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Collection
Prints and Drawings
441
Rare Books and Manuscripts
10
Paintings and Sculpture
1
Creator
Blake, William, 1757–1827
139
Edwards, Richard, active 1796–1797
81
Young, Edward, 1683–1765
81
Gray, Thomas, 1716–1771
58
Unknown artist
40
Cotman, John Sell, 1782–1842
31
Gillray, James, 1756–1815
21
Bartolozzi, Francesco, 1727–1815
16
Gaugain, Thomas, 1748–1812
14
Smith, John Thomas, 1766–1833
14
Cruikshank, Isaac, 1764–1811
13
Malton, Thomas, 1726–1801
11
Northcote, James, 1746–1831
11
Hellyer, Thomas, active 1800
10
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Dayes, Edward, 1763–1804
8
Newton, Richard, 1777–1798
8
Rowlandson, Thomas, 1756–1827
8
Cleghorn, Claud, active 1797–1800
7
Walker, James, 1748–1808
7
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Creator
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Date
1800
1,196
1791
1,172
1802
1,077
1834
731
1745
658
1796
652
1775
643
1795
622
1749
580
1827
566
1793
549
1789
543
1771
540
1825
524
1792
522
1804
522
1832
521
1835
517
1790
510
1799
503
1830
503
1826
485
1820
474
1794
457
1797
[remove]
452
1803
450
1784
441
1836
437
1772
433
1700
428
1770
414
1808
413
1833
403
1782
378
1780
372
1785
371
1823
369
1867
351
1818
347
1807
341
1812
341
1768
339
1801
328
1798
324
1814
315
1821
315
1767
312
1750
311
1788
295
1815
294
1853
293
1813
290
1810
288
1783
287
1805
287
1748
285
1809
285
1811
285
1828
278
1787
275
1764
273
1773
273
1817
273
1839
272
1831
267
1840
267
1752
266
1824
263
1786
255
1837
255
1730
250
1546
248
1819
246
1778
245
1739
242
1755
241
1822
231
1855
230
1816
224
1806
220
1829
213
1765
208
1758
207
1725
204
1781
202
1870
200
1777
198
1838
197
1850
190
1630
189
1738
188
1877
187
1776
186
1762
185
1740
181
1763
180
1760
178
1846
177
1754
175
1779
173
On-site Access
Accessible by appointment in the Study Room
451
Not on view
1
Image Use
Free to Use
[remove]
452
Image Available
Available
444
Unavailable
8
Classification
Prints
291
Drawings & Watercolors
136
Drawing & Watercolors-Architectural
15
Books
5
Three-Dimensional Artifacts
2
Archives & Manuscripts
1
Paintings
1
Creator Gender
male
426
unknown
50
female
3
Collective Title
Young's Night Thoughts
81
The Poems of Thomas Gray
58
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
7
The Spoiled Child
6
Iconographie Anglaise par Reynolds et Autres
4
Cries of London
2
The Natural History of the Rare Lepidopterious insects of Georgia, London: 1797. Volume 2
2
Three Views of Cottages near Colchester
2
Howlett's 'Selection of Views in the County of Lincoln,' 1797-1801
1
Plans for Ardgowan House
1
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
1
The Copper-Plate Magazine and The Itinerant
1
The Cries of London
1
Period
18th century
372
18th century-19th century
52
19th century
29
Materials & Techniques
wove paper
198
watercolor
157
graphite
136
black ink
86
line engraving
61
etching (printing process)
53
stipple engraving
32
pen
25
laid paper
22
brown ink
20
mezzotint
18
gray wash
16
gouache
10
aquatint
9
gray ink
7
wash
6
hand coloring
5
brown wash
4
soft-ground etching
4
color printing
2
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
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Height [cm] range end
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71
Unknown
107
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
0
to
91
Unknown
107
Work Type
watercolor
155
drawing
150
intaglio print
123
aquatint
3
engraving
3
overlay
2
ticket
2
trade card
2
booksellers' labels (provenance)
1
broadside
1
etching
1
halfpennie
1
painting
1
printed ephemera
1
red book
1
reward notice
1
token
1
wood blocks (printing blocks)
1
woodcut
1
Genre
literary theme
114
religious and mythological subject
85
architectural subject
46
landscape
39
genre subject
32
portrait
27
marine art
14
cityscape
11
animal art
10
historical subject
9
military art
5
figure study
3
sporting art
3
botanical subject
2
still life
1
Subject Terms
literary theme
109
text
95
men
85
religious and mythological subject
81
women
61
man
60
trees
48
architectural subject
38
landscape
36
woman
26
genre subject
23
beard
22
clouds
22
river
22
children
20
water
20
nudes
19
castle
18
wings
17
angel
16
more
Subject Terms
»
Associated Places
United Kingdom
57
England
35
Europe
33
Wales
10
Scotland
9
Cymru
8
London
7
Greater London
6
Norfolk
6
France
4
Great Britain
4
Isle of Wight
4
Caernarfonshire and Merionethshire
3
Devon
3
Westminster
3
Africa
2
Barmouth
2
Cader Idris
2
Caernarfon Castle
2
Caernarvon
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
4
Repton, Humphry, 1752–1818
2
Cupid
1
Dundas, Lady Jane, Viscountess Melville (1766–1829)
1
Dyck, Sir Anthony Van (1599–1641), painter and etcher
1
Eve
1
Fox, Charles James (1749–1806), politician
1
Kemble, Stephen (1758–1822), actor and entertainer
1
Kyrle, John, 1637–1724
1
Medina, Sir John Baptiste de (1659–1710), painter
1
Morland, Anne (Nancy; c.1765–1804)
1
Palmer, John, 1742–1818
1
Rebecca, Lady Northwick (nee Bowles, married Sir John Rushout; d. 1818)
1
Rushout, Anne (d. 1849)
1
Whatman, James, 1741–1798
1
angel
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
44
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
44
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
15
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
7
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
5
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
5
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
5
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
5
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
4
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
3
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
3
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
404
Yale Center for British Art, Paul Mellon Fund
21
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
2
Yale Center for British Art; Gift of Herman W. Liebert
2
Yale Center for British Art
1
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson
1
Yale Center for British Art, Gift of Dr. Ruth Ivor
1
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914
1
Yale Center for British Art, Gift of Mary E. Knapp
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, Gift of Susan L. Darling in Memory of Arthur Burr Darling, Yale 1916
