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Collection
Prints and Drawings
274
Rare Books and Manuscripts
2
Creator
Blake, William, 1757–1827
81
Edwards, Richard, active 1796–1797
81
Young, Edward, 1683–1765
81
Unknown artist
36
Gillray, James, 1756–1815
21
Bartolozzi, Francesco, 1727–1815
15
Gaugain, Thomas, 1748–1812
14
Smith, John Thomas, 1766–1833
14
Cruikshank, Isaac, 1764–1811
13
Malton, Thomas, 1726–1801
11
Northcote, James, 1746–1831
11
Hellyer, Thomas, active 1800
10
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Newton, Richard, 1777–1798
8
Walker, James, 1748–1808
7
Ward, William, 1766–1826
7
Wheatley, Francis, 1747–1801
7
Dayes, Edward, 1763–1804
6
Reynolds, Joshua, Sir, 1723–1792
5
Hoppner, John, 1758–1810
4
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Creator
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Date
1789
407
1794
338
1792
311
1793
306
1795
300
1797
[remove]
276
1791
272
1799
270
1700
242
1796
219
1775
215
1798
213
1790
202
1800
193
1739
192
1780
192
1783
189
1784
159
1788
158
1787
138
1754
136
1785
136
1786
136
1782
133
1745
123
1771
120
1779
118
1781
111
1776
110
1778
110
1755
104
1770
102
1750
97
1772
97
1768
93
1738
86
1762
86
1751
85
1777
82
1769
81
1773
79
1758
78
1767
77
1735
75
1765
74
1740
66
1760
64
1753
63
1774
59
1763
55
1748
52
1737
48
1752
48
1764
48
1719
46
1736
46
1732
44
1731
43
1742
43
1746
43
1747
43
1741
41
1756
40
1725
36
1766
35
1720
34
1744
34
1749
33
1757
32
1761
32
1730
30
1759
29
1710
28
1743
28
1712
27
1715
27
1729
21
1717
18
1734
18
1727
17
1733
13
1707
12
0
11
1728
11
1705
10
1723
9
1699
8
1701
8
1702
8
1722
7
1713
6
1714
6
1716
5
1690
4
1703
4
1706
4
1724
4
1695
3
1698
3
1704
3
On-site Access
Accessible by appointment in the Study Room
276
Image Use
Free to Use
273
Under Certain Circumstances
3
Image Available
Available
268
Unavailable
8
Classification
Prints
[remove]
276
Creator Gender
male
260
unknown
38
female
3
Collective Title
Young's Night Thoughts
81
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
7
Iconographie Anglaise par Reynolds et Autres
3
Cries of London
2
The Natural History of the Rare Lepidopterious insects of Georgia, London: 1797. Volume 2
2
Three Views of Cottages near Colchester
2
Howlett's 'Selection of Views in the County of Lincoln,' 1797-1801
1
The Copper-Plate Magazine and The Itinerant
1
The Cries of London
1
Period
18th century
[remove]
276
Materials & Techniques
wove paper
61
line engraving
59
etching (printing process)
51
watercolor
43
stipple engraving
29
mezzotint
16
aquatint
9
laid paper
6
hand coloring
5
color printing
2
colored ink
2
brown ink
1
card
1
drypoint
1
proofs: prints
1
soft-ground etching
1
Height [cm]
Height [cm] range begin
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0
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66
Unknown
96
Width [cm]
Width [cm] range begin
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Current results range from
0
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80
Unknown
96
Work Type
intaglio print
107
watercolor
42
ticket
2
aquatint
1
engraving
1
trade card
1
Genre
literary theme
55
religious and mythological subject
46
portrait
21
genre subject
11
architectural subject
8
landscape
7
cityscape
5
historical subject
5
marine art
5
military art
4
animal art
2
botanical subject
2
Subject Terms
literary theme
50
religious and mythological subject
41
text
37
men
32
man
27
women
23
nudes
13
beard
11
clouds
11
nude
10
woman
10
children
9
grass
9
river
9
wings
8
angels
7
food
7
landscape
7
portrait
7
angel
6
more
Subject Terms
»
Associated Places
United Kingdom
11
England
10
Greater London
3
London
3
Great Britain
2
Hampton Court
2
Hereford and Worcester
2
Herefordshire
2
Leominster
2
Lugg
2
Thames
2
Westminster
2
Westminster bridge
2
Cambridgeshire
1
Carlisle
1
Carlisle Cathedral
1
Cumbria
1
Dee
1
Devon
1
Eden
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
2
Fox, Charles James (1749–1806), politician
1
Kemble, Stephen (1758–1822), actor and entertainer
1
Medina, Sir John Baptiste de (1659–1710), painter
1
Rebecca, Lady Northwick (nee Bowles, married Sir John Rushout; d. 1818)
1
Repton, Humphry, 1752–1818
1
Rushout, Anne (d. 1849)
1
angel
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
38
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
38
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
The Body Politic: The Evolution of Political Satire in Print (Yale University Art Gallery, 2000-09-01 - 2000-11-26)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
Crown Pictorial - Art and the British Monarchy (Yale Center for British Art, 1990-12-05 - 1991-02-17)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
Thomas Gainsborough (Tate) (Musée du Louvre, 1981-02-07 - 1981-04-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
243
Yale Center for British Art, Paul Mellon Fund
17
Yale Center for British Art; Gift of Herman W. Liebert
3
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
2
Yale Center for British Art
1
Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson
1
Yale Center for British Art, Gift of Dr. Ruth Ivor
1
Yale Center for British Art, Gift of Mary E. Knapp
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, Gift of Susan L. Darling in Memory of Arthur Burr Darling, Yale 1916
1
Yale Center for British Art; Gift of Michael Zinman
1
Yale Center for British Art; Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey
1
Language
English
2
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Date
1797
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1
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
2
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
3
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
4
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
5
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
