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Collection
Prints and Drawings
331
Paintings and Sculpture
1
Creator
Smirke the Younger, Robert, Sir, 1781–1867
248
Girtin, Thomas, 1775–1802
41
Malton, James, 1761–1803
19
Lewis, Frederick Christian the Elder, 1779–1856
10
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Varley, Cornelius, 1781–1873
3
Basire, James, 1769–1822
2
Harraden, Richard Banks, 1778–1862
2
Varley, John, 1778–1842
2
Alexander, William, 1767–1816
1
Annesley, Charles Rev., 1787–1863
1
Baker, Benjamin, 1766–1841
1
Burney, Edward Francis, 1760–1848
1
Comte, Benjamin, 1760–1851
1
Cotman, John Sell, 1782–1842
1
Daniell, William, 1769–1837
1
Dayes, Edward, 1763–1804
1
Edridge, Henry, 1769–1821
1
Hearne, Thomas, 1744–1817
1
Nasmyth, Patrick, 1787–1831
1
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Date
1791
729
1796
367
1802
[remove]
332
1800
330
1834
277
1745
249
1546
247
1835
182
1827
173
1785
141
1825
134
1818
133
1790
132
1833
132
1792
131
1836
117
1968
114
1799
112
1832
112
1803
104
1839
97
1820
94
1700
93
1811
93
1830
93
1795
87
1775
86
1831
82
1772
78
1793
75
1814
74
1819
70
1767
68
1823
67
1780
66
1804
66
1764
61
1705
60
1812
60
1826
59
1781
57
1828
56
1794
55
1837
55
1829
53
1815
52
1807
49
1813
47
1816
47
1797
46
1806
46
1817
46
1993
46
1822
45
1770
44
1810
44
1771
43
1777
42
1798
42
1809
42
1850
42
1929
42
1788
41
1912
41
1925
41
1751
40
1776
40
1805
40
1808
40
1860
40
1867
39
1789
38
1801
38
1900
38
2006
37
1758
36
1824
36
1842
36
1563
35
1765
35
1778
35
1897
35
1998
35
1761
34
1996
34
1784
33
1871
33
1964
33
1859
32
2002
32
1787
31
1840
31
1920
31
1933
31
0
30
1763
30
1782
30
1927
30
1845
29
1855
29
On-site Access
Accessible by appointment in the Study Room
331
Not on view
1
Image Use
Free to Use
332
Image Available
Available
331
Unavailable
1
Classification
Drawings & Watercolors
276
Prints
44
Drawing & Watercolors-Architectural
11
Paintings
1
Creator Gender
male
332
Collective Title
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
246
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
15
Oxford Almanacks, 1799-1811
2
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804.
1
The Beauties of England and Wales
1
Views of the London Docks
1
Wharton's 'Essays on Gothic Architecture,' 2nd Edition, 1802
1
Period
19th century
331
Materials & Techniques
graphite
281
wove paper
266
brown wash
85
pen
68
gray wash
65
brown ink
48
laid paper
48
watercolor
46
black ink
32
soft-ground etching
30
aquatint
13
blue wash
10
etching (printing process)
10
gray ink
5
line engraving
5
pens
3
yellow wash
3
black wash
2
canvas
1
colored ink
1
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Materials & Techniques
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Height [cm]
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0
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52
Unknown
1
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
6
to
83
Unknown
1
Work Type
drawing
286
watercolor
181
intaglio print
45
painting
1
Genre
architectural subject
[remove]
332
cityscape
48
landscape
39
religious and mythological subject
6
genre subject
4
marine art
4
botanical subject
1
historical subject
1
Subject Terms
architectural subject
74
river
38
trees
19
cityscape
18
buildings
14
country house
14
windows
14
boats
13
people
13
castle
11
house
10
bridge (built work)
9
carts
9
Architectural rendering
8
barges (flat-bottomed watercraft)
8
horse (animal)
8
houses
8
landscape
8
mullions
8
preparatory drawing
8
more
Subject Terms
»
Associated Places
Europe
47
France
42
Île-de-France
42
Seine
39
Paris
33
United Kingdom
18
Cathédrale Notre-Dame de Paris
15
England
11
Pont Neuf
11
Jardins des Tuileries
10
Palais des Tuileries
10
Bassin de l'Arsenal
9
Musée du Louvre
9
Pont de la Tournelle
6
Wales
6
Panthéon
5
Acqueduct of Louveciennes
4
Bourse de Paris
4
Cymru
4
Italy
4
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
British Painting and the European Continent (Haus der Kunst Munich, 1979-11-20 - 1980-01-27)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
2
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
John Sell Cotman (Bristol Museum and Art Gallery, - 1983-02-01)
1
John Sell Cotman (Victoria and Albert Museum, 1983-08-01 - )
1
John Sell Cotman (Whitworth Art Gallery, - )
1
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Pearls to Pyramids: British Visual Culture and the Levant, 1600–1830 (Yale Center for British Art, 2008-02-07 - 2008-04-28)
1
Sainte-Genevieve La Pantheon - Symbole des revolutions (Canadian Centre for Architecture, 1989-09-26 - 1989-11-30)
1
Sites and Sensibilities - Views of Rome 1500-1992 (Mount Holyoke College Art Museum, 1992-09-01 - 1992-11-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
329
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
1
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
1
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Date
1802
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1
Daniel Turner, active 1782–1805
Lambeth Palace from the West
1802
Not on view
2
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
3
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
4
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
5
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
6
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
7
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
8
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
9
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
10
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
11
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
12
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
13
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
14
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
15
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
16
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
17
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
18