1
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
1
Yale Center for British Art; Gift of Michael Zinman
1
Yale Center for British Art; Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey
1
Language
English
9
No linguistic content
1
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Date
1797
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1
George Garrard, 1760–1826
Ranger, a setter, the property of Elizabeth Gray
1797
Not on view
2
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
3
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
4
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
5
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
6
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
7
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
8
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
9
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
10
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
11
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
12
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
13
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
14
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
15
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
16
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
17
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
18
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
19
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
20
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
21
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
1797
22
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
23
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
24
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
25
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
26
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
27
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
28
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
29
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
30
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
31
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
32
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
33
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
1797
34
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
35
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
36
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
37
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
38
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
39
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
40
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
41
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
42
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
43
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
44
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
45
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
46
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
47
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
48
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
49
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
50
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
51
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
52
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
53
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
54
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
55
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
56
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
57
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
58
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
59
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
60
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
61
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
62
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
63
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
64
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
65
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
66
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
67
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
68
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
69
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
70
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
71
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
72
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
73
William Blake, 1757–1827
A Standard Bearer Fainting in the Routed Battle (Design 87)
between 1797 and 1798
74
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
75
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
76
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
77
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
78
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
79
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
80
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
81
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
82
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
83
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
84
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
85
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
86
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
87
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
88
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
89
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
90
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
91
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
92
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
93
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
94
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
95
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
96
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
97
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
98
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
99
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
100
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
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