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Collection
Prints and Drawings
434
Creator
Smirke the Younger, Robert, Sir, 1781–1867
356
Malton, James, 1761–1803
19
Sowerby, James de Carle, 1787–1871
8
Girtin, Thomas, 1775–1802
6
Nasmyth, Patrick, 1787–1831
4
Hills, Robert, 1769–1844
3
Howitt, Samuel, 1756–1822
3
Varley, Cornelius, 1781–1873
3
Cooper, Abraham, 1787–1868
2
Cristall, Joshua, 1768–1847
2
Daniell, Samuel, 1775–1811
2
Hook, James, ca. 1772–1828
2
Unknown artist
2
Varley, John, 1778–1842
2
Weld, Isaac, 1774–1856
2
Alexander, William, 1767–1816
1
Annesley, Charles Rev., 1787–1863
1
Beaumont, George Howland, Sir, 1753–1827
1
Cotman, John Sell, 1782–1842
1
De, Wilde Samuel, 1748–1832
1
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Creator
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Date
1800
560
1749
513
1745
449
1802
[remove]
434
1796
409
1771
403
1804
332
1772
321
1791
315
0
302
1867
294
1795
265
1775
263
1832
254
1790
249
1784
248
1826
234
1793
226
1748
220
1767
212
1792
210
1768
209
1764
206
1814
186
1945
183
1785
178
1827
167
1789
162
1818
162
1752
153
1797
148
1820
146
1700
145
1836
144
1799
137
1825
132
1817
129
1770
126
1758
120
1787
120
1780
119
1830
119
1801
118
1794
114
1805
111
1839
104
1815
103
1807
101
1846
98
1755
94
1788
93
1717
92
1813
92
1738
91
1763
90
1777
89
1782
89
1803
89
1811
89
1835
89
1798
87
1812
86
1808
84
1765
83
1810
82
1910
81
1819
79
1831
79
1834
79
1778
78
1841
78
1762
76
1774
76
1783
76
1829
76
1740
75
1786
74
1823
74
1828
71
1806
69
1821
68
1833
67
1705
65
1760
64
1781
63
1809
59
1840
59
1893
59
1843
54
1822
52
1746
50
1838
50
1848
48
1753
47
1776
46
1779
46
1845
46
1857
46
1761
45
1715
43
On-site Access
Accessible by appointment in the Study Room
434
Image Use
Free to Use
432
Under Certain Circumstances
2
Image Available
Available
[remove]
434
Classification
Drawings & Watercolors
421
Drawing & Watercolors-Architectural
11
Drawings & Watercolors-Miniatures
1
Creator Gender
male
434
unknown
2
Collective Title
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
354
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
4
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804.
1
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
1
Period
19th century
431
18th century-19th century
2
Materials & Techniques
graphite
418
wove paper
355
brown wash
109
pen
86
watercolor
79
gray wash
76
laid paper
69
brown ink
61
black ink
40
blue wash
14
gray ink
7
gouache
6
pens
3
black wash
2
aquatint
1
black chalk
1
cartridge paper
1
chalk
1
gum arabic
1
marbling
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
91
Unknown
1
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
129
Unknown
2
Work Type
drawing
[remove]
434
watercolor
252
intaglio print
1
Genre
architectural subject
285
landscape
128
cityscape
47
animal art
14
genre subject
12
marine art
10
historical subject
6
figure study
5
literary theme
4
portrait
4
religious and mythological subject
4
still life
2
botanical subject
1
military art
1
Subject Terms
architectural subject
38
trees
17
landscape
16
animal art
14
country house
14
windows
14
house
10
castle
9
river
9
Architectural rendering
8
mullions
8
preparatory drawing
8
Architectural design
7
Gothic Revival
7
Gothic architectural decoration
7
Gothic architectural drawing
7
Gothic architecture
7
buildings
7
cityscape
7
cottage
7
more
Subject Terms
»
Associated Places
United Kingdom
17
Europe
15
France
10
England
9
Wales
7
Île-de-France
7
Paris
6
Cymru
5
Seine
5
Italy
4
Caernarfonshire and Merionethshire
3
Africa
2
Agrigento
2
Bassin de l'Arsenal
2
Caernarfon
2
Jardins des Tuileries
2
Kent
2
Lyon
2
Menai Strait
2
Mont Blanc
2
more
Associated Places
»
Associated People
Cowslip (character in The Agreeable Surprise)
1
Hermione (character in The Winter's Tale)
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
6
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
5
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
4
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
3
Magnificent Switzerland (Fondazione Thyssen-Bornemisza, 1991-08-01 - 1991-10-31)
2
Magnificent Switzerland (Museum of Art and History, Geneva, 1991-11-12 - 1992-02-02)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
