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Collection
Prints and Drawings
230
Creator
Varley, John, 1778–1842
49
Hastings, Thomas Capt., 1778–1854
46
Blake, William, 1757–1827
22
Cockburn, James Pattison, 1779–1847
16
Girtin, Thomas, 1775–1802
13
Carter, John, 1748–1817
11
Moore, James, 1762–1799
11
Alexander, William, 1767–1816
7
Parish, Henry William, active 1792
7
Daniell, Thomas, 1749–1840
4
Romney, George, 1734–1802
4
Daniell, William, 1769–1837
3
Davis, Samuel, 1760–1819
3
Tambat, Gangaram Chintaman, active 1790s
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Unknown artist
3
Farington, Joseph, 1747–1821
2
Jackson, John, 1778–1831
2
Joseph, G. F. (George Francis), 1764–1846
2
Langdon, Thomas, active 1800
2
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Creator
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Date
1791
897
1800
589
1749
536
1745
494
1802
435
1796
412
1771
406
0
336
1804
333
1867
329
1772
322
1832
285
1795
278
1790
273
1775
271
1784
251
1826
245
1793
[remove]
230
1748
223
1792
215
1767
213
1768
209
1752
207
1764
207
1785
203
1799
201
1814
190
1945
183
1700
178
1827
177
1818
164
1820
164
1789
163
1839
163
1836
155
1773
153
1797
150
1825
144
1780
137
1870
137
1830
132
1770
130
1817
129
1787
126
1835
125
1807
123
1758
121
1801
121
1794
118
1968
117
1877
116
1805
113
1855
113
1815
107
1854
101
1846
100
1755
97
1811
96
1763
95
1788
95
1813
95
1910
94
1717
93
1819
93
1765
92
1738
91
1786
91
1777
90
1782
90
1803
90
1798
87
1810
87
1812
87
1834
87
1808
85
1831
81
1841
81
1740
79
1774
79
1778
79
1868
79
1762
78
1781
77
1823
77
1829
77
1783
76
1828
75
1833
70
1869
70
1806
69
1760
68
1821
68
1705
65
1893
62
1840
61
1809
60
1843
60
1822
59
1838
53
1730
51
On-site Access
Accessible by appointment in the Study Room
230
Image Use
Free to Use
230
Image Available
Available
226
Unavailable
4
Classification
Drawings & Watercolors
204
Prints
22
Drawings & Watercolors-Miniatures
4
Creator Gender
male
229
unknown
3
female
1
Collective Title
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
39
America. A Prophecy, Copy M
18
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
7
Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.
5
Visions of the Daughters of Albion, Copy I
4
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
2
The Costume of China
1
Views in the Province of Kiang Nan, China
1
Period
18th century
108
18th century-19th century
73
19th century
47
Materials & Techniques
wove paper
170
graphite
147
watercolor
108
black ink
53
laid paper
51
brown ink
22
relief etching
22
brown wash
20
gray wash
15
pens
14
gouache
13
color printing
10
black chalk
5
gray ink
5
pen
5
gum arabic
4
ivory
4
scratching out
4
black wash
3
board
3
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
61
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
6
to
83
Work Type
drawing
[remove]
230
watercolor
129
relief print
22
frontispiece
2
miniature
2
Genre
landscape
106
architectural subject
70
genre subject
32
marine art
24
religious and mythological subject
19
cityscape
16
figure study
11
portrait
11
literary theme
6
animal art
2
botanical subject
1
historical subject
1
sporting art
1
still life
1
Subject Terms
landscape
70
architectural subject
61
trees
57
men
32
clouds
28
figures
24
river
23
genre subject
22
text
21
boats
19
religious and mythological subject
19
hills
17
nudes
17
marine art
16
mountains
16
buildings
15
women
14
houses
12
castle
11
cityscape
11
more
Subject Terms
»
Associated Places
United Kingdom
50
England
42
Europe
21
London
15
City of Westminster
12
Palace of Westminster
12
Wales
8
Asia
7
Cymru
7
China
6
Thames
5
India
4
Ellora
3
Greater London
3
Kent
3
Northumberland
3
York
3
Barnard Castle
2
Battersea
2
Clare College
2
more
Associated Places
»
Associated People
Frederick Howard
1
Henry VIII (1491–1547), king of England and Ireland
1
Percy, Anne (nee Goodriche), wife of Bishop Thomas Percy of Dromore
1
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
19
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
18
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
9
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
9
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
7
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
2
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
2
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
215
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
4
Yale Center for British Art, Paul Mellon Fund
3
Yale Center for British Art, Bequest of Richard L. Purdy
2
Yale Center for British Art, Gift of Paul F. Walter
2
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
2
Yale Center for British Art, Gift of Robert B. Simon
1
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
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Date
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1
John Constable, 1776–1837
Flowers in a Pitcher
undated
2
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
3
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
4
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
5
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
6