6
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
7
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
8
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
9
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
10
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
11
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
12
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
13
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
14
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
15
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
16
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
17
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
18
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
19
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
20
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
21
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
22
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
23
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
24
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
25
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
26
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
27
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
28
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
29
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
30
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
31
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
32
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
33
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
34
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
35
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
36
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
37
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
38
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
39
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
40
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
41
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
1797
42
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
43
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
44
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
45
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
46
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
47
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
48
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
49
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
50
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
51
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
1797
52
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
53
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
54
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
55
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
56
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
57
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
58
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
59
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
60
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
61
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
62
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
63
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
64
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
65
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
66
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
67
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
68
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
69
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
70
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
71
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
72
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
73
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
74
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
75
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
76
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
77
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
78
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
79
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
80
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
81
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
1797
82
unknown artist
Typus, Parcchia Divi Marini vulgi St. Martin's Outwich
1797
83
Print made by Francesco Bartolozzi, 1728–1815
Their Royal Highnesses, The Prince & Princess Of Wales
1797
84
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
85
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
86
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
87
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
88
John William Edy, 1760–1820
View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
1797
89
George Moutard Woodward, ca. 1760–1809
An Enquiry Concerning the Clock Tax
1797
90
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
91
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
92
John Ogborne the Elder, 1755–1795
The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross (Laid down on the same sheet as B1977.14.12069)
1797
93
Print made by Robert Pollard, 1755–1838
His Majesty Reviewing His Troops on Black Heath
1797
94
Robert Dunkarton, 1744–1811
Abraham Offering up His Son
1797
95
unknown artist
View in Cool Harbour Lane, Camberwell
1797
96
John Raphael Smith, 1752–1812
Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash
1797
97
unknown artist
Glass Painting in St. Martin, Outwich
1797
98
unknown artist
St. Paul's Cathedral from the West Entrance
1797
99
Francesco Bartolozzi, 1728–1815
The Apotheosis of A Beautiful Female
1797
100
unknown artist
North Front of the Bank
1797
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