British Painting and the European Continent (Haus der Kunst Munich, 1979-11-20 - 1980-01-27)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
J.M.W. Turner, R.A.: The Great Watercolors (Royal Academy of Arts, 2000-12-02 - 2001-02-18)
1
John Glover and the Colonial Picturesque (Art Gallery of South Australia, 2004-02-19 - 2004-04-12)
1
John Glover and the Colonial Picturesque (National Gallery of Australia, 2004-04-24 - 2004-07-18)
1
John Glover and the Colonial Picturesque (National Gallery of Victoria, 2004-08-13 - 2004-10-03)
1
John Glover and the Colonial Picturesque (Tasmanian Museum and Art Gallery, 2003-12-05 - 2004-02-01)
1
John Sell Cotman (Bristol Museum and Art Gallery, - 1983-02-01)
1
John Sell Cotman (Victoria and Albert Museum, 1983-08-01 - )
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
430
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
1
Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942
1
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art,Gift of Ann and Kenneth Rapoport
1
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Date
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1
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
2
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
3
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
4
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
5
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
6
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
7
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
8
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
9
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
10
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
11
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
12
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
13
Sir George Howland Beaumont seventh Baronet, 1753–1827
Lane with Figures, May 1802
1802
14
James Ward, 1769–1859
A Hog, Sleeping
ca. 1807
15
Capt. Thomas Hastings, 1778–1854
Bound Volume of 152 Drawings of Isle of Wight, Canterbury, Hampstead, etc. [spine is numbered vol. 6]
1802 to 1833
16
Thomas Girtin, 1775–1802
Sandsend, Yorkshire
1802
17
unknown artist
Portrait of Thomas Goodisson
undated
18
Patrick Nasmyth, 1787–1831
An Open Road
undated
19
unknown artist
Portrait of Frank Buckle
undated
20
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal
1802
21
Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge, taken from the Quai d'Orsay
1802
22
Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf
1802
23
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
24
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
25
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
26
Attributed to William Etty, 1787–1849
Sheet of sketches
undated
27
James de Carle Sowerby, 1787–1871
A Parrot
undated
28
James de Carle Sowerby, 1787–1871
A Cockatoo
undated
29
James de Carle Sowerby, 1787–1871
A Parrot
undated
30
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
31
James de Carle Sowerby, 1787–1871
A Crane
undated
32
James de Carle Sowerby, 1787–1871
Zebra
undated
33
James de Carle Sowerby, 1787–1871
Three Toucans
undated
34
James de Carle Sowerby, 1787–1871
A Parrot
undated
35
James de Carle Sowerby, 1787–1871
A Parrot
undated
36
Patrick Nasmyth, 1787–1831
Battersea Fields, Painted for Charles Matthews, Esq
undated
37
Patrick Nasmyth, 1787–1831
Cloud Study
undated
38
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
39
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
40
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
41
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
42
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
43
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
44
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
45
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
46
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
47
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
48
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
49
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
50
