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Collection
Prints and Drawings
72
Paintings and Sculpture
1
Creator
Girtin, Thomas, 1775–1802
29
Malton, James, 1761–1803
19
Lewis, Frederick Christian the Elder, 1779–1856
5
Smirke the Younger, Robert, Sir, 1781–1867
4
Varley, Cornelius, 1781–1873
3
Basire, James, 1769–1822
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Varley, John, 1778–1842
2
Alexander, William, 1767–1816
1
Annesley, Charles Rev., 1787–1863
1
Baker, Benjamin, 1766–1841
1
Burney, Edward Francis, 1760–1848
1
Comte, Benjamin, 1760–1851
1
Cotman, John Sell, 1782–1842
1
Dayes, Edward, 1763–1804
1
Edridge, Henry, 1769–1821
1
Harraden, Richard Banks, 1778–1862
1
Hearne, Thomas, 1744–1817
1
Nasmyth, Patrick, 1787–1831
1
Nicholson, Peter, 1765–1844
1
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Date
1791
616
1800
264
1835
125
1827
122
1834
120
1818
100
1839
87
1802
[remove]
73
1833
73
1811
72
1820
68
1831
62
1832
62
1825
59
1830
58
1814
51
1826
50
1815
48
1817
44
1812
43
1837
43
1819
41
1829
39
1806
38
1803
36
1807
36
1822
36
1823
36
1813
35
1805
34
1810
34
1836
34
1867
34
1795
33
1850
29
1804
28
1824
28
1842
27
1828
26
1840
26
1871
26
1781
25
1801
25
1809
25
1845
24
1859
24
1860
23
1808
22
1816
21
1863
21
1841
18
1861
18
1821
17
1838
17
1843
15
1844
14
1864
13
1796
12
1848
12
1855
12
1870
12
1777
11
1846
11
1865
11
1873
11
1877
11
1849
10
1847
9
1852
9
1857
9
1798
8
1853
8
1866
8
1858
7
1875
7
1890
7
1900
7
1793
6
1856
6
1897
6
1745
5
1790
5
1799
5
1851
5
1876
5
1880
5
1885
5
1785
4
1794
4
1862
4
1868
4
1881
4
1883
4
1892
4
1895
4
0
3
1761
3
1854
3
1869
3
1874
3
On-site Access
Accessible by appointment in the Study Room
72
Not on view
1
Image Use
Free to Use
73
Image Available
Available
73
Classification
Prints
33
Drawings & Watercolors
28
Drawing & Watercolors-Architectural
11
Paintings
1
Creator Gender
male
73
Collective Title
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
4
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
4
The Oxford Almanack
2
The Beauties of England and Wales
1
Period
19th century
[remove]
73
Materials & Techniques
wove paper
50
graphite
38
soft-ground etching
29
laid paper
20
gray wash
15
watercolor
13
black ink
11
aquatint
7
line engraving
4
pen
3
pens
3
brown ink
2
etching (printing process)
2
yellow wash
2
blue wash
1
canvas
1
colored ink
1
drypoint
1
gouache
1
marbling
1
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Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
52
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
81
Work Type
drawing
38
intaglio print
34
watercolor
25
painting
1
Genre
architectural subject
73
cityscape
28
landscape
10
religious and mythological subject
4
genre subject
3
historical subject
1
marine art
1
Subject Terms
architectural subject
[remove]
73
river
26
trees
19
cityscape
17
buildings
14
country house
14
windows
14
people
13
boats
12
castle
11
house
10
bridge (built work)
9
carts
9
Architectural rendering
8
barges (flat-bottomed watercraft)
8
horse (animal)
8
houses
8
landscape
8
mullions
8
preparatory drawing
8
more
Subject Terms
»
Associated Places
Europe
35
France
29
Île-de-France
29
Seine
27
Paris
20
United Kingdom
17
England
10
Cathédrale Notre-Dame de Paris
8
Pont Neuf
8
Wales
6
Bassin de l'Arsenal
5
Jardins des Tuileries
5
Musée du Louvre
5
Palais des Tuileries
5
Acqueduct of Louveciennes
4
Cymru
4
Louveciennes
4
Marly-le-Roi
4
Panthéon
4
Yvelines
4
more
Associated Places
»
Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
British Painting and the European Continent (Haus der Kunst Munich, 1979-11-20 - 1980-01-27)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
2
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
John Sell Cotman (Bristol Museum and Art Gallery, - 1983-02-01)
1
John Sell Cotman (Victoria and Albert Museum, 1983-08-01 - )
1
John Sell Cotman (Whitworth Art Gallery, - )
1
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Sainte-Genevieve La Pantheon - Symbole des revolutions (Canadian Centre for Architecture, 1989-09-26 - 1989-11-30)
1
Sites and Sensibilities - Views of Rome 1500-1992 (Mount Holyoke College Art Museum, 1992-09-01 - 1992-11-08)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
70
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
1
Yale Center for British Art, Paul Mellon Fund
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
1
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Date
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1
Daniel Turner, active 1782–1805
Lambeth Palace from the West
1802
Not on view
2
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
3
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
4
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
5
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
6
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
7
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
8
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
9
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
10
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
11
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
12
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
13
Sir Robert Smirke the younger, 1781–1867
Doric Order Septastyle Temple
between 1802 and 1804
14
Sir Robert Smirke the younger, 1781–1867
The Convent of St. Nicholas
1802-1804
15
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
16
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michel, Taken from Pont Neuf
1802
17
Thomas Girtin, 1775–1802
View of Pont Neuf, The Mint etc
1802
18
Cornelius Varley, 1781–1873
Carnarvon Castle
1802
19
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
20
Edward Francis Burney, 1760–1848
Farmhouse
1802
21
Sir Robert Smirke the younger, 1781–1867
Cave of Trophonius
1802-1804
22
Sir Robert Smirke the younger, 1781–1867
Interior of a Church
1802-1804
23
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
24
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
25
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
26
Cornelius Varley, 1781–1873
Carnarvon
1802
27
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
28
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
29
Samuel Rawle, 1771–1860
Part of Audley House, Dukes Place
1802
30
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
31
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
32
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
33
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
34
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
35
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
36
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
37
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
38
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
39
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
40
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
41
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
42
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
43
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
44
Print made by James Basire II, 1769–1822
Inside View of the East End of Merton College Chapel
1802
45
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
46
Print made by Benjamin Baker, 1766–1841
Plan of the West India Docks
1802
47
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
48
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1802
49
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
50
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
51
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
52
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
53
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
54
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
55
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
56
Rev. Charles Annesley, 1787–1863
The Devil's Bridge, Aberystwyth
undated
57
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
58
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
59
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
60
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
61
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
62
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
63
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
64
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
65
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
66
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802
67
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
68
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
69
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
70
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
71
John Sell Cotman, 1782–1842
Norwich Cathedral: Entrance to Jesus Chapel
ca. 1807
72
Peter Nicholson, 1765–1844
Barshaw House
1802
73
John Warwick Smith, 1749–1831
The Colosseum, Rome
1802