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Collection
Prints and Drawings
115
Creator
Girtin, Thomas, 1775–1802
46
Lewis, Frederick Christian the Elder, 1779–1856
26
Hayley, William, 1745–1820
19
Vernor, & Hood, active 1795–1807
14
Greig, John, active 1803–1853
9
Storer, James Sargant, 1771–1853
9
Pickett, W., active 1792–1820
7
Bartolozzi, Francesco, 1727–1815
6
Harraden, Richard Banks, 1778–1862
6
Johnson, Joseph, 1738–1809
6
Blake, William, 1757–1827
5
Reynolds, Samuel William, 1773–1835
5
Unknown artist
5
Daniell, William, 1769–1837
4
Gillray, James, 1756–1815
4
Girtin, James, ca. 1780–after 1820
4
Hoppner, John, 1758–1810
4
Lawrence, Thomas, Sir, 1769–1830
4
Byrne, William, 1743–1805
3
Harraden, James, active 1801–1814
3
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Creator
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Date
1834
507
1835
277
1833
260
1546
247
1800
235
1827
231
1782
228
1830
212
1836
203
1630
181
1793
164
1808
147
1802
140
1792
132
1837
132
1795
129
1799
128
1797
123
1832
123
1794
122
1803
[remove]
115
1789
114
1828
114
1812
112
1780
111
1818
111
1859
109
1814
108
1811
107
1820
104
1807
103
1788
101
1816
99
1999
97
2000
93
1779
91
1850
91
1776
90
1825
90
1831
90
1745
89
1810
89
1784
86
1785
86
1790
86
1674
85
1796
85
1826
83
1700
82
1775
82
1823
82
1838
82
1791
81
1783
80
1809
80
1773
77
1778
76
1786
76
0
74
1819
74
1787
73
1772
72
1781
70
1813
70
1739
69
1824
69
1667
68
1821
68
1762
67
1801
67
1755
66
1771
66
1550
65
1770
65
1806
65
1896
65
1750
62
1769
62
1822
62
1738
61
1777
61
1675
60
1798
59
1839
57
1765
56
1925
54
1990
54
1804
53
1829
53
1916
53
1754
50
1897
48
1805
47
1680
46
1719
46
1774
46
1743
43
1735
42
1760
42
1767
42
On-site Access
Accessible by appointment in the Study Room
115
Image Use
Free to Use
113
Under Certain Circumstances
2
Image Available
Available
91
Unavailable
24
Classification
Prints
114
Drawings & Watercolors
1
Creator Gender
male
112
female
5
unknown
5
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
32
The Life, and Posthumous Writings, of William Cowper
19
Iconographie Anglaise par Reynolds et Autres
5
Byrne's Britannia Depicta
3
Views of the London Docks
3
Liber Studiorum, 1838
1
Period
19th century
114
18th century
1
Materials & Techniques
etching (printing process)
55
wove paper
54
aquatint
45
line engraving
23
laid paper
16
soft-ground etching
16
mezzotint
15
stipple engraving
8
hand coloring
5
watercolor
3
chine collé
2
Engraving
1
Height [cm]
Height [cm] range begin
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0
to
71
Unknown
3
Width [cm]
Width [cm] range begin
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Current results range from
0
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140
Unknown
6
Work Type
intaglio print
[remove]
115
frontispiece
2
ticket
1
Genre
architectural subject
45
cityscape
45
literary theme
23
portrait
19
landscape
17
genre subject
9
animal art
2
marine art
1
religious and mythological subject
1
Subject Terms
river
30
architectural subject
20
cityscape
10
portrait
7
buildings
6
trees
6
boats
5
bridge (built work)
5
horse (animal)
5
people
5
carriages
4
carts
4
house
4
literary theme
4
barges (flat-bottomed watercraft)
3
breeches
3
clouds
3
dog (animal)
3
genre subject
3
hats
3
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Subject Terms
»
Associated Places
Europe
45
France
45
Île-de-France
45
Seine
35
Paris
26
Pont Neuf
12
Val-de-Marne
12
Cathédrale Notre-Dame de Paris
9
Charenton-le-Pont
8
Pont de Charenton-le-Pont
8
Acqueduct of Louveciennes
6
Bourse de Paris
6
Louveciennes
6
Marly-le-Roi
6
Panthéon
6
Pont de la Concorde
6
Saint-Germain-en-Laye
6
Yvelines
6
Bassin de l'Arsenal
5
Marne
5
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
4
Billington, Elizabeth (1765–1818), singer
1
Davy, Sir Humphry, baronet (1778–1829), chemist and inventor
1
Ludwig, Furst von Starhemberg (1762–1833), Austrian diplomat
1
Napoleon I (1769–1821), Emperor of the French
1
Newton, Francis Milner (1720–1794), portrait painter
1
Northcote, James (1746–1831), artist and author
1
Olivia (character in Twelfth Night)
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
4
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Peterloo and Protest (Yale Center for British Art, 2019-08-16 - 2019-12-01)
1
Rubenism (Bell Art Gallery, 1975-01-30 - 1975-02-23)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
100
Yale Center for British Art, Paul Mellon Fund
7
Yale Center for British Art; Yale University Art Gallery Collection
5
Yale Center for British Art, Yale University Art Gallery Collection
1
Yale Center for British Art; Gift of David Bindman
1
Yale Center for British Art; Gift of Peter R. Spokes in memory of Charles Beecher Hogan
1
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Date
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1
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
2
Samuel William Reynolds, 1773–1835
Samuel Whitbread Esq
1803
3
Samuel William Reynolds, 1773–1835
William Windham
undated
4
James Parker, 1750–1805
Henry Addington, 1st Viscount Sidmouth
1803
5
unknown artist
Sir Humphrey Davy
1803
6
Francesco Bartolozzi, 1728–1815
Wynnstay Theatre Ticket
1803
7
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
8
John Raphael Smith, 1752–1812
Cottage Family
1803
9
John Raphael Smith, 1752–1812
Shepherd's Meal
1803
10
William Watts, 1752–1851
Sheerness Dockyard
1803
11
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
12
Print made by Samuel William Reynolds, 1773–1835
Her Grace the Duchess of Bedford
1803
13
Print made by William Say, 1768–1834