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
19
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
20
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
21
Cornelius Varley, 1781–1873
Carnarvon Castle
1802
22
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
23
Print made by James Basire, Sr., British, 1730 - 1802
Inside View of the East End of Merton College Chapel
1802
24
Print made by S. Porter, active 1802
Durham Cathedral
1802
25
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
26
Print made by Thomas Girtin, 1775–1802
View of the Tuileries and Bridge taken from the Pont de la Concorde
1802
27
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michel, Taken from Pont Neuf
1802
28
Thomas Girtin, 1775–1802
View of Pont Neuf, The Mint etc
1802
29
Print made by William Daniell, 1769–1837
An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs
1802
30
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre taken from Pont Marie
1802
31
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
32
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
33
Print made by Benjamin Baker, 1766–1841
Plan of the West India Docks
1802
34
Edward Francis Burney, 1760–1848
Farmhouse
1802
35
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
36
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal
1802
37
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
38
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
39
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
40
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
41
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
42
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
43
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
44
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
45
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
46
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
47
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
48
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
49
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
50
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
51
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
52
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
53
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
54
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802
55
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
56
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
57
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
58
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
59
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
60
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
1802
61
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge taken from the Quay D'Orsai
1802
62
Thomas Girtin, 1775–1802
View of the Pont Neuf, The Mint & etc
c.1802
63
Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Tuilleries, taken from Pont Neuf
1802
64
Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge, taken from the Quai d'Orsay
1802
65
Thomas Girtin, 1775–1802
A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
1802
66
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
67
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
68
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
69
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
70
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
71
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
72
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
73
Sir Robert Smirke the younger, 1781–1867
Porch to a Private House in Padua
1802-1804
74
Sir Robert Smirke the younger, 1781–1867
Bridge at Innsbruck, Austria
1802-1804
75
Sir Robert Smirke the younger, 1781–1867
Hall Staricase to a House in Padua
1802-1804
76
Sir Robert Smirke the younger, 1781–1867
Inn Beyond Unken, Austria
1802-1804
77
Sir Robert Smirke the younger, 1781–1867
Rattenberg, Austraia
1802-1804
78
Sir Robert Smirke the younger, 1781–1867
The Castle and Town of Salzburg
1802-1804
79
Sir Robert Smirke the younger, 1781–1867
The Riding School Attached to the Imperial Palace, Vienna
1802-1804
80
Sir Robert Smirke the younger, 1781–1867
Study of a Chandelier
1802-1804
81
Sir Robert Smirke the younger, 1781–1867
Study of a Chandelier
1802-1804
82
Sir Robert Smirke the younger, 1781–1867
Sketch of a Tombstone
1802-1804
83
Sir Robert Smirke the younger, 1781–1867
Palazzi dei Rolli, Genoa
1802-1804
84
Sir Robert Smirke the younger, 1781–1867
Castel Sant' Angelo
1802-1804
85
Sir Robert Smirke the younger, 1781–1867
The Site of Cicero's Villa in Tusculum
1802-1804
86
Sir Robert Smirke the younger, 1781–1867
Ancient Roman Mausoleum
1802-1804
87
Sir Robert Smirke the younger, 1781–1867
Part of a Semi-Circular Seat
1802-1804
88
Sir Robert Smirke the younger, 1781–1867
Antique Sculpture
1802-1804
89
Sir Robert Smirke the younger, 1781–1867
Ancient Chapel or Monument, in the Town of Terracina
1802-1804
90
Sir Robert Smirke the younger, 1781–1867
Villa in Italy
1802-1804
91
Sir Robert Smirke the younger, 1781–1867
Tivoli
1802-1804
92
Sir Robert Smirke the younger, 1781–1867
Temple of Vesta at Tivoli
1802-1804
93
Sir Robert Smirke the younger, 1781–1867
Staircase Railing, Palace of Doge, Venice
1802-1804
94
Sir Robert Smirke the younger, 1781–1867
The Fitting Up of the Medal Room in the Arsenal, Venice
1802-1804
95
Sir Robert Smirke the younger, 1781–1867
The Seminary of Agrigento
1802-1804
96
Sir Robert Smirke the younger, 1781–1867
Part of the Town of Messina Showing the effects of the Earthquake of 1783
1802-1804
97
Sir Robert Smirke the younger, 1781–1867
Valtetsi, Greece
1802-1804
98
Sir Robert Smirke the younger, 1781–1867
The Sitting Room in a House in Corinth
1802-1804
99
Sir Robert Smirke the younger, 1781–1867
Argos, Remains of a Roman Building
1802-1804
100
Sir Robert Smirke the younger, 1781–1867
Top Portion of a Pillar
1802-1804
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