Date: 1802 / Image Use: Free to Use - YCBA Collections Search Search Results

1. Lane near Dedham

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/4 inches (33.3 x 42.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Dedham Vale

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/8 inches (33.3 x 41.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Tummel Bridge, Perthshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1802 and 1803
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/8 x 18 3/8 inches (28.9 x 46.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Chateaux de St. Michael, Bonneville, Savoy

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1802 to 1803
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Lambeth Palace from the West

Creator:: Daniel Turner, active 1782–1805
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 18 × 24 inches (45.7 × 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Avenue with Figures

Creator:: unknown artist
Date:: ca. 1807
Materials & Techniques:: Oil on paper
Dimensions:: 9 1/4 x 7 3/4 inches (23.5 x 19.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad

Creator:: Benjamin Marshall, 1768–1835
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 14 5/8 inches (46.4 x 37.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. An Ornithologist, Possibly John Latham

Creator:: Ramsay Richard Reinagle, 1775–1862
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 58 x 58 inches (147.3 x 147.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Landscape with Cottages

Creator:: James Ward, 1769–1859
Date:: between 1802 and 1827
Materials & Techniques:: Oil on panel
Dimensions:: 9 1/2 x 17 1/4 inches (24.1 x 43.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Nine Greyhounds in a Landscape

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: ca. 1807
Materials & Techniques:: Oil on canvas
Dimensions:: 25 1/16 x 29 7/8 inches (63.7 x 75.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. An Overshot Mill

Creator:: James Ward, 1769–1859
Date:: between 1802 and 1807
Materials & Techniques:: Oil on panel
Dimensions:: 10 7/8 × 13 1/8 inches (27.6 × 33.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Lake Geneva and Mount Blanc

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1802 to 1805
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and scraping out on slightly textured, cream wove paper
Dimensions:: Sheet: 28 7/8 x 44 5/8 inches (73.3 x 113.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

Date:: 1802
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. View of London, taken from Albion Place, Blackfryar Bridge

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Drinking Well in Hyde Park

Creator:: James Godby, 1767–1849
Date:: 1802
Materials & Techniques:: Colored stipple engraving
Dimensions:: Sheet: 21 1/8 x 25 7/8in. (53.7 x 65.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. A Woman Sitting by the Window (Evening thou Bringest All)

Creator:: Print made by Henry Fuseli, 1741–1825
Date:: 1802, published 1806
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 x 13 5/8 inches (22.8 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

17. Old Trees with Old Man, a Girl and a Dog

Creator:: Print made by Richard Corbould, 1757–1831
Date:: 1802
Materials & Techniques:: Lithograph on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 9 3/16 × 12 5/8 inches (23.3 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

18. Vulcan's Forge

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

19. The Distinguishing Characteristic of Masonry

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 23 x 28in. (58.4 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Study of a Tree

Creator:: Print made by Raphael Lamar West, 1769–1850
Date:: 1802, published 1807
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 9 1/4 inches (32.7 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Landscape with Group of Trees

Creator:: Print made by Richard Cooper the Younger, 1740–1814
Date:: 1802, published 1806
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Old Trees with Old Man, a Girl and a Dog

Creator:: Print made by Richard Corbould, 1757–1831
Date:: 1802, published 1806
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 1/2 inches (23.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. View of the Tuileries and Bridge taken from the Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 22 3/4 inches (25.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Battersea Fields, Painted for Charles Matthews, Esq.

Creator:: Patrick Nasmyth, 1787–1831
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured gray wove paper
Dimensions:: Sheet: 5 1/2 × 9 1/4 inches (14 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. A Crane

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 7 7/16 inches (23.2 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Zebra

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 7/8 × 4 3/8 inches (9.8 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Three Toucans

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 × 6 1/2 inches (32.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Parrot

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor, blue gouache, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/16 × 5 5/8 inches (20.8 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Parrot

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 × 5 3/4 inches (23.5 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Heads of Two Proboscis Monkeys

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Engraving on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 3/8 x 5 3/16in. (8.6 x 13.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. A Parrot

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A Cockatoo

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 7 1/8 inches (21 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Carnarvon Castle

Creator:: Cornelius Varley, 1781–1873
Date:: 1802
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/16 x 12 5/8 inches (23 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. A Parrot

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 7 1/4 inches (22.9 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Durham Cathedral

Creator:: Print made by S. Porter, active 1802
Date:: 1802
Materials & Techniques:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Conway, North Wales: The Castle and the Old College House

Creator:: William Alexander, 1767–1816
Date:: 1802
Materials & Techniques:: Gray wash, yellow wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 11 7/8 inches (20.3 × 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Farmhouse

Creator:: Edward Francis Burney, 1760–1848
Date:: 1802
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 7 3/4 inches (14 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

39. Carnarvon

Creator:: Cornelius Varley, 1781–1873
Date:: 1802
Materials & Techniques:: Watercolor with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 19 1/4 inches (25.7 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Views in England, Scotland and Wale: View near Bolton Abbey

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. He Was Wounded For Our Transgressions

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A Landscape, with the Story of Europa

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Aquatint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

46. Woodmen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects..."

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

47. Miscellaneous Figures

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 9 1/2 x 13 1/2in. (24.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

48. Brickmakers

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 13 3/8 x 9 1/2in. (34 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

49. The House in Portman Square, of His Excellency L. G. Otto, Minister Plenipotentiary from the French Republic

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 17 x 25in. (43.2 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Tynemouth Castle and Priory, Northumberland

Creator:: Print made by Benjamin Comte, 1760–1851
Date:: 1802
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Cunning Gypsy

Creator:: Print made by William T. Annis, active 1798–1811
Date:: 1802
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 17 7/8 x 21 3/4in. (45.4 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Solitude

Creator:: Christian Friedrich Duttenhoffer, 1778–1846
Date:: 1802
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 x 22 3/4 inches (46 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Angelica Catalani

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

Creator:: Print made by William Daniell, 1769–1837
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 32 3/4 inches (49.5 × 83.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. View of the Tuilleries and Bridge taken from the Quay D'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. View of the City with the Louvre taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 17 1/2 inches (14.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Plan of the West India Docks

Creator:: Print made by Benjamin Baker, 1766–1841
Date:: 1802
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Southwest View of Lancaster Castle, part of St. George's Quay. The Aqueduct Bridge and Muntains of Ingleborough

Creator:: John Bluck, active 1791–1831
Date:: 1802
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 17 3/4 x 25 1/2in. (45.1 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. An Irish Request in a Storm

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 13in. (21.9 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Royal Review in Hatfield Park

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1802
Materials & Techniques:: Aquatint, colored
Dimensions:: Sheet: 17 5/8 x 26 1/2in. (44.8 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Peep at the Lion

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 1/4in. (21.6 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. "William and Margaret"

Creator:: John Raphael Smith, 1752–1812
Date:: 1802
Materials & Techniques:: Mezzotint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 23 11/16 inches (49.5 × 60.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Two Travellers Watering Three Horses

Creator:: Print made by Joseph Samuel Alpenny, 1787–1858
Date:: undated
Materials & Techniques:: Etching with hand coloring on thick, slightly textured, beige card
Dimensions:: Sheet: 8 9/16 x 10 1/2 inches (21.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Between Two Stools The Bottom Goes to the Ground

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 13in. (22.2 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Prize Beef or Luxury in the Nineteenth Century

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 7/8 x 14 7/8in. (25.1 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Union Club Masquerade

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/4 x 14 3/4in. (26 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. A Peep into Totenham Street or Dillitanti Performers in Training

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 13/16 x 13 1/2in. (24.9 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Doctor Administering His Gilded Pill

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/8 x 8 1/4in. (28.9 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Balance of Justice

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 14 3/4in. (23.8 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Cross Examination

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 1/4 x 11in. (23.5 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A New Bravura with a Duett Affettuoso

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/8 x 14 1/8in. (23.8 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Peasants Going to Market

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1802
Materials & Techniques:: Line engraving and stipple engraving
Dimensions:: Sheet: 18 x 22in. (45.7 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Part of Audley House, Dukes Place

Creator:: Samuel Rawle, 1771–1860
Date:: 1802
Materials & Techniques:: Etching and line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 5 1/4 × 7 13/16 inches (13.3 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View of Blackfriars Bridge and St. Paul's from the Patent Shot Manufactory on the South Side of the River

Creator:: Daniel Turner, active 1782–1805
Date:: 1802
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. View of the Pont Neuf, The Mint & etc.

Creator:: Thomas Girtin, 1775–1802
Date:: c.1802
Materials & Techniques:: Soft-ground etching, drypoint with watercolor, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 28in. (20.3 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Portraits of the Royal Academicians

Creator:: Charles Bestland, 1763–ca. 1837
Date:: 1802
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 25 3/4 x 31 7/8in. (65.4 x 81cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Prince of Wales

Creator:: Print made by James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 9 x 7in. (22.9 x 17.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Julius Caesar: Act IV Scene III: Brutus' Tent ...

Creator:: Edward Scriven, 1775–1841
Date:: 1802
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/2 x 18 1/2in. (64.8 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Drinking Well in Hyde Park

Creator:: James Godby, 1767–1849
Date:: 1802
Materials & Techniques:: Hand-colored stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Dipping Well in Hyde Park

Creator:: James Godby, 1767–1849
Date:: 1802
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Fishermen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects..."

