Date: 1797 / Work Type: intaglio print - YCBA Collections Search Search Results

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Date 1797

Work Type intaglio print

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Henry Brooke Herstmonceux Castle from the South

William Henry Brooke, 1772–1860

Herstmonceux Castle from the South

undated

James Walker Carlisle

Print made by James Walker, 1748–1808

Carlisle

1797

James Walker Elgin Cathedral, Morayshire

Print made by James Walker, 1748–1808

Elgin Cathedral, Morayshire

1797

James Walker Westminster Bridge

Print made by James Walker, 1748–1808

Westminster Bridge

1797

John Walker Flint, from Park-Gate

Print made by John Walker, active 1792–1803

Flint, from Park-Gate

1797

James Walker Hampton Court Palace, Herefordshire

Print made by James Walker, 1748–1808

Hampton Court Palace, Herefordshire

1797

Bartholomew Howlett Grantham Church

Print made by Bartholomew Howlett, 1767–1827

Grantham Church

1797

James Gillray Patern-Staff - Weymouth

James Gillray, 1756–1815

Patern-Staff - Weymouth

1797

James Gillray Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined

James Gillray, 1756–1815

Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined

1797

James Gillray A Dash Up St. James's Street

James Gillray, 1756–1815

A Dash Up St. James's Street

1797

James Gillray Pylades & Orestes (Stadtholder & His Secretary)

James Gillray, 1756–1815

Pylades & Orestes (Stadtholder & His Secretary)

1797

James Gillray Le Coup de Maitre

James Gillray, 1756–1815

Le Coup de Maitre

1797

James Gillray The Salute, - Vide, The Parade

James Gillray, 1756–1815

The Salute, - Vide, The Parade

1797

James Gillray The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing

James Gillray, 1756–1815

The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing

1797

James Gillray St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone

James Gillray, 1756–1815

St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone

1797

James Gillray The Tree of Liberty

James Gillray, 1756–1815

The Tree of Liberty

1797

James Gillray The Republican - Hercules Defending His Country

James Gillray, 1756–1815

The Republican - Hercules Defending His Country

1797

James Gillray The Bridal-Night

James Gillray, 1756–1815

The Bridal-Night

1797

unknown artist Portrait de Van-Dyck

Print made by unknown artist

Portrait de Van-Dyck

undated

Edward Harding Sir John Medina

Edward Harding, 1755–1840

Sir John Medina

1797

unknown artist North Front of the Bank

unknown artist

North Front of the Bank

1797

Robert Dunkarton Abraham Offering up His Son

Robert Dunkarton, 1744–1811

Abraham Offering up His Son

1797

John Sell Cotman A Bridge

Print made by John Sell Cotman, 1782–1842

A Bridge

undated

Thomas Gainsborough Wooded Landscape with Herdsman and Cows

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

1797

Robert Pollard His Majesty Reviewing His Troops on Black Heath

Print made by Robert Pollard, 1755–1838

His Majesty Reviewing His Troops on Black Heath

1797

John Sell Cotman Castle Above a Rocky Gorge

Print made by John Sell Cotman, 1782–1842

Castle Above a Rocky Gorge

undated

William Ward Daughters of Sir Thomas Frankland

William Ward, 1766–1826

Daughters of Sir Thomas Frankland

1797

Francesco Bartolozzi The Apotheosis of A Beautiful Female

Francesco Bartolozzi, 1728–1815

The Apotheosis of A Beautiful Female

1797

Thomas Gainsborough Wooded Upland Landscape with Riders and Packhorse

Print made by Thomas Gainsborough, 1727–1788

Wooded Upland Landscape with Riders and Packhorse

1797

James Gillray Loyal Souls; - or - A Peep into the Mess-Room, at St. James's

James Gillray, 1756–1815

Loyal Souls; - or - A Peep into the Mess-Room, at St. James's

1797

Samuel William Reynolds Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth

Print made by Samuel William Reynolds, 1773–1835

Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth

1797

William Ward His Grace the Duke of Hamilton and Brandon etc.

