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1. Craven House, Craven Building, Drury Lane

Craven House, Craven Building, Drury Lane
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 12 1/4 × 8 inches (31.1 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Bank of England Royal Exchange

Bank of England Royal Exchange
Creator:
James H. Kernot, 1802–1858
Date:
1800
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 14 5/8 × 18 15/16 inches (37.1 × 48.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Carlton House

Carlton House
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 12 x 15 3/16in. (30.5 x 38.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Queen's Palace

The Queen's Palace
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 1/8 x 16 1/16in. (30.8 x 40.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Bank of England Royal Exchange

Bank of England Royal Exchange
Creator:
James H. Kernot, 1802–1858
Date:
1800
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 14 9/16 × 19 3/8 inches (37 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 18 1/8 inches (31.3 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Sweet William's Farewell to Black Eyed Susan

Sweet William's Farewell to Black Eyed Susan
Creator:
Print made by Paul Fourdrinier, 1698–1758
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 18 1/8 inches (31.2 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Charles Barry

Charles Barry
Creator:
Thomas Harland, active early 19th century
Date:
undated
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, begie card with cream chine collé
Dimensions:
Sheet: 12 7/8 × 9 15/16 inches (32.7 × 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput

The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput
Creator:
Isaac Cruikshank, 1764–1811
Date:
1800
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 3/8 x 8 7/8in. (31.4 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Henry Tilson, Painter

Henry Tilson, Painter
Creator:
Print made by Henry Hoppner Meyer, ca. 1782–1847
Date:
between 1800 and 1840
Materials & Techniques:
Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Quorn Hunt: Drawing Cover

No cover image available
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, with gum arabic and gouache over etched outline on medium, smooth, cream wove paper
Dimensions:
Sheet: 12 1/4 × 20 1/8 inches (31.1 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Quorn Hunt: The Pace Begins to Tell

No cover image available
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, with gum arabic, and gouache over etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 20 1/16 inches (31.1 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Quorn Hunt: The Whissendine Appears in View

No cover image available
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, with gum arabic, and gouache over etched outline on medium, smooth, cream wove paper
Dimensions:
Sheet: 12 1/16 × 20 1/16 inches (30.6 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Quorn Hunt: Full Cry

No cover image available
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
watercolor, with gum arabic, and gouache, over etched outline on medium, smooth, cream wove paper
Dimensions:
Sheet: 12 1/4 × 20 1/16 inches (31.1 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Plan of the Proposed Improvements in Westminster

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 12 x 18in. (30.5 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Plan of the Proposed Improvements in Westminster

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 12 x 18in. (30.5 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection