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Collection
Prints and Drawings
62
Paintings and Sculpture
1
Creator
Girtin, Thomas, 1775–1802
56
Lewis, Frederick Christian the Elder, 1779–1856
26
Harraden, Richard Banks, 1778–1862
6
Pickett, W., active 1792–1820
6
Harraden, James, active 1801–1814
3
Stadler, Joseph Constantine, active 1780–1812
3
Cotman, John Sell, 1782–1842
1
Cox, David, 1783–1859
1
Cristall, Joshua, 1768–1847
1
Girtin, James, ca. 1780–after 1820
1
Mackenzie, Frederick, 1788–1854
1
Marshall, Benjamin, 1767–1835
1
Nicholson, Francis, 1753–1844
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Date
1814
177
1767
155
1835
124
1833
105
1960
100
1834
90
1820
66
1802
64
1803
[remove]
63
1818
62
1790
59
1800
59
1830
58
1815
56
1791
54
1772
53
1817
46
1825
45
1795
43
1828
43
1778
40
1831
40
1827
37
1859
37
1775
36
1780
35
1810
34
1811
34
1812
34
1823
34
1797
33
1829
33
1740
32
1792
32
1813
32
1824
32
1796
31
1799
31
1819
31
1836
31
1912
29
1808
28
1782
27
1785
26
1798
26
1860
26
1754
23
1793
23
1794
23
1826
23
1807
22
1843
22
1845
22
1755
21
1770
21
1784
21
1801
21
1700
20
1822
20
1863
20
1864
20
1746
19
1773
19
1805
19
1821
19
1844
19
1995
19
1832
18
1789
17
1840
17
1850
17
1759
16
1816
16
1786
15
1806
15
1762
14
1765
14
1771
14
1776
14
1804
14
2000
14
1787
13
1837
13
1865
13
1874
13
1923
13
1965
13
1745
12
1764
12
1779
12
1788
12
1809
12
1838
12
1887
12
1996
12
2006
12
1857
11
1890
11
1968
11
1998
11
On-site Access
Accessible by appointment in the Study Room
62
Not on view
1
Image Use
Free to Use
63
Image Available
Available
63
Classification
Prints
44
Drawings & Watercolors
17
Drawing & Watercolors-Architectural
1
Paintings
1
Creator Gender
male
63
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
42
Period
19th century
63
Materials & Techniques
aquatint
43
etching (printing process)
28
wove paper
21
soft-ground etching
14
watercolor
8
graphite
6
hand coloring
2
brown ink
1
gum
1
laid paper
1
painting (technique)
1
scraping out
1
scratching out
1
stopping out
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
102
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
19
to
140
Work Type
intaglio print
45
drawing
16
watercolor
6
painting
1
Genre
architectural subject
51
cityscape
48
landscape
9
genre subject
2
marine art
2
animal art
1
historical subject
1
Subject Terms
river
38
architectural subject
22
cityscape
11
bridge (built work)
6
boats
5
horse (animal)
5
people
5
buildings
4
carriages
4
carts
4
clouds
4
barges (flat-bottomed watercraft)
3
trees
3
arches
2
domes
2
genre subject
2
horses (animals)
2
houseboats
2
landscape
2
marine art
2
more
Subject Terms
»
Associated Places
Europe
[remove]
63
France
56
Île-de-France
56
Seine
43
Paris
32
Pont Neuf
15
Val-de-Marne
15
Cathédrale Notre-Dame de Paris
12
Charenton-le-Pont
10
Pont de Charenton-le-Pont
10
Pont de la Concorde
8
Acqueduct of Louveciennes
7
Bourse de Paris
7
Louveciennes
7
Marly-le-Roi
7
Panthéon
7
Saint-Germain-en-Laye
7
Yvelines
7
Bassin de l'Arsenal
6
England
6
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
12
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
1
Behold the Sea (Yale Center for British Art, 2003-06-14 - 2003-09-07)
1
John Sell Cotman (Bristol Museum and Art Gallery, - 1983-02-01)
1
John Sell Cotman (Victoria and Albert Museum, 1983-08-01 - )
1
John Sell Cotman (Whitworth Art Gallery, - )
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
The Great Age of British Watercolors c.1750 - 1880 (National Gallery of Art, 1993-05-02 - 1993-07-25)
1
The Great Age of British Watercolors c.1750 - 1880 (Royal Academy of Arts, 1993-01-15 - 1993-07-25)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
62
Yale Center for British Art, Presented by Andrew Wyld / W.S. Fine Art Ltd.
1
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1
Benjamin Marshall, 1768–1835
Muly Moloch
1803
Not on view
2
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
3
Francis Nicholson, 1753–1844
Scarborough: Shipwreck at the Foot of the Castle Cliff
ca. 1808
4
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
5
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
6
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
7
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
8
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
9
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
10
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
11
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
12
Frederick Mackenzie, 1788–1854
The West Door, Rochester Cathedral, Kent
undated
13
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
14
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
15
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
16
Thomas Girtin, 1775–1802
View of the Pont St.Michel, taken from the Pont Neuf
1803
17
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
18
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
19
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
20
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
21
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
22
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
23
Thomas Girtin, 1775–1802
View of the Pantheon, taken from the Arsenal
1803
24
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
25
Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
26
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
27
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
1803
28
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame
1803
29
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1803
30
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
31
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance
1803
32
Thomas Girtin, 1775–1802
View of the Village of Chaillot, etc., taken from Pont de la Concorde
1803
33
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
34
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
35
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
36
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
37
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
38
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
39
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
40
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
41
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
42
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
43
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
44
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
45
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
46
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
47
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
48
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
49
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
50
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
51
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
52
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
53
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
54
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
55
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
56
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
57
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
58
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
59
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
60
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
61
David Cox, 1783–1859
A Street in Harborne
ca. 1808
62
John Sell Cotman, 1782–1842
Sheriff Hutton Castle, Yorkshire
ca. 1808
63
Joshua Cristall, 1768–1847
Coast of Sussex, Pushing Off a Boat to a Vessel in Distress
ca. 1808