William Ward, 1766–1826

His Grace the Duke of Hamilton and Brandon etc

1797

Thomas Gaugain Turnips & Carrots ho

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

James Gillray The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull

James Gillray, 1756–1815

The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull

1797

James Gillray The Leadenhall Volunteer, Drest in his Shawl

James Gillray, 1756–1815

The Leadenhall Volunteer, Drest in his Shawl

1797

Robert Pollard A North East View of the Tuesday Market Place of Lynn Regis

Robert Pollard, 1755–1838

A North East View of the Tuesday Market Place of Lynn Regis

1797

George Morland The Horse Feeder

George Morland, 1763–1804

The Horse Feeder

1797

William Ward Inside of a Country Alehouse

William Ward, 1766–1826

Inside of a Country Alehouse

1797

Francis Haward Cymon and Iphigenia

Print made by Francis Haward, 1759–1797

Cymon and Iphigenia

1797

George Siegmund Facius John Smith, D.D.F.S.A.

George Siegmund Facius, 1750–1804

John Smith, D.D.F.S.A

1797

John William Edy View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

John William Edy, 1760–1820

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

1797

Francesco Bartolozzi Queen Catherine Howard

Print made by Francesco Bartolozzi, 1728–1815

Queen Catherine Howard

1797

John Murphy The Encampment at Brighton

John Murphy, ca. 1748–1820

The Encampment at Brighton

1797

Francesco Bartolozzi Luís Pinto De Sousa Coutinho, Visconde De Balsemão

Print made by Francesco Bartolozzi, 1728–1815

Luís Pinto De Sousa Coutinho, Visconde De Balsemão

1797

Joseph Stannard Fisherfolk Mending Their Nets

Print made by Joseph Stannard, 1797–1830

Fisherfolk Mending Their Nets

undated

Francesco Bartolozzi Flight Into Egypt

Francesco Bartolozzi, 1728–1815

Flight Into Egypt

1797

James Walker Westminster Bridge

Print made by James Walker, 1748–1808

Westminster Bridge

1797

Francesco Bartolozzi Abraham Entertaining Three Angels, Genesis 18, v. 1

Francesco Bartolozzi, 1728–1815

Abraham Entertaining Three Angels, Genesis 18, v. 1

1797

Francesco Bartolozzi Jacob's Vision, Genesis 28, v. II

Francesco Bartolozzi, 1728–1815

Jacob's Vision, Genesis 28, v. II

1797

Francesco Bartolozzi Ticket for the Benefit of Madame Banti

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Madame Banti

1797

Francesco Bartolozzi Ticket for the Benefit of Madame Banti

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Madame Banti

1797

James Gillray The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)

James Gillray, 1756–1815

The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)

1797

William Woollett The Rural Cott

William Woollett, 1735–1785

The Rural Cott

1797

Benjamin Smith "Tempest", Act I, Scene I

Benjamin Smith, 1775–1833

"Tempest", Act I, Scene I

1797

William Evans Sir Henry Charles Englefield, 7th Baronet

William Evans, active 1797–1856

Sir Henry Charles Englefield, 7th Baronet

undated

William Ward [Fox-hunting] Outside of a Country Alehouse

William Ward, 1766–1826

[Fox-hunting] Outside of a Country Alehouse

1797

Richard Earlom Vice Admiral Colpoys

Richard Earlom, 1743–1822

Vice Admiral Colpoys

1797

Charles Knight Lady Hamilton as a Bacchante

Print made by Charles Knight, 1743–c.1826

Lady Hamilton as a Bacchante

1797

Francesco Bartolozzi The Right Honorable Lady Jane Dundas

Print made by Francesco Bartolozzi, 1728–1815

The Right Honorable Lady Jane Dundas

ca. 1802