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1. The Departure from Brighton

The Departure from Brighton
Creator:
John Murphy, ca. 1748–1820
Date:
1796
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 24 1/8 × 30 9/16 inches (61.3 × 77.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Douglas Children

The Douglas Children
Creator:
Print made by James Ward, 1769–1859
Date:
1796
Materials & Techniques:
Mezzotint (second state) on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 21 5/8 × 17 3/4 inches (54.9 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Lady Charlotte Greville

Lady Charlotte Greville
Creator:
Print made by John Young, 1755–1825
Date:
1796
Materials & Techniques:
Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 15 1/2 inches (53.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. The Encampment at Brighton

The Encampment at Brighton
Creator:
Print made by John Murphy, ca. 1748–1820
Date:
1796
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1796
Materials & Techniques:
Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund