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Collection
Prints and Drawings
102
Creator
Girtin, Thomas, 1775–1802
50
Lewis, Frederick Christian the Elder, 1779–1856
22
Waring, Frances Miss, active 1801–1826
19
Smirke the Younger, Robert, Sir, 1781–1867
13
Pickett, W., active 1792–1820
7
Harraden, Richard Banks, 1778–1862
5
Cotman, John Sell, 1782–1842
4
Daniell, William, 1769–1837
3
Byrne, William, 1743–1805
2
Chinnery, George, 1774–1852
2
Harraden, James, active 1801–1814
2
Stadler, Joseph Constantine, active 1780–1812
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Fielding, Anthony Vandyke Copley, 1787–1855
1
Girtin, James, ca. 1780–after 1820
1
Hayward, John Samuel, 1778–1822
1
Locker, Edward Hawke, 1777–1849
1
Lysons, Daniel, 1762–1834
1
Mackenzie, Frederick, 1788–1854
1
Malton, James, 1761–1803
1
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Creator
»
Date
1791
616
1802
331
1800
286
1834
276
1835
182
1827
165
1818
132
1825
132
1833
131
1832
112
1803
[remove]
102
1839
97
1820
93
1811
92
1836
92
1830
90
1831
82
1814
69
1819
69
1804
65
1812
60
1823
60
1826
59
1828
56
1837
55
1829
53
1815
51
1813
46
1816
46
1817
46
1822
45
1806
44
1807
44
1810
43
1809
41
1808
40
1867
39
1805
37
1801
36
1824
36
1842
36
1795
34
1850
33
1859
32
1871
32
1840
30
1860
30
1845
29
1855
28
1781
25
1821
25
1838
24
1841
24
1863
22
1897
21
1861
20
1843
17
1851
17
1852
16
1844
14
1846
14
1864
14
1875
14
1870
13
1796
12
1848
12
1849
12
1853
12
1865
12
1873
12
1877
12
1890
12
1777
11
1896
11
1857
10
1858
10
1894
10
1899
10
1900
10
0
9
1847
9
1891
9
1898
9
1790
8
1798
8
1799
8
1856
8
1866
8
1881
8
1862
7
1874
7
1885
7
1793
6
1876
6
1880
6
1884
6
1895
6
1745
5
1868
5
1869
5
On-site Access
Accessible by appointment in the Study Room
102
Image Use
Free to Use
102
Image Available
Available
82
Unavailable
20
Classification
Prints
63
Drawings & Watercolors
36
Drawing & Watercolors-Architectural
3
Creator Gender
male
83
female
19
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
36
Twelve Views in Scotland, Delineated by a Lady, in the Polyautographic Art of Drawing Upon Stone
19
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
13
Views of the London Docks
3
Byrne's Britannia Depicta
2
Liber Studiorum, 1838
1
The Environs of London
1
Period
19th century
[remove]
102
Materials & Techniques
wove paper
58
aquatint
37
graphite
28
etching (printing process)
22
lithography
19
watercolor
18
soft-ground etching
15
gouache
10
hand coloring
7
black ink
5
brown ink
5
gray wash
5
laid paper
4
pen
3
line engraving
2
blue wash
1
board
1
brown wash
1
chine collé
1
gray ink
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
51
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
12
to
140
Work Type
intaglio print
45
drawing
37
watercolor
20
planographic print
19
landscape
1
Genre
architectural subject
[remove]
102
cityscape
52
landscape
32
marine art
4
genre subject
3
animal art
1
Subject Terms
river
38
architectural subject
35
cityscape
12
bridge (built work)
7
boats
6
buildings
5
people
5
arches
4
carriages
4
carts
4
horse (animal)
4
trees
4
barges (flat-bottomed watercraft)
3
genre subject
3
ruins
3
castle
2
clouds
2
columns
2
dog (animal)
2
domes
2
more
Subject Terms
»
Associated Places
Europe
51
France
49
Île-de-France
49
Seine
37
Paris
31
Pont Neuf
14
Val-de-Marne
12
Cathédrale Notre-Dame de Paris
11
Charenton-le-Pont
9
Pont de Charenton-le-Pont
9
Pont de la Concorde
8
United Kingdom
8
Bourse de Paris
7
Panthéon
7
Bassin de l'Arsenal
6
England
6
Marne
6
Quartier de Chaillot
6
Acqueduct of Louveciennes
4
Conciergerie
4
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
12
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
4
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
Circa 1800 - The Beginnings of Modern Printmaking (Rutgers University Art Gallery, 1981-03-08 - 1981-04-19)
1
Circa 1800 - The Beginnings of Modern Printmaking (The Baltimore Museum of Art, 1981-05-12 - 1981-06-28)
1
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
From Merchants to Emperors - British Artists in India 1757-1930 (Los Angeles County Museum of Art, 1986-10-02 - 1987-01-04)
1
From Merchants to Emperors - British Artists in India 1757-1930 (The Morgan Library & Museum, 1986-05-01 - 1986-07-31)
1
John Sell Cotman (Bristol Museum and Art Gallery, - 1983-02-01)
1
John Sell Cotman (Victoria and Albert Museum, 1983-08-01 - )
1
John Sell Cotman (Whitworth Art Gallery, - )
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
101
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
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Date
1803
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1
Edward Hawke Locker, 1777–1849
Reading Abbey Gateway
1803
2
Frederick Mackenzie, 1788–1854
The West Door, Rochester Cathedral, Kent
undated
3
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
4
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
5
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
6
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
7
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
8
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
9
Thomas Girtin, 1775–1802
View of the Pantheon, taken from the Arsenal
1803
10
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance
1803
11
Thomas Girtin, 1775–1802
View of the Village of Chaillot, etc., taken from Pont de la Concorde
1803
12
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
13
Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
14
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
15
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of Four Nations
1803
16
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
17
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1803
18
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame
1803
19
