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Collection
Prints and Drawings
121
Creator
Stubbs, George, 1724–1806
121
Date
1795
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121
1804
19
1806
4
1784
2
1751
1
1768
1
1786
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1796
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1801
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1805
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1826
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1832
1
1881
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1952
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1992
1
On-site Access
Accessible by appointment in the Study Room
121
Image Use
Free to Use
121
Image Available
Available
121
Classification
Drawings & Watercolors
121
Creator Gender
male
121
Collective Title
A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl
113
Period
18th century-19th century
121
Materials & Techniques
wove paper
121
graphite
117
red chalk
36
pen
22
iron gall ink
20
black chalk
6
Japanese paper
5
laid paper
5
ink
4
red ink
3
soft-ground etching
3
squaring (transferring technique)
3
brown ink
1
Height [cm]
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59
Width [cm]
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Current results range from
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54
Work Type
drawing
121
Genre
figure study
116
anatomical study
6
Subject Terms
anatomical study
[remove]
121
anatomy
121
figure study
106
skeleton
60
man
55
study (visual work)
51
side
42
tiger
32
tigers
32
tail (hanging)
29
nude
26
bird
25
Fowls
24
front
20
running
19
back
17
cat (domestic cat)
16
animal
15
ribs, groin
11
spine
6
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Subject Terms
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Exhibition History
George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition (Yale Center for British Art, 1999-04-30 - 1999-09-05)
34
George Stubbs (1724-1806) Tate Gallery (Tate Britain, 1984-10-17 - 1985-01-06)
25
George Stubbs (1724-1806) Tate Gallery (Yale Center for British Art, 1985-02-13 - 1985-04-07)
25
George Stubbs in the Collection of Paul Mellon: a Memorial Exhibition (Virginia Museum of Fine Arts, 2000-02-14 - 2000-05-15)
20
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
10
Fearful of Symmetry: The Art of George Stubbs, painter of the Enlightenment (Hall & Knight Ltd., 2000-01-20 - 2000-02-28)
10
An Introduction to George Stubbs (MK Gallery, 2019-10-11 - 2020-01-26)
9
An Introduction to George Stubbs (National Horse Racing Museum, 2019-06-27 - 2019-09-29)
9
William Hunter and the Anatomy of the Modern Museum (Yale Center for British Art, 2019-02-14 - 2019-05-20)
8
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
5
Fierce Friends - Artists & Animals in the Industrial Era, 1750-1920 (Carnegie Museum of Art, 2006-03-25 - 2006-08-27)
4
Fierce Friends - Artists & Animals in the Industrial Era, 1750-1920 (Van Gogh Museum, 2005-10-05 - 2006-02-05)
4
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
3
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
3
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
3
Dare to Know: Prints and Drawings in the Age of Enlightenment (Harvard Art Museums, 2022-09-15 - 2023-01-16)
2
Spectacular Bodies: The Art and Science of the Human Body (Arts Council Collection, 2000-10-19 - 2001-01-14)
2
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (National Gallery of Canada, 1996-10-31 - )
2
The Ingenious Machine of Nature - Four Centuries of Art and Anatomy (Philadelphia Museum of Art, 1997 - 1997)
2
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Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
121
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Date
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101
George Stubbs, 1724–1806
Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
between 1795 and 1806
102
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
103
George Stubbs, 1724–1806
Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
1795 to 1806
104
George Stubbs, 1724–1806
Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)
1795 to 1806
105
George Stubbs, 1724–1806
Human Skeleton, Posterior View
1795 to 1806
106
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
107
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
108
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
109
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Perhaps the first of the studies of the skeleton)
1795 to 1806
110
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
111
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
112
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
113
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Relates to Table II)
1795 to 1806
114
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
115
George Stubbs, 1724–1806
Human Skeleton, Posterior View
1795 to 1806
116
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
117
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
118
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
119
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
120
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
121
George Stubbs, 1724–1806
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
1795 to 1806
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