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
51
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
52
John Glover, 1767–1849
The Thames at Isleworth
ca. 1807
53
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
54
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
55
James Hook, ca. 1772–1828
A Regency Pair
1802
56
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
57
Cornelius Varley, 1781–1873
Carnarvon Castle
1802
58
Cornelius Varley, 1781–1873
Carnarvon
1802
59
Isaac Weld, 1774–1856
Dunloh Castle, Killarney, Ireland
ca. 1807
60
Sir Robert Smirke the younger, 1781–1867
Ruins of Sparta
1802-1804
61
Sir Robert Smirke the younger, 1781–1867
Among the Taygetos Mountains of Mystras
1802-1804
62
Sir Robert Smirke the younger, 1781–1867
Ruins of Sparta
1802-1804
63
Sir Robert Smirke the younger, 1781–1867
Kalamata, Greece
1802-1804
64
Sir Robert Smirke the younger, 1781–1867
One of the Lions Taken From the Piraeus Port of Athens
1802-1804
65
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Sunias Minerva
1802-1804
66
Sir Robert Smirke the younger, 1781–1867
Temple of Sunias Minerva
1802-1804
67
Sir Robert Smirke the younger, 1781–1867
An Architectural Drawing of One of the Pillars in the Interior of a Temple
1802-1804
68
Sir Robert Smirke the younger, 1781–1867
Temple of Hephaestus
1802-1804
69
Sir Robert Smirke the younger, 1781–1867
Mountains in the Distance
1802-1804
70
Sir Robert Smirke the younger, 1781–1867
Fragment of a Doric Cornice Among the Ruins of Eleusis
1802-1804
71
Sir Robert Smirke the younger, 1781–1867
A Man in Traditional Greek Attire, Guiding a Boat, With a Line of Rope
1802-1804
72
Sir Robert Smirke the younger, 1781–1867
Inscriptions in Greek Alphabet
1802-1804
73
Sir Robert Smirke the younger, 1781–1867
View of the Site of Ancient. Agrigentum, From Agrigento
1802-1804
74
Sir Robert Smirke the younger, 1781–1867
Inscriptions in Greek Alphabet
1802-1804
75
Sir Robert Smirke the younger, 1781–1867
Doric Order Septastyle Temple
between 1802 and 1804
76
Sir Robert Smirke the younger, 1781–1867
Temple of Athena
1802-1804
77
Sir Robert Smirke the younger, 1781–1867
Gateway in the Ruins of the Ancient Walls of Arpino
1802-1804
78
Sir Robert Smirke the younger, 1781–1867
Temple of Concordia
1802-1804
79
Sir Robert Smirke the younger, 1781–1867
Raised Carving of a Sundial on a Wall
1802-1804
80
Sir Robert Smirke the younger, 1781–1867
Study of a Stone Wall
1802-1804
81
Sir Robert Smirke the younger, 1781–1867
Studies of Pillars
1802-1804
82
Sir Robert Smirke the younger, 1781–1867
Architectural Sketch of Building with Doric Columns
1802-1804
83
Sir Robert Smirke the younger, 1781–1867
Studies of Serving Vessels From Antiquity
1802-1804
84
Sir Robert Smirke the younger, 1781–1867
Gate of Posillipo - Naples
1802-1804
85
Sir Robert Smirke the younger, 1781–1867
A Village at 4 Miles from Messina
1802-1804
86
Sir Robert Smirke the younger, 1781–1867
La Cava
1802-1804
87
Sir Robert Smirke the younger, 1781–1867
Studies of Drinking and Pouring Vessels, at the Vatican Library
1802-1804
88
Sir Robert Smirke the younger, 1781–1867
View From Cori Towards Villetri
1802-1804
89
Sir Robert Smirke the younger, 1781–1867
Cori
1802-1804
90
Sir Robert Smirke the younger, 1781–1867
Gate of San Gallo, Florence
1802-1804
91
Sir Robert Smirke the younger, 1781–1867
Sienna
1802-1804
92
Sir Robert Smirke the younger, 1781–1867
Entrance Gateway into the City of Perugia
1802-1804
93
Sir Robert Smirke the younger, 1781–1867
Premuda
1802-1804
94
Sir Robert Smirke the younger, 1781–1867
Interior of the Holy Chapel of Loretta
1802-1804
95
Sir Robert Smirke the younger, 1781–1867
Premuda, Yugoslavian Landscape, Opposite, Ancona
1802-1804
96
Sir Robert Smirke the younger, 1781–1867
Front of La Maddalena Church, Venice
1802-1804
97
Sir Robert Smirke the younger, 1781–1867
Study of an Older Palace in Venice
1802-1804
98
Sir Robert Smirke the younger, 1781–1867
Road to Sarzana
1802-1804
99
Sir Robert Smirke the younger, 1781–1867
Interior of a Church in Venice
1802-1804
100
Sir Robert Smirke the younger, 1781–1867
Interior of a Church
1802-1804
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