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Date 1793

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William Blake What is Man!, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
William Blake I Want! I Want! (Plate 11)
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
William Blake Does Thy God O Priest Take such Vengeance as This? (Plate 14)
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
William Blake Frontispiece. Albion's Angel (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake Title Page. America, A Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake Title Page, For Children. The Gates of Paradise (Plate 2)
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
William Blake I Found Him Beneath a Tree (Plate 3)
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
William Blake At Length for Hatching Ripe He Breaks the Shell (Plate 8)
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
William Blake Fear & Hope Are -- Vision (Plate 15)
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
William Blake Help! Help! (Plate 12)
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
William Blake My Son! My Son! (Plate 10)
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
William Blake Aged Ignorance (Plate 13)
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
William Blake The Traveller Hasteth in the Evening (Plate 16)
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake Europe. A Prophecy
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
William Blake For Children. The Gates of Paradise, London, by William Blake
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
William Blake Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
William Blake Introduction to the Fables, The Shepherd and the Philosopher
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
William Blake Fable VI. The Miser and Plutus
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
William Blake Fable XIII. The Tame Stag
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
William Blake Fable XVI. The Pin and the Needle
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
William Blake Fable XXII. The Goat Without a Beard
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
William Blake Fable XXIV. The Butterfly and the Snail
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
William Blake Fable XXVIII. The Persian, the Sun, and the Cloud
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
William Blake Fable I. The Dog and the Fox
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
William Blake Fable XXX. The Setting-dog and the Partridge
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
William Blake Fable XLI. The Owl and the Farmer
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
William Blake Fable XII. Pan and Fortune
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
Isaac Cruikshank The Wet Party or the Bogs of Flanders, a New Song
Isaac Cruikshank, 1764–1811
The Wet Party or the Bogs of Flanders, a New Song
1793
Isaac Cruikshank A Right Hon(oura)ble, Alias a Sans Culotte, Alias the Man of the People, Alias the Dissipated Patriot....Alias the Protector turned Begger
Isaac Cruikshank, 1764–1811
A Right Hon(oura)ble, Alias a Sans Culotte, Alias the Man of the People, Alias the Dissipated Patriot....Alias the Protector turned Begger
1793
Isaac Cruikshank John Bull in a Rage, forcing nic Frog to Fight against his Will
Isaac Cruikshank, 1764–1811
John Bull in a Rage, forcing nic Frog to Fight against his Will
1793
Isaac Cruikshank Preparing for Action or an English Man of War engaging Two Dutch Doggers
Isaac Cruikshank, 1764–1811
Preparing for Action or an English Man of War engaging Two Dutch Doggers
1793
Isaac Cruikshank The Solicitor General for the French Republic
Isaac Cruikshank, 1764–1811
The Solicitor General for the French Republic
1793
Isaac Cruikshank Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army
Isaac Cruikshank, 1764–1811
Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army
1793
Isaac Cruikshank Reflections on the French Revolution
Isaac Cruikshank, 1764–1811
Reflections on the French Revolution
1793
Isaac Cruikshank The Near in Blood, the Nearer Bloody
Isaac Cruikshank, 1764–1811
The Near in Blood, the Nearer Bloody
1793
Isaac Cruikshank Oh! Dear What can the Matter Be
Isaac Cruikshank, 1764–1811
