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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
33
Creator
Girtin, Thomas, 1775–1802
17
Hayley, William, 1745–1820
12
Vernor, & Hood, active 1795–1807
12
Lewis, Frederick Christian the Elder, 1779–1856
11
Greig, John, active 1803–1853
8
Storer, James Sargant, 1771–1853
7
Byrne, William, 1743–1805
3
Stadler, Joseph Constantine, active 1780–1812
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Harraden, Richard Banks, 1778–1862
2
Bartolozzi, Francesco, 1727–1815
1
Cipriani, Giovanni Battista, 1727–1785
1
Harraden, James, active 1801–1814
1
Date
1834
144
1833
102
1835
101
1794
43
1814
38
1836
34
1803
[remove]
33
1828
24
2012
20
1739
19
1745
19
1802
19
1859
19
1823
18
1820
15
1824
15
1789
14
1825
14
1830
13
1890
13
1795
12
1797
12
1826
12
1805
11
1831
11
1762
10
1827
10
1863
10
1877
10
1800
9
1839
9
1999
9
1810
8
1813
8
1832
8
1667
7
1786
7
1900
7
1974
7
1674
6
1765
6
1788
6
1799
6
1897
6
1916
6
1772
5
1818
5
1829
5
1864
5
1915
5
1737
4
1796
4
1798
4
1801
4
1811
4
1837
4
1844
4
1857
4
1888
4
1894
4
1906
4
1680
3
1736
3
1746
3
1751
3
1755
3
1760
3
1775
3
1776
3
1781
3
1785
3
1793
3
1817
3
1821
3
1838
3
1847
3
1848
3
1850
3
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3
1860
3
1876
3
1882
3
1887
3
1901
3
1902
3
1904
3
1911
3
1912
3
1917
3
1918
3
1919
3
1920
3
1921
3
1660
2
1681
2
1683
2
1732
2
1735
2
1754
2
1763
2
On-site Access
Accessible by appointment in the Study Room
33
Image Use
Free to Use
33
Image Available
Available
21
Unavailable
12
Classification
Prints
[remove]
33
Creator Gender
male
33
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
13
The Life, and Posthumous Writings, of William Cowper
12
Byrne's Britannia Depicta
3
Period
19th century
33
Materials & Techniques
etching (printing process)
24
wove paper
21
aquatint
17
line engraving
15
soft-ground etching
5
chine collé
2
hand coloring
1
stipple engraving
1
watercolor
1
Height [cm]
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Current results range from
15
to
46
Width [cm]
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Current results range from
11
to
67
Work Type
intaglio print
33
Genre
cityscape
15
architectural subject
13
landscape
12
literary theme
12
animal art
1
genre subject
1
Subject Terms
architectural subject
7
river
6
cityscape
4
boats
2
buildings
2
carriages
2
carts
2
clouds
2
people
2
bridge (built work)
1
chariot (carriage)
1
cornucopia (motif)
1
horse (animal)
1
horses (animals)
1
lion
1
religious and mythological subject
1
Associated Places
Europe
17
France
17
Île-de-France
17
Seine
14
Acqueduct of Louveciennes
6
Louveciennes
6
Marly-le-Roi
6
Saint-Germain-en-Laye
6
Val-de-Marne
6
Yvelines
6
Bassin de l'Arsenal
5
Panthéon
5
Paris
5
Charenton-le-Pont
3
Choisy-le-Roi
3
Pont de Charenton-le-Pont
3
Saint-Germain-en-Laye, Château de
3
High Wycombe
1
Marne
1
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
33
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Date
1803
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15
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Prints
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1
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
2
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
3
Print made by William Byrne, 1743–1805
Wickham, from the Marlow Road
1803
4
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
5
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
6
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
7
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
8
Print made by Francesco Bartolozzi, 1728–1815
Earth
1803
9
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
10
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
11
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
12
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
13
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
14
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
15
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
16
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
17
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
18
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
19
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
20
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
21
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
22
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
23
Print made by John Greig, active 1803–1853
Olney Church
1803-1804
24
Print made by John Greig, active 1803–1853
The Peasant's Nest
1803-1804
25
Print made by John Greig, active 1803–1853
The Elms
1803-1804
26
Print made by James S. Storer, 1771–1853
The Shrubbery
1803-1804
27
Print made by John Greig, active 1803–1853
Weston House
1803-1804
28
Print made by James S. Storer, 1771–1853
Views from the Alcove
1803-1804
29
Print made by James S. Storer, 1771–1853
The Alcove from the Avenue
1803-1804
30
Print made by John Greig, active 1803–1853
The Temple in the Wilderness
1803-1804
31
Print made by James S. Storer, 1771–1853
The Rustic Bridge
1803-1804
32
Print made by James S. Storer, 1771–1853
Weston Lodge
1803-1804
33
Print made by James S. Storer, 1771–1853
Olney Bridge
1803-1804