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1. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)

Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Dorking Hen, Lateral View

Dorking Hen, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Red and black chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Dorking Hen Body, Lateral View (Outline drawing of the muscles)

Dorking Hen Body, Lateral View (Outline drawing of the muscles)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, pen with iron gall ink, with traces of red ink on thin, slightly textured, cream wove paper laid down on cream moderately thick, moderately textured, wove paper
Dimensions:
Sheet: 10 1/4 x 12 3/4 inches (26 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Landscape at Ambleside

Landscape at Ambleside
Creator:
Thomas Sunderland, 1744–1828
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and brown ink, blue wash, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 x 17 13/16in. (33 x 45.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. View of Niagara Falls with the Falls in the Background, Right, and Landscape with Houses in the Foreground

View of Niagara Falls with the Falls in the Background, Right, and Landscape with Houses in the Foreground
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Brown wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 25 5/8 × 21 1/8 inches (65.1 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Sir Joshua Reynolds

Sir Joshua Reynolds
Creator:
Print made by Caroline Kirkley, active 1796–1797
Date:
1795
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Countess Spencer

Countess Spencer
Creator:
Charles Howard Hodges, 1764–1837
Date:
ca.1800
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 × 11 3/16 inches (38.1 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Thaxted Church, Essex

Thaxted Church, Essex
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1800
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 14 3/4 × 11 1/4 inches (37.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition

Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 1/8 x 17 3/8in. (33.3 x 44.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Presages of the Millenium

Presages of the Millenium
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Plate VIII: St Stephen's Chapel

Plate VIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Sigismonda

Sigismonda
Creator:
Print made by Benjamin Smith, 1775–1833
Date:
1795
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 19 × 25 inches (48.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

14. Matlock Tor

No cover image available
Creator:
James Bourne, 1773–1854
Date:
ca. 1800
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 × 12 5/8 inches (45.7 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Rosemarie Haag Bletter and Martin Filler, in memory of Robert B. Silvers