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Collection
Prints and Drawings
13
Creator
Blake, William, 1757–1827
13
Edwards, Richard, active 1796–1797
9
Young, Edward, 1683–1765
9
Gray, Thomas, 1716–1771
4
Date
1797
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13
1789
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1792
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1793
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1742
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1791
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1754
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1756
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1762
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1771
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1772
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1774
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1779
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1782
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1786
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1787
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1795
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1796
1
On-site Access
Accessible by appointment in the Study Room
13
Image Use
Free to Use
13
Image Available
Available
13
Classification
Prints
9
Drawings & Watercolors
4
Creator Gender
male
13
Collective Title
Young's Night Thoughts
9
The Poems of Thomas Gray
4
Period
18th century
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13
Materials & Techniques
watercolor
13
wove paper
13
etching (printing process)
9
line engraving
9
black ink
4
graphite
4
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45
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33
Work Type
watercolor
13
intaglio print
9
drawing
4
Genre
literary theme
13
religious and mythological subject
13
Subject Terms
grass
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13
literary theme
13
religious and mythological subject
13
text
12
men
8
man
6
women
6
angel
4
leaf
4
nudes
4
vines
4
children
3
clouds
3
lyre
3
nude
3
sky
3
trees
3
water
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wings
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angels
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Exhibition History
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Painting Networks - Romantic and Victorian Watercolors (Chazen Museum of Art, 2012-09-22 - 2012-12-02)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
1
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
1
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
13
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Date
1797
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grass
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1
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
2
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
3
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
4
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
5
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
6
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
7
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
8
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
9
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
10
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
11
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
12
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
13
William Blake, 1757–1827
The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798