3in. (8.1 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Michael Zinman

252. Pamela: Mr. and Mrs. Andrews imploring a blessing for their first-born daughter, Pamela. Vide, vol. 4 Letter 21, page 108

Creator:: Samuel Noble, 1779–1853
Date:: 1803
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Michael Zinman

253. View of the Palace and Village of Choisi, on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 1/4 × 18 1/2 inches (15.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. A General View of Paris taken from Chaillot

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. A View of Pont Neuf, the Mint and etc.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. View of Pont Neuf, part of the Louvre and the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 9 × 19 3/8 inches (22.9 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 6 × 17 1/2 inches (15.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slight textured, cream wove paper
Dimensions:: Image: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. The Water Mill above the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 25 1/8 inches (39.7 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. View of Pont St. Michael taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. View of the Gate of the St. Denis taken from the Suburbs

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. The Water Works at Marli and St. German en Laye seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. A View of the Commercial Docks at Rotherhithe

Creator:: Print made by William Daniell, 1769–1837
Date:: 1803
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor
Dimensions:: Sheet: 20 1/4 x 33 1/4in. (51.4 x 84.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. An Elevated View of the New Dock in Wapping

Creator:: Print made by William Daniell, 1769–1837
Date:: 1803
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor
Dimensions:: Sheet: 20 1/4 x 33 1/4in. (51.4 x 84.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Brunswick Dock on the Thames at Blackwall

Creator:: Print made by William Daniell, 1769–1837
Date:: 1803
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor
Dimensions:: Sheet: 20 1/4 x 33 1/4in. (51.4 x 84.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. A View of Pont Neuf, the Mint, & c.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Monnow Bridge, Monmouth, North Wales, July 14, 1803

Creator:: Cornelius Varley, 1781–1873
Date:: 1803
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/16 x 14 3/8 inches (23.3 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Dedication Page for: to the Right Honorable George Earl of Essex

Creator:: Print made by James Girtin, ca. 1780–after 1820
Date:: 1803
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. The Water Mill above the Bridge at Charenton

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3/4 x 26 inches (1.8 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Half Title page for: Views in Paris and its Environs.

Creator:: James Girtin, ca. 1780–after 1820
Date:: 1803
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. A General View of Paris taken from Chaillot

Creator:: etching by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. View of the Village of Chaillot and &c., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. On the Banks of the Marne below the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs

Creator:: James Girtin, ca. 1780–after 1820
Date:: 1803
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. View of Pont St. Michel, taken from Pont Neuf

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. A View of Pont Neuf, the Mint, &c.

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. View of the Pantheon taken from the Arsenal

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Figure Seated by an Indian Temple

Creator:: George Chinnery, 1774–1852
Date:: between 1803 and 1825
Materials & Techniques:: Gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Image: 9 5/8 × 11 1/4 inches (24.4 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Paddling

Creator:: William Collins, 1788–1847
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 x 12 3/8 inches (21.6 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. William Shakspeare

Creator:: James Neagle, 1760–1822
Date:: 1803
Materials & Techniques:: Line engraving on laid paper
Dimensions:: Sheet: 8 1/4 × 5 1/4 inches (21 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

292. A River Scene

Creator:: George Chinnery, 1774–1852
Date:: between 1803 and 1825
Materials & Techniques:: Pen and brown ink, watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 8 5/8 inches (17.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Haymaking

Creator:: David Cox, 1783–1859
Date:: ca. 1808
Materials & Techniques:: Watercolor over graphite with scratching out on moderately textured, medium, cream wove paper mounted on thick card
Dimensions:: Sheet: 18 1/8 x 24 7/8 inches (46 x 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. A Pipul Tree

Creator:: George Chinnery, 1774–1852
Date:: between 1803 and 1825
Materials & Techniques:: Gray wash on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 1/4 × 9 inches (15.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Young Indian Nurse with English Child

Creator:: George Chinnery, 1774–1852
Date:: between 1803 and 1825
Materials & Techniques:: Graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 4 5/8 × 4 inches (11.7 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Landscape with Lime-Kiln and Workmen

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1808
Materials & Techniques:: Watercolor, pen and gray ink, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 x 7 3/8 inches (22.8 x 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Landscape with Fence

Creator:: Attributed to William Collins, 1788–1847
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, white wove paper
Dimensions:: Sheet: 2 1/2 × 3 1/8 inches (6.4 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Landscape with Man on Beach

