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Collection
Prints and Drawings
35
Creator
Blake, William, 1757–1827
26
Bunbury, Henry William, 1750–1811
3
Dickinson, William, 1746–1823
3
Fores, S. W., 1761–1838
3
Reynolds, Samuel William, 1773–1835
2
Unknown artist
2
Cruikshank, Isaac, 1764–1811
1
Gillray, James, 1756–1815
1
Hoppner, John, 1758–1810
1
Laurie, Robert, 1755?–1836
1
Reynolds, Joshua, Sir, 1723–1792
1
Date
1834
68
1794
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1568
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1963
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On-site Access
Accessible by appointment in the Study Room
35
Image Use
Free to Use
35
Image Available
Available
32
Unavailable
3
Classification
Prints
[remove]
35
Creator Gender
male
34
unknown
2
Collective Title
The First Book of Urizen, Copy C
26
Propagation of a Lie
3
Iconographie Anglaise par Reynolds et Autres
1
Period
18th century
33
Materials & Techniques
wove paper
31
watercolor
29
color printing
26
relief etching
26
hand coloring
3
mezzotint
3
stipple engraving
3
black ink
1
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42
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63
Work Type
relief print
26
watercolor
26
intaglio print
6
drawing
1
Genre
literary theme
26
portrait
2
architectural subject
1
genre subject
1
Subject Terms
literary theme
26
men
19
text
17
nudes
15
flames
11
fire
9
beard
8
vines
6
women
6
children
5
infant
4
trees
4
branches
3
caricature
3
globe
3
hammer
3
kneeling
3
leaf
3
shackle
3
baby
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Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
26
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
26
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
26
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
7
William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05)
5
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
3
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
2
The Fuseli Circle in Rome - Early Romantic Art in the 1770s (Yale Center for British Art, 1979-09-12 - 1979-11-11)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
31
Yale Center for British Art, Bequest of William S. Konecky
3
Yale Center for British Art, Paul Mellon Fund
1
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Date
1794
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1
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
2
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
3
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
4
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
5
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
6
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 23)
1794
7
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
8
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
9
Print made by William Blake, 1757–1827
Urizen (Plate 21)
1794
10
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
11
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
12
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
13
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
14
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
15
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
16
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
17
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
18
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
19
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
20
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
21
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
22
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
23
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
24
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
25
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
26
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
27
Samuel William Reynolds, 1773–1835
Sir William Chambers
1794
28
Print made by unknown artist
The Market Lass
1794
29
Samuel William Reynolds, 1773–1835
Countess of Oxford
ca. 1799
30
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
31
Isaac Cruikshank, 1764–1811
A Peep at the Plenipo ____!!!
1794
32
unknown artist
A Court Calender for the Year 1803!!!
1794
33
Print made by William Dickinson, 1746–1823
Propagation of a Lie (Center)
1794
34
Print made by William Dickinson, 1746–1823
Propagation of a Lie (Left)
1794
35
Print made by William Dickinson, 1746–1823
Propagation of a Lie (Right)
1794