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 9 x 13 3/8in. (22.9 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

86. Hay Making, from "Picturesque groups for the Embellishment of Landscape in a series of above 1000 Subjects..."

Creator:: William Henry Pyne, 1769–1843
Date:: 1802
Materials & Techniques:: Etching and aquatint on wove paper
Dimensions:: Sheet: 9 1/2 x 13 1/2in. (24.1 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

87. Inside View of the East End of Merton College

Creator:: Print made by James Basire, Sr., British, 1730 - 1802
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 18 inches (33 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Francis Wheatley, R.A.

Creator:: Print made by William Daniell, 1769–1837
Date:: between 1802 and 1814
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 15/16 x 11 5/16 inches (45.5 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Proclamation of Peace at the Royal Exchange, London, April 29th, 1802

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Views in England, Scotland and Wales: Landscape with Stream

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Views in England, Scotland and Wales: Watenlath, August 30, 1802

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802

Creator:: Amos Green, 1735–1807
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Lane with Figures, May 1802

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Cupid in Search of Venus' Dove, Prior's Poems, Vol. II

Creator:: unknown artist
Date:: 1802
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

98. Windsor Castle from the Brocas

Creator:: Henry Edridge, 1769–1821
Date:: 1802
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 × 11 3/8 inches (21 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Killarney (Ireland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1807
Materials & Techniques:: Watercolor, graphite white gouache, and gum arabic on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 18 5/8 inches (29.8 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Dunloh Castle, Killarney, Ireland

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1807
Materials & Techniques:: Pen and brown ink, brown wash, over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 19 3/16 inches (30.2 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1802

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Search Results

1. Lane near Dedham

2. Dedham Vale

3. Tummel Bridge, Perthshire

4. Chateaux de St. Michael, Bonneville, Savoy

5. Lambeth Palace from the West

6. Avenue with Figures

7. The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad

8. An Ornithologist, Possibly John Latham

9. Landscape with Cottages

10. Nine Greyhounds in a Landscape

11. An Overshot Mill

12. Lake Geneva and Mount Blanc

13. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

14. View of London, taken from Albion Place, Blackfryar Bridge

15. The Drinking Well in Hyde Park

16. A Woman Sitting by the Window (Evening thou Bringest All)

17. Old Trees with Old Man, a Girl and a Dog

18. Vulcan's Forge

19. The Distinguishing Characteristic of Masonry

20. Study of a Tree

21. Landscape with Group of Trees

22. Old Trees with Old Man, a Girl and a Dog

23. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

24. View of the Tuileries and Bridge taken from the Pont de la Concorde

25. Battersea Fields, Painted for Charles Matthews, Esq.

26. A Crane

27. Zebra

28. Three Toucans

29. A Parrot

30. A Parrot

31. Heads of Two Proboscis Monkeys

32. A Parrot

33. A Cockatoo

34. Carnarvon Castle

35. A Parrot

36. Durham Cathedral

37. Conway, North Wales: The Castle and the Old College House

38. Farmhouse

39. Carnarvon

40. Views in England, Scotland and Wale: View near Bolton Abbey

41. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

42. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

43. View of St. Cloud and Mt. Calvary taken from Pont de Seve

44. He Was Wounded For Our Transgressions

45. A Landscape, with the Story of Europa

46. Woodmen, from "Picturesque Groups for the Embellishment of Landscape in a series of above 1000 Subjects..."

47. Miscellaneous Figures

48. Brickmakers

49. The House in Portman Square, of His Excellency L. G. Otto, Minister Plenipotentiary from the French Republic

50. Saumerez' Action off Algeciras and Gibraltar, 6th and 12th July 1801

51. Tynemouth Castle and Priory, Northumberland

52. The Cunning Gypsy

53. Solitude

54. Angelica Catalani

55. An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

56. View of the Tuilleries and Bridge taken from the Quay D'Orsai

57. View of the City with the Louvre taken from Pont Marie

58. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

59. Plan of the West India Docks

60. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

61. A Southwest View of Lancaster Castle, part of St. George's Quay. The Aqueduct Bridge and Muntains of Ingleborough

62. An Irish Request in a Storm

63. The Royal Review in Hatfield Park

64. A Peep at the Lion

65. "William and Margaret"

66. Two Travellers Watering Three Horses

67. Between Two Stools The Bottom Goes to the Ground

68. Prize Beef or Luxury in the Nineteenth Century

69. The Union Club Masquerade

70. A Peep into Totenham Street or Dillitanti Performers in Training

71. The Doctor Administering His Gilded Pill

72. The Balance of Justice

73. Cross Examination

74. A New Bravura with a Duett Affettuoso