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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
5
Creator
Girtin, Thomas, 1775–1802
5
Harraden, Richard Banks, 1778–1862
2
Lewis, Frederick Christian the Elder, 1779–1856
2
Girtin, James, ca. 1780–after 1820
1
Harraden, James, active 1801–1814
1
Date
1802
7
1807
7
1832
7
1863
7
1830
6
1850
6
1915
6
1792
5
1803
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5
1851
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1809
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1859
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1818
3
1877
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1911
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1745
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1766
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1797
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1824
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1835
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1879
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1884
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1897
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1922
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1931
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1657
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1762
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1800
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1804
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1907
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1924
1
1926
1
1928
1
On-site Access
Accessible by appointment in the Study Room
5
Image Use
Free to Use
5
Image Available
Available
5
Classification
Prints
5
Creator Gender
male
5
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
3
Period
19th century
5
Materials & Techniques
aquatint
5
etching (printing process)
3
wove paper
2
hand coloring
1
soft-ground etching
1
watercolor
1
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Work Type
intaglio print
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5
Genre
architectural subject
5
cityscape
4
landscape
1
Subject Terms
architectural subject
5
bridge (built work)
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5
river
5
cityscape
4
boats
1
buildings
1
cottages
1
houses
1
landscape
1
water mill
1
Associated Places
Charenton-le-Pont
5
Europe
5
France
5
Marne
5
Pont de Charenton-le-Pont
5
Val-de-Marne
5
Île-de-France
5
Paris
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
5
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Date
1803
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intaglio print
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bridge (built work)
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1
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
2
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
3
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
4
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
5
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803