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Collection
Prints and Drawings
15
Creator
Girtin, Thomas, 1775–1802
14
Lewis, Frederick Christian the Elder, 1779–1856
8
Harraden, James, active 1801–1814
2
Pickett, W., active 1792–1820
2
Harraden, Richard Banks, 1778–1862
1
Simon, Peter, 1750–1810
1
Stadler, Joseph Constantine, active 1780–1812
1
Westall, Richard, 1765–1836
1
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On-site Access
Accessible by appointment in the Study Room
15
Image Use
Free to Use
15
Image Available
Available
15
Classification
Prints
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15
Creator Gender
male
15
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
14
Period
19th century
15
Materials & Techniques
aquatint
13
etching (printing process)
13
hand coloring
1
watercolor
1
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140
Work Type
intaglio print
14
Genre
cityscape
13
architectural subject
11
landscape
1
Subject Terms
river
10
architectural subject
2
bridge (built work)
2
cityscape
2
Associated Places
Europe
14
France
14
Île-de-France
14
Seine
10
Paris
8
Pont Neuf
4
Val-de-Marne
4
Cathédrale Notre-Dame de Paris
3
Charenton-le-Pont
3
Pont de Charenton-le-Pont
3
Bourse de Paris
2
Marne
2
Pont de la Concorde
2
Quartier de Chaillot
2
Acqueduct of Louveciennes
1
Bassin de l'Arsenal
1
Choisy-le-Roi
1
College of Four Nations
1
Conciergerie
1
Jardins des Tuileries
1
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Associated Places
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Associated People
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
3
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
15
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1803
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1
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
2
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
3
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
4
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
5
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
6
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
7
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
8
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
9
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
10
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
11
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
12
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
13
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
14
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
15
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803