Oh! Dear What can the Matter Be
1793
Isaac Cruikshank The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3)
Isaac Cruikshank, 1764–1811
The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3)
1793
Francis Jukes View of Jedburgh Abbey
Francis Jukes, 1747–1812
View of Jedburgh Abbey
1793
Richard Newton A Serious Thought of a Plain Englishman, in 1793
Richard Newton, 1777–1798
A Serious Thought of a Plain Englishman, in 1793
1793
Richard Newton Prelude to Crim Con and The Finale
Richard Newton, 1777–1798
Prelude to Crim Con and The Finale
1793
Thomas Rowlandson Reform Advised - Reform Begun - Reform Compleat (Complete)
Thomas Rowlandson, 1756–1827
Reform Advised - Reform Begun - Reform Compleat (Complete)
1793
George Moutard Woodward In Our Journey through Life may we Live Well on the Road
George Moutard Woodward, ca. 1760–1809
In Our Journey through Life may we Live Well on the Road
ca. 1798
Thomas Rowlandson The Reconciliation, or the Return from Scotland
Thomas Rowlandson, 1756–1827
The Reconciliation, or the Return from Scotland
1793
George Moutard Woodward May the Eye of Science pierce Through the Mists of Obsurity
George Moutard Woodward, ca. 1760–1809
May the Eye of Science pierce Through the Mists of Obsurity
ca. 1798
George Moutard Woodward The King
after George Moutard Woodward, ca. 1760–1809
The King
ca. 1798
George Moutard Woodward The Constitution - Gentlemen
after George Moutard Woodward, ca. 1760–1809
The Constitution - Gentlemen
ca. 1798
unknown artist A French Invasion - or the Fashionable Dress of 1798
unknown artist
A French Invasion - or the Fashionable Dress of 1798
ca. 1798
William Dent Evacuation of Holland, or, Fire and Water Too Much for Dumourier.
William Dent, active 1784–1793
Evacuation of Holland, or, Fire and Water Too Much for Dumourier
1793
Isaac Cruikshank How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water
Print made by Isaac Cruikshank, 1764–1811
How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water
1793
Richard Newton The Birth of Billy Bugaboo
Richard Newton, 1777–1798
The Birth of Billy Bugaboo
1793
Richard Newton John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock
Richard Newton, 1777–1798
John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock
1793
Richard Newton English Channel/ Both Sides of the Water
Richard Newton, 1777–1798
English Channel/ Both Sides of the Water
1793
unknown artist The Windsor Boar and Sow Driving to Manbey's Market
unknown artist
The Windsor Boar and Sow Driving to Manbey's Market
ca. 1798
William S. Leney Taming the Shrew, Act III, Scene II
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
John Jones William Davidson of Muirhouse
John Jones, ca. 1745–1797
William Davidson of Muirhouse
1793
Schenecker Edward Progers
Schenecker, active 1791
Edward Progers
1793
Luigi Schiavonetti Two Bunches of Penny Primroses, Two Bunches a Penny
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793
Robert Dighton A Jack in Office
Robert Dighton, 1752–1814
A Jack in Office
1793
Benjamin Green West Front of the Mathematical School, Christ's Hospital
Benjamin Green, ca. 1736–ca. 1800
West Front of the Mathematical School, Christ's Hospital
1793
Benjamin Green Part of Christ's Hospital from the Steward's Office
Benjamin Green, ca. 1736–ca. 1800
Part of Christ's Hospital from the Steward's Office
1793
William Ellis Tooting
William Ellis, 1747–1810
Tooting
1793
William Ellis Streatham House, Surrey
William Ellis, 1747–1810
Streatham House, Surrey
1793
unknown artist North West View of Westminster Abbey
unknown artist
North West View of Westminster Abbey
1793
unknown artist Deans Yard
unknown artist
Deans Yard
1793
unknown artist Transcept of Westminster Abbey
unknown artist
Transcept of Westminster Abbey
1793
unknown artist Part of the Sachristary Leading to the Chapel of Henry VII
unknown artist
Part of the Sachristary Leading to the Chapel of Henry VII
1793
William Ellis Tottenham
William Ellis, 1747–1810
Tottenham
1793
unknown artist View of the Old Church of Hampstead
unknown artist
View of the Old Church of Hampstead
1793
James Peller Malcolm New Church at Paddington
James Peller Malcolm, 1767–1815
New Church at Paddington
1793
Francesco Bartolozzi Prospero Disarming Ferdinand, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Prospero Disarming Ferdinand, Act I, Scene II
1793