Creator:: Attributed to William Collins, 1788–1847
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 2 5/8 × 2 7/8 inches (6.7 × 7.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Landscape: Valley with Mountain in Distance

Creator:: Attributed to William Collins, 1788–1847
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 4 1/4 inches (7.3 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Landscape: House and Trees

Creator:: Attributed to William Collins, 1788–1847
Date:: undated
Materials & Techniques:: Watercolor and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 3 × 4 1/4 inches (7.6 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1803

Search Results

201. Portrait of Samuel Lyons

202. Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle

203. Henry VIII, Act V, Scene IV, The Palace

204. Henry VIII: Act III, Scene I, A Room in the Queen's Apartments

205. Othello, Act II, Scene i, A Platform --- Desdemona, Othello etc.

206. Titus Andromicus, Act IV, Scene I, Titus' House

207. Henry VIII, Act IV, Scene II, Abbey of Leicester. Wolsey, Northumberland, and Attendants, Abbot of Leicester, etc.

208. Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc.

209. The Gardener's Offering

210. George Romney

211. Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy

212. Henry VI, Part II: Act III, Scene iii, Cardinal Beaufort's Bed Chamber

213. Title page for: A Selection of the most Picturesque Views in Paris and its environs

214. Westminster Abbey, Geometrical elevation of the West entrance; Westminster Abbey, Geometrical elevation of the North Front; and Project for a monument to Charles James Fox

215. Her Grace the Duchess of Bedford

216. The Village of Charing &c. from Rodolphus Aggas's Map

217. View of Blackfriars Bridge and St. Paul's

218. Maniac Ravings or Little Boney in a Strong Fit

219. Patriotic Petitions on the Convention

220. View of the Pantheon, taken from the Arsenal

221. The Water Mill above the Bridge at Charenton

222. On the Banks of the Marne below the Bridge at Charenton

223. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

224. View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations

225. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame

226. View of the Gate of St. Denis taken from the Suburbs

227. The Rapacious Steward or Unfortunate Tenant

228. View of the Palace and Village of Choisi, on the Banks of the Seine

229. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

230. View of the Village of Chaillot, etc., taken from Pont de la Concorde

231. The Benevolent Heir or The Tenant Restored to his Family

232. As You Like It: Act II, Scene I: Forest of Arden

233. Twelfth Night, Act V, Scene I: The Street

234. MacBeth, Act I, Scene III: "A Heath"

235. MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"

236. Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

237. MacBeth, Act I, Scene V: "Inverness. A Room in MacBeth's Castle"

238. King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."

239. King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower

240. Henry IV, Part I, Act II, Scene IV: " The Boar's Head"

241. Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

242. Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

243. Henry IV: Part II, Act II, Scene IV. "Doll Tearsheet, Falstaff, Henry & Poins"

244. Twelfth Night, Act III, Scene IV: Olivia's House

245. Wynnstay Theatre Ticket

246. Boy Seated

247. Twickenham Meadows

248. View of the Freemason's School, with the Adjacent Buildings from the Asylum, to the Toll Gate, near the Royal Circus

249. Racing: The Return from Coursing

250. William Cowper

251. Pamela pointing an error in a direction, Vide, vol. 6, letter 30, page 200

252. Pamela: Mr. and Mrs. Andrews imploring a blessing for their first-born daughter, Pamela. Vide, vol. 4 Letter 21, page 108

253. View of the Palace and Village of Choisi, on the Banks of the Seine

254. View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

255. A General View of Paris taken from Chaillot

256. A View of Pont Neuf, the Mint and etc.

257. View of Pont Neuf, part of the Louvre and the College of Four Nations

258. View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.

259. View of the Palace and Village of Choisi on the Banks of the Seine

260. View of the Pantheon taken from the Arsenal

261. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

262. On the Banks of the Marne below the Bridge at Charenton

263. The Water Mill above the Bridge at Charenton

264. On the Banks of the Marne below the Bridge at Charenton

265. View of Pont St. Michael taken from Pont Neuf

266. View of the Gate of the St. Denis taken from the Suburbs

267. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

268. The Water Works at Marli and St. German en Laye seen in the distance

269. A View of the Commercial Docks at Rotherhithe

270. An Elevated View of the New Dock in Wapping

271. Brunswick Dock on the Thames at Blackwall

272. A View of Pont Neuf, the Mint, & c.

273. Monnow Bridge, Monmouth, North Wales, July 14, 1803

274. Dedication Page for: to the Right Honorable George Earl of Essex

275. The Water Mill above the Bridge at Charenton