Date: 1794 / Creator: Bunbury, Henry William, 1750–1811 - YCBA Collections Search Search Results

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Date 1794

Creator Bunbury, Henry William, 1750–1811

1. Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

Creator:: Robert Mitchell Meadows, Died before 1812
Date:: 1794
Materials & Techniques:: Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 19 1/4 inches (42.2 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Florizel and Autolicus - "Winter's Tale"

Florizel and Autolicus - "Winter's Tale"

Creator:: Benjamin Duterreau, 1767–1851
Date:: 1794
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 1/2 x 19in. (41.9 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Romeo and Juliet in Friar Lawrence's Cell - "Romeo and Juliet," Act II, Scene VI

Romeo and Juliet in Friar Lawrence's Cell - "Romeo and Juliet," Act II, Scene VI

Creator:: Jan J. van den Bergh, active 1793–1800
Date:: 1794
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 1/4 x 19in. (41.3 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV

Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV

Creator:: unknown artist
Date:: 1794
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 1/2 x 18 7/8in. (41.9 x 47.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. Falstaff with Hotspur on his Back - "Henry IV," Part I, Act V, Scene IV

Falstaff with Hotspur on his Back - "Henry IV," Part I, Act V, Scene IV

Creator:: Jan J. van den Bergh, active 1793–1800
Date:: 1794
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 1/2 x 19in. (41.9 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV

Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV

Creator:: unknown artist
Date:: 1794
Materials & Techniques:: Engraving and stipple engraving
Dimensions:: Sheet: 16 1/2 x 18 7/8in. (41.9 x 47.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

7. Propagation of a Lie (Left)

No cover image available

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1794
Materials & Techniques:: Stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper (printed on three plates joined together, now detached)
Dimensions:: Sheet: 11 13/16 × 23 13/16 inches (30 × 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of William S. Konecky

8. Propagation of a Lie (Center)

No cover image available

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1794
Materials & Techniques:: Stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper (printed on three plates joined together, now detached)
Dimensions:: Sheet: 11 13/16 × 24 5/8 inches (30 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of William S. Konecky

9. Propagation of a Lie (Right)

No cover image available

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1794
Materials & Techniques:: Stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper (printed on three plates joined together, now detached)
Dimensions:: Sheet: 11 5/8 × 21 7/8 inches (29.5 × 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of William S. Konecky