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Collection
Prints and Drawings
33
Creator
Blake, William, 1757–1827
16
Girtin, Thomas, 1775–1802
4
Howitt, Samuel, 1756–1822
2
Porter, William Warren Rev., 1776–1804
2
Alexander, William, 1767–1816
1
Buckler, John FSA, 1770–1851
1
Glover, John, 1767–1849
1
Greville, Henry Richard third Earl of Warwick, 1779–1853
1
Lewis, Frederick Christian the Elder, 1779–1856
1
Morland, George, 1763–1804
1
Rowlandson, Thomas, 1756–1827
1
Sandby, Paul, 1731–1809
1
Stubbs, George, 1724–1806
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Date
1800
87
1772
63
1745
60
1793
50
1789
42
1775
38
1762
37
1790
36
1791
36
1797
36
1799
36
1784
33
1794
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33
1795
31
1814
30
1867
27
1830
26
1783
25
1771
24
1804
24
1820
20
1780
19
1788
19
1805
19
1792
18
1827
18
1774
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1787
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1796
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1825
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1739
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1746
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1782
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1785
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1801
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1810
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1857
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1759
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1778
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1821
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1802
11
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11
1816
11
1817
11
1861
11
1823
10
1835
10
1742
9
1768
9
1808
9
1813
9
1819
9
0
8
1764
8
1781
8
1803
8
1840
8
1749
7
1809
7
1818
7
1833
7
1834
7
1811
6
1822
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1831
6
1832
6
1848
6
1717
5
1753
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1757
5
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1806
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1829
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1839
5
1843
5
1844
5
1845
5
1855
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1860
5
1866
5
1880
5
1917
5
1701
4
1718
4
1750
4
1766
4
1767
4
1773
4
On-site Access
Accessible by appointment in the Study Room
33
Image Use
Free to Use
33
Image Available
Available
32
Unavailable
1
Classification
Drawings & Watercolors
17
Prints
16
Creator Gender
male
33
Collective Title
Songs of Innocence and of Experience, Copy F
9
The First Book of Urizen, Copy C
4
The First Book of Urizen, Copy A
3
Period
18th century
26
18th century-19th century
6
Materials & Techniques
watercolor
30
wove paper
28
color printing
16
relief etching
16
graphite
14
brown ink
8
pen
8
black ink
5
laid paper
5
gray ink
4
gouache
3
gray wash
3
ink
3
blue wash
1
brown wash
1
red ink
1
scraping
1
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
11
to
85
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
6
to
118
Work Type
watercolor
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33
drawing
23
relief print
16
frontispiece
1
Genre
landscape
12
historical subject
10
literary theme
8
architectural subject
4
genre subject
3
religious and mythological subject
3
sporting art
3
animal art
1
botanical subject
1
marine art
1
still life
1
Subject Terms
trees
[remove]
33
text
15
branches
14
landscape
13
men
12
historical subject
11
women
10
leaf
9
vines
8
children
7
literary theme
7
infant
5
nudes
5
vegetation
5
architectural subject
4
clouds
4
dog (animal)
4
horses (animals)
4
river
4
baby
3
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Subject Terms
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Associated Places
United Kingdom
9
England
7
Europe
7
Kent
2
Boxley
1
Cymru
1
Denbighshire
1
Essex
1
Glasgow
1
Glasgow Cathedral
1
Hampshire
1
Hereford and Worcester
1
Herefordshire
1
Isis
1
Maidstone
1
Mote Park
1
Oxford
1
Oxfordshire
1
Scotland
1
Southampton
1
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Associated Places
»
Associated People
George III (1738–1820), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
13
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
13
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
7
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
5
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
4
Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
J. M. W. Turner - The Foundations of Genius (The Taft Museum, 1986-09-18 - 1986-11-02)
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (National Gallery of Scotland, 2009-11-07 - 2010-02-07)
1
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (Nottingham Castle Museum and Art Gallery, 2009-07-25 - 2009-10-18)
1
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (Royal Academy of Arts, 2010-03-13 - 2010-06-13)
1
Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)
1
Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)
1
Thomas Rowlandson (Art Services Int'l) (The Baltimore Museum of Art, 1990-06-23 - 1990-08-05)
1
Thomas Rowlandson (Art Services Int'l) (The Frick Art Museum, 1990-04-21 - 1990-06-03)
1
Thomas Rowlandson (Art Services Int'l) (The Frick Collection, 1990-02-10 - 1990-04-08)
1
William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05)
1
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
30
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W
2
Yale Center for British Art, Paul Mellon Fund
1
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Date
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1
Joseph Mallord William Turner, 1775–1851
The Angler
1794
2
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
3
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
4
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
5
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
6
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
7
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
8
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
9
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
10
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
11
Print made by William Blake, 1757–1827
The Fly (Plate 48)
1794
12
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
13
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
14
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
15
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
16
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
17
Print made by William Blake, 1757–1827
My Pretty Rose Tree (Plate 47)
1794
18
George Morland, 1763–1804
Landscape with Horses, Farmer and Dog
1794
19
John Glover, 1767–1849
On the River Wye with Wilton Castle Ruins on a Bend in the River
after 1794
20
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
21
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
22
Henry Richard Greville third Earl of Warwick, 1779–1853
River Landscape
undated
23
Frederick Christian Lewis the Elder, 1779–1856
Trees and a Rocky Stream
undated
24
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
25
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
26
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
27
Paul Sandby, 1731–1809
A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
1794
28
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
29
Thomas Girtin, 1775–1802
Turver's Farm, Wimbish, Essex
ca. 1799
30
Thomas Girtin, 1775–1802
Valle Crucis Abbey, Denbighshire
ca. 1799
31
Thomas Girtin, 1775–1802
Chapel Church, Surrey
ca. 1799
32
Rev. William Warren Porter, 1776–1804
Oxon
undated
33
Rev. William Warren Porter, 1776–1804
Study of Trees
undated