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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
35
Paintings and Sculpture
1
Creator
Blake, William, 1757–1827
26
Girtin, Thomas, 1775–1802
2
Reynolds, Samuel William, 1773–1835
2
Unknown artist
2
Bunbury, Henry William, 1750–1811
1
Chinnery, George, 1774–1852
1
Cruikshank, Isaac, 1764–1811
1
Dickinson, William, 1746–1823
1
Fores, S. W., 1761–1838
1
Gillray, James, 1756–1815
1
Hoppner, John, 1758–1810
1
Laurie, Robert, 1755?–1836
1
Reynolds, Joshua, Sir, 1723–1792
1
Date
1745
41
1794
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36
1739
30
1768
28
1762
26
1790
19
1792
16
1799
16
1755
12
1795
12
1785
10
1791
10
1742
9
1789
9
1793
9
1784
8
1788
8
1756
7
1719
6
1764
6
1776
6
1779
6
1786
6
1796
6
1797
6
1800
6
1763
5
1770
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1780
5
1783
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1730
4
1732
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1735
4
1751
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1765
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1771
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1778
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1787
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1798
4
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3
1720
3
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1754
3
1760
3
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3
1716
2
1722
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1736
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1737
2
1749
2
1757
2
1759
2
1767
2
1769
2
1777
2
1705
1
1707
1
1709
1
1710
1
1712
1
1717
1
1724
1
1729
1
1738
1
1740
1
1744
1
1746
1
1747
1
1752
1
1758
1
1781
1
1782
1
1813
1
1814
1
1830
1
On-site Access
Accessible by appointment in the Study Room
35
Not on view
1
Image Use
Free to Use
36
Image Available
Available
35
Unavailable
1
Classification
Prints
33
Drawings & Watercolors
2
Paintings
1
Creator Gender
male
35
unknown
2
Collective Title
The First Book of Urizen, Copy C
26
Iconographie Anglaise par Reynolds et Autres
1
Propagation of a Lie
1
Period
18th century
[remove]
36
Materials & Techniques
wove paper
30
watercolor
29
color printing
26
relief etching
26
mezzotint
3
black ink
2
brown ink
2
graphite
2
pen
2
board
1
gouache
1
hand coloring
1
laid paper
1
oil paint
1
painting (technique)
1
paper
1
stipple engraving
1
Height [cm]
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42
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56
Work Type
watercolor
28
relief print
26
intaglio print
4
drawing
3
painting
1
Genre
literary theme
26
genre subject
3
architectural subject
2
landscape
2
portrait
2
Subject Terms
literary theme
26
men
20
text
17
nudes
15
flames
11
fire
9
beard
8
women
7
trees
6
vines
6
children
5
clouds
4
infant
4
branches
3
globe
3
hammer
3
kneeling
3
leaf
3
shackle
3
baby
2
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Associated Places
Europe
2
United Kingdom
2
England
1
Essex
1
Glasgow
1
Glasgow Cathedral
1
Scotland
1
Wimbish
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
26
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
26
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
26
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
7
William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05)
5
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
3
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
2
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
2
The Fuseli Circle in Rome - Early Romantic Art in the 1770s (Yale Center for British Art, 1979-09-12 - 1979-11-11)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
34
Yale Center for British Art, Bequest of William S. Konecky
1
Yale Center for British Art, Paul Mellon Fund
1
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Date
1794
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Period
18th century
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30
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1
George Chinnery, 1774–1852
A Man Carrying Faggots
ca. 1799
Not on view
2
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
3
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
4
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
5
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
6
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
7
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
8
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
9
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
10
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
11
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
12
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
13
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
14
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
15
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
16
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
17
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
18
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
19
Print made by William Blake, 1757–1827
Urizen (Plate 21)
1794
20
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
21
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
22
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
23
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
24
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
25
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
26
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
27
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 23)
1794
28
Samuel William Reynolds, 1773–1835
Countess of Oxford
ca. 1799
29
Samuel William Reynolds, 1773–1835
Sir William Chambers
1794
30
Print made by unknown artist
The Market Lass
1794
31
unknown artist
A Court Calender for the Year 1803!!!
1794
32
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
33
Isaac Cruikshank, 1764–1811
A Peep at the Plenipo ____!!!
1794
34
Thomas Girtin, 1775–1802
Turver's Farm, Wimbish, Essex
ca. 1799
35
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
36
Print made by William Dickinson, 1746–1823
Propagation of a Lie (Right)
1794