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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
11
Creator
Blake, William, 1757–1827
7
Bunbury, Henry William, 1750–1811
1
Colnaghi,, established 1760, active ca. 1785–1911
1
Cruikshank, Isaac, 1764–1811
1
Jones, John, ca. 1745–1797
1
Leney, William Satchwell, 1769–1831
1
Reynolds, Joshua, Sir, 1723–1792
1
Schiavonetti, Luigi, 1765–1810
1
Wheatley, Francis, 1747–1801
1
Date
1826
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1793
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On-site Access
Accessible by appointment in the Study Room
11
Image Use
Free to Use
11
Image Available
Available
11
Classification
Prints
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11
Creator Gender
male
11
Collective Title
Visions of the Daughters of Albion, Copy I
7
Iconographie Anglaise par Reynolds et Autres
1
The Cries of London
1
Period
18th century
11
Materials & Techniques
wove paper
8
watercolor
7
relief etching
6
black ink
4
stipple engraving
2
aquatint
1
color printing
1
etching (printing process)
1
hand coloring
1
mezzotint
1
Height [cm]
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Work Type
relief print
6
watercolor
6
drawing
4
intaglio print
3
frontispiece
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Genre
literary theme
7
genre subject
1
portrait
1
Subject Terms
literary theme
6
nudes
6
men
5
text
5
women
5
clouds
4
cave
2
rocks (landforms)
2
sun
2
arches
1
blanket
1
chain
1
chains
1
children
1
city
1
dog (animal)
1
flames
1
flowers (plants)
1
genre subject
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mourning
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Subject Terms
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Exhibition History
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
6
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
6
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
10
Yale Center for British Art, Paul Mellon Fund
1
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Date
1793
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35
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Prints
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1
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
2
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
3
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
4
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
5
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
6
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
7
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
8
Isaac Cruikshank, 1764–1811
Half Seas Over, Alias the Hopes of the Family
1793
9
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
10
John Jones, ca. 1745–1797
William Davidson of Muirhouse
1793
11
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793