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
20
Attributed to Daniel Lysons, 1762–1834
Memorial to Mr. Nathaniel Ravener from Greenford Church
1803
21
Print made by William Byrne, 1743–1805
Wickham, from the Marlow Road
1803
22
Sir Robert Smirke the younger, 1781–1867
Terrace Before the Church of St. Bartholamew
1803
23
Sir Robert Smirke the younger, 1781–1867
Terracina, Italy
1803
24
Sir Robert Smirke the younger, 1781–1867
The Amphitheatre at Nîmes
1803
25
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
26
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
27
Thomas Girtin, 1775–1802
View of the Pont St.Michel, taken from the Pont Neuf
1803
28
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
29
Sir Robert Smirke the younger, 1781–1867
Patras, Greece
1803
30
Sir Robert Smirke the younger, 1781–1867
Remains of an Ancient Amphitheatre Near Corinth
1803
31
Sir Robert Smirke the younger, 1781–1867
Mosque at Argos
1803
32
Sir Robert Smirke the younger, 1781–1867
Remains of the Temple of Jupiter in the Plains of Nemea, Greece
1803
33
Sir Robert Smirke the younger, 1781–1867
Ruins of the Temple of Jupiter on the Plains of Nemea
1803
34
Sir Robert Smirke the younger, 1781–1867
The Ruins of the Temple of Jupiter in the Plains of Nemea
1803
35
Sir Robert Smirke the younger, 1781–1867
Architectural Drawings of the Remains of the Temple of Sunias Minerva, in Attica
1803
36
Sir Robert Smirke the younger, 1781–1867
Temple at Phigalia
1803
37
Sir Robert Smirke the younger, 1781–1867
Temple Near the Site of Ancient Phigalia
1803
38
Sir Robert Smirke the younger, 1781–1867
An Old Church, Three Miles Near Messina
1803
39
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
40
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
41
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
42
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
43
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
44
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
45
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
46
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
47
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
48
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
49
John Samuel Hayward, 1778–1822
Liverpool: The Windmill on the Edge of the Quarry
1803
50
John Varley, 1778–1842
Under the Ouse Bridge, Bathing
between 1803 and 1804
51
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
52
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
53
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
54
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
55
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
56
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
57
Cornelius Varley, 1781–1873
Monnow Bridge, Monmouth, North Wales, July 14, 1803
1803
58
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
59
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
60
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
61
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
62
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
63
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
64
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
65
Print made by William Daniell, 1769–1837
A View of the Commercial Docks at Rotherhithe
1803
66
Sir Jeffry Wyatville, 1766–1840
Hyde Hall, Hertfordshire: Perspective View
1803
67
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
68
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
69
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
70
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
71
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
72
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
73
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
74
George Chinnery, 1774–1852
An Indian Tomb
between 1803 and 1825
75
John Sell Cotman, 1782–1842
Interior of Norwich Cathedral: Doorway and Screen Between the South Transept and the Aisle of the Presbytery
ca. 1808
76
John Sell Cotman, 1782–1842
Bamborough Castle, Northumberland
ca. 1808
77
John Sell Cotman, 1782–1842
Sheriff Hutton Castle, Yorkshire
ca. 1808
78
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
79
Print made by William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
80
Print made by William Daniell, 1769–1837
Brunswick Dock on the Thames at Blackwall
1803
81
George Chinnery, 1774–1852
Ruins of a Temple, Sunset
between 1803 and 1825
82
Anthony Vandyke Copley Fielding, 1787–1855
Cattle Watering by Corinthian Columns
undated
83
James Malton, 1761–1803
Design for a Castellated Hunting Lodge
1803
84
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
85
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
86
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Cathedral
1803
87
Print made by Miss Frances Waring, active 1801–1826
Bothwell Castle
1803
88
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
89
Print made by Miss Frances Waring, active 1801–1826
Lint Mills near Dunkeld (Variant)
1803
90
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
91
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
92
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Castle
1803
93
Print made by Miss Frances Waring, active 1801–1826
Bothwell Castle
1803
94
Print made by Miss Frances Waring, active 1801–1826
Dunbar Castle
1803
95
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
96
Print made by Miss Frances Waring, active 1801–1826
Roslin Castle
1803
97
Print made by Miss Frances Waring, active 1801–1826
Gretna Green
1803
98
Print made by Miss Frances Waring, active 1801–1826
Dunkeld Cathedral
1803
99
Print made by Miss Frances Waring, active 1801–1826
Stirling Castle
1803
100
Print made by Miss Frances Waring, active 1801–1826
Bothwell Castle
1803
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