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Collection
Prints and Drawings
46
Creator
Girtin, Thomas, 1775–1802
37
Lewis, Frederick Christian the Elder, 1779–1856
18
Pickett, W., active 1792–1820
6
Harraden, Richard Banks, 1778–1862
4
Chinnery, George, 1774–1852
3
Varley, Cornelius, 1781–1873
3
Harraden, James, active 1801–1814
2
Girtin, James, ca. 1780–after 1820
1
Jones, George, 1786–1869
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Varley, John, 1778–1842
1
Date
1867
178
1834
151
1835
129
1833
117
1827
75
1818
48
1803
[remove]
46
1802
43
1836
36
1790
35
1800
32
1831
32
1820
31
1795
30
1832
30
1772
29
1775
29
1828
26
1793
23
1745
22
1797
22
1814
22
1799
21
1850
21
1762
20
1821
20
1864
20
1805
18
1825
18
1826
18
1770
17
1792
17
1817
17
1859
17
1810
16
1830
16
1865
16
1764
15
1822
15
1863
15
1755
14
1794
14
1804
14
1813
14
1815
14
1838
14
1860
14
1784
13
1809
13
1819
13
1823
13
1796
12
1807
12
1808
12
1829
12
1839
12
1840
12
1854
12
1674
11
1786
11
1791
11
1750
10
1816
10
1824
10
1717
9
1746
9
1765
9
1777
9
1785
9
1788
9
1811
9
1842
9
1739
8
1759
8
1767
8
1776
8
1778
8
1841
8
1880
8
1700
7
1768
7
1780
7
1782
7
1787
7
1798
7
1837
7
1845
7
1857
7
1908
7
1771
6
1801
6
1806
6
0
5
1725
5
1740
5
1742
5
1758
5
1773
5
1789
5
1812
5
On-site Access
Accessible by appointment in the Study Room
46
Image Use
Free to Use
46
Image Available
Available
[remove]
46
Classification
Prints
30
Drawings & Watercolors
16
Creator Gender
male
46
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
27
Period
19th century
46
Materials & Techniques
aquatint
29
etching (printing process)
18
wove paper
17
soft-ground etching
10
watercolor
8
graphite
7
laid paper
4
gray wash
2
hand coloring
2
black chalk
1
black ink
1
brown ink
1
gouache
1
gum
1
pens
1
scraping out
1
stopping out
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
71
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
22
to
140
Work Type
intaglio print
30
drawing
16
watercolor
8
Genre
architectural subject
38
cityscape
37
landscape
6
marine art
4
genre subject
1
Subject Terms
river
[remove]
46
architectural subject
18
cityscape
11
boats
8
bridge (built work)
7
landscape
6
people
5
trees
5
buildings
4
carriages
4
carts
4
clouds
4
horse (animal)
4
barges (flat-bottomed watercraft)
3
houses
3
marine art
3
arches
2
boat
2
domes
2
house
2
more
Subject Terms
»
Associated Places
Europe
38
France
37
Île-de-France
37
Paris
32
Seine
31
Pont Neuf
15
Cathédrale Notre-Dame de Paris
12
Pont de la Concorde
8
Bourse de Paris
7
Panthéon
7
Bassin de l'Arsenal
6
Charenton-le-Pont
6
Marne
6
Pont de Charenton-le-Pont
6
Quartier de Chaillot
6
Val-de-Marne
6
Conciergerie
4
Jardins des Tuileries
4
Musée du Louvre
4
Palais des Tuileries
4
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
7
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
4
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
From Merchants to Emperors - British Artists in India 1757-1930 (Los Angeles County Museum of Art, 1986-10-02 - 1987-01-04)
1
From Merchants to Emperors - British Artists in India 1757-1930 (The Morgan Library & Museum, 1986-05-01 - 1986-07-31)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
The Great Age of British Watercolors c.1750 - 1880 (National Gallery of Art, 1993-05-02 - 1993-07-25)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Through the Looking Lens - The Story of Artist Cornelius Varley and his Telemicroscope, 1800-1860 (American Philosophical Society, 2013-05-17 - 2013-12-29)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
46
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Date
1803
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1
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
2
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
3
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
4
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
5
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
6
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
7
Thomas Girtin, 1775–1802
View of the Pantheon, taken from the Arsenal
1803
8
Thomas Girtin, 1775–1802
View of the Village of Chaillot, etc., taken from Pont de la Concorde
1803
9
Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
10
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
11
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
1803
12
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame
1803
13
Cornelius Varley, 1781–1873
View in Suffolk
1803
14
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
15
Thomas Girtin, 1775–1802
View of the Pont St.Michel, taken from the Pont Neuf
1803
16
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
17
Cornelius Varley, 1781–1873
Mountain Panorama in Wales, Cader Idris
1803
18
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
19
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
20
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
21
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
22
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
23
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
24
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
25
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
26
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
27
George Jones, 1786–1869
Fire on the Thames
ca. 1808
28
John Varley, 1778–1842
Under the Ouse Bridge, Bathing
between 1803 and 1804
29
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
30
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
31
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
32
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
33
George Chinnery, 1774–1852
A River in Ceylon
between 1803 and 1825
34
Cornelius Varley, 1781–1873
Monnow Bridge, Monmouth, North Wales, July 14, 1803
1803
35
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
36
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
37
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
38
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
39
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
40
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
41
George Chinnery, 1774–1852
A Pipul Tree
between 1803 and 1825
42
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
43
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
44
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
45
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
46
George Chinnery, 1774–1852
A River Scene
between 1803 and 1825