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Collection
Prints and Drawings
22
Creator
Blake, William, 1757–1827
16
Bartolozzi, Francesco, 1727–1815
3
Hamilton, William, 1751–1801
3
Macklin, Thomas, active 1779–1793
3
Angus, William, 1752–1821
1
Gillray, James, 1756–1815
1
Humphrey, Hannah, ca. 1745–1818
1
Malton, Thomas, 1726–1801
1
Rowlandson, Thomas, 1756–1827
1
Varley, John, 1778–1842
1
Date
1772
68
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64
1797
61
1792
42
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40
1794
39
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32
1800
26
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0
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1795
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23
1793
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22
1815
22
1819
21
1770
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1767
19
1798
19
1821
19
1835
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1960
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1768
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1783
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1822
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1873
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7
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7
1779
7
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7
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1965
7
1744
6
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6
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6
1764
6
1766
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1781
6
1787
6
1809
6
1836
6
1922
6
1930
6
1759
5
1778
5
On-site Access
Accessible by appointment in the Study Room
22
Image Use
Free to Use
22
Image Available
Available
19
Unavailable
3
Classification
Prints
21
Drawings & Watercolors
1
Creator Gender
male
22
female
1
Collective Title
America. A Prophecy, Copy M
9
Visions of the Daughters of Albion, Copy I
5
For Children: The Gates of Paradise, Copy E
2
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Period
18th century
21
18th century-19th century
1
Materials & Techniques
wove paper
21
watercolor
15
relief etching
14
black ink
13
etching (printing process)
7
color printing
5
colored ink
4
line engraving
3
stipple engraving
3
card
1
graphite
1
laid paper
1
Height [cm]
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41
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Current results range from
6
to
37
Work Type
watercolor
15
drawing
14
relief print
14
intaglio print
7
frontispiece
2
Genre
religious and mythological subject
9
literary theme
6
genre subject
5
historical subject
3
landscape
3
architectural subject
2
cityscape
1
Subject Terms
women
[remove]
22
men
17
nudes
14
text
14
clouds
9
religious and mythological subject
9
children
7
literary theme
6
trees
5
chains
4
flames
4
hats
4
shackles
4
snake
4
birds
3
branches
3
cave
3
costume
3
genre subject
3
historical subject
3
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Subject Terms
»
Associated Places
England
2
United Kingdom
2
Bradwell Lodge
1
City of London
1
Essex
1
Europe
1
Greater London
1
London
1
London Bridge
1
Monument to the Great Fire of London
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
10
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
9
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
9
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
9
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
9
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
8
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
5
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
2
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
1
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
22
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1
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
2
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
3
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
4
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
5
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
6
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
7
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
8
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
9
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
10
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
11
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
12
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
13
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
14
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
15
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
16
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
17
John Varley, 1778–1842
View of New Street, near London Bridge
undated
18
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
19
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
20
Print made by Francesco Bartolozzi, 1728–1815
September
1793
21
Print made by Francesco Bartolozzi, 1728–1815
March
1793
22
Print made by Francesco Bartolozzi, 1728–1815
August
1793