Lady Mildmay and Child
1803
14
Print made by Samuel William Reynolds, 1773–1835
Marchioness of Exeter
1803
15
Print made by John Young, 1755–1825
George Canning
1803
16
Print made by James Ward, 1769–1859
Mrs. Billington as St. Cecilia
1803
17
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
18
Print made by Charles Turner, 1774–1857
Mrs Hamilton
between 1803 and 1857
19
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
20
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
21
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
22
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
23
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
24
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
25
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
26
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
27
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
28
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
29
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
30
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
31
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
32
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
33
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
34
unknown artist
Visit to the Convent at Amiens
1803
35
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
36
Samuel William Reynolds, 1773–1835
Her Grace the Duchess of Bedford
1803
37
unknown artist
Bambridge on Trial for Murder by a Committee of the House of Commons
1803
38
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1803
39
Print made by George Dawe, 1781–1829
James Northcote, Esqr. R. A
1803
40
Print made by William Byrne, 1743–1805
Wickham, from the Marlow Road
1803
41
Francesco Bartolozzi, 1728–1815
Mary Stuart, Queen Of Scotland
1803
42
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
43
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
44
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
45
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
46
Print made by Francesco Bartolozzi, 1728–1815
Earth
1803
47
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
48
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
49
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
50
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
51
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
52
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
53
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
54
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
55
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
56
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
57
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
58
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
59
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
60
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
61
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
62
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
63
Print made by William Daniell, 1769–1837
Brunswick Dock on the Thames at Blackwall
1803
64
Print made by William Daniell, 1769–1837
A View of the Commercial Docks at Rotherhithe
1803
65
Print made by William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
66
Print made by William Daniell, 1769–1837
Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
1803
67
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
68
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
69
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
70
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
71
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
72
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
73
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
74
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
75
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
76
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
77
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
78
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
79
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
80
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
81
Haveill Gillbank, 18th–19th centuries
The Benevolent Heir or The Tenant Restored to his Family
1803
82
Haveill Gillbank, 18th–19th centuries
The Rapacious Steward or Unfortunate Tenant
1803
83
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
84
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
85
William Ward, 1766–1826
A Vegetable Market
1803
86
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
87
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
88
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
89
Print made by Thomas Medland, 1755–1823
Light House at Havre
1803
90
Print made by Thomas Medland, 1755–1823
Rouen, from Mount St. Catherine
1803
91
Print made by unknown artist
Frontispiece to The Sporting Magazine or Monthly Calendar, Volume 48
1803
92
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
93
Print made by William Blake, 1757–1827
William Cowper
1803-1804
94
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
95
James Ward, 1769–1859
Mrs. Elizabeth Billington as St. Cecilia
1803
96
Print made by Charles Wilkin, 1750–1814
Her Grace The Duchess of Rutland
1803
97
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
98
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
99
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
100
Text by William Hayley, 1745–1820
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
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