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
7
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
8
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
9
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
10
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
11
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
12
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
13
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
14
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
15
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
16
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
17
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
18
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
19
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
20
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
21
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
22
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
23
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
24
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
25
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
26
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
27
George Romney, 1734–1802
Figure Composition Study 4
1793
28
George Romney, 1734–1802
Figure Composition Study 48
1793
29
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
30
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
31
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
32
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
33
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
34
John Samuel Hayward, 1778–1822
A Young Woman Looking Down
undated
35
John Jackson, 1778–1831
Frederick Howard, fifth Earl of Carlisle
undated
36
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
37
George Morland, 1763–1804
Two Men on a Country Road
1793
38
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
39
John Varley, 1778–1842
Ouse Bridge, York
undated
40
John Varley, 1778–1842
Study of Trees
undated
41
Capt. Thomas Hastings, 1778–1854
Near Padmore, Isle of Wight
undated
42
Capt. Thomas Hastings, 1778–1854
River Medina from Whippingham near East Cowes
undated
43
Capt. Thomas Hastings, 1778–1854
Just out of Shaftesbury
undated
44
Capt. Thomas Hastings, 1778–1854
Sketch of a Woman
undated
45
Capt. Thomas Hastings, 1778–1854
In the Fish Ponds near Hastings
undated
46
Capt. Thomas Hastings, 1778–1854
Appuldurcombe, Lord Yarborough's, Isle of Wight
undated
47
Capt. Thomas Hastings, 1778–1854
Sketch of a Village and a Hill Castle Beyond
undated
48
Capt. Thomas Hastings, 1778–1854
Near Appuldurcombe, Isle of Wight
undated
49
Capt. Thomas Hastings, 1778–1854
Sketch of Two Men in a Boat and a House on the Shore
undated
50
Capt. Thomas Hastings, 1778–1854
Sketch of Chudleigh Rocks, Devon
undated
51
Capt. Thomas Hastings, 1778–1854
Lord Clifford's, Ugbrooke Park
undated
52
John Varley, 1778–1842
Castle
undated
53
Gangaram Chintaman Tambat, active 1790s
Outside View of Biskurma ka Joompree (Vishvakarma)
1793
54
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
55
Gangaram Chintaman Tambat, active 1790s
View of a Rock-Carved Temple, Ellora
1793 or 1795
56
William Alexander, 1767–1816
Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793
1793
57
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
58
John Varley, 1778–1842
Ludlow, Shropshire
undated
59
John Varley, 1778–1842
Landscape with a Distant Tower
undated
60
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
61
John Varley, 1778–1842
A Castle at the Waterside
undated
62
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
63
John Varley, 1778–1842
On the Thames
undated
64
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
65
James Pattison Cockburn, 1779–1847
Bishop's Bridge, Norwich
undated
66
William Alexander, 1767–1816
The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin
1793
67
William Alexander, 1767–1816
Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793
1793
68
James Pattison Cockburn, 1779–1847
Tapestry-hung Room in Gothic Mansion
undated
69
James Pattison Cockburn, 1779–1847
Raftered Hall with Figures in 16th Century Dress
undated
70
John Varley, 1778–1842
Seashore with Two Figures and a Distant Town
undated
71
Capt. Thomas Hastings, 1778–1854
Sketch of a Landscape across the Water
undated
72
Capt. Thomas Hastings, 1778–1854
Canterbury Cathedral
undated
73
Capt. Thomas Hastings, 1778–1854
Cock Lane, Canterbury
undated
74
Capt. Thomas Hastings, 1778–1854
Sketch of Cowes, Isle of Wight, from the Solent
undated
75
Capt. Thomas Hastings, 1778–1854
Sketch of Figures Standing beneath a Stone Arch
undated
76
Capt. Thomas Hastings, 1778–1854
Sketch of a House along a Heathland Road
undated
77
Capt. Thomas Hastings, 1778–1854
Priory Farm
undated
78
Capt. Thomas Hastings, 1778–1854
Cowes Castle, Isle of Wight
undated
79
Capt. Thomas Hastings, 1778–1854
The Needles, Isle of Wight
undated
80
Capt. Thomas Hastings, 1778–1854
Sketch of Boats and a Large Building, from across the Medina River
undated
81
Capt. Thomas Hastings, 1778–1854
Sketch of a Tree with Buildings in the Park Beyond
undated
82
Capt. Thomas Hastings, 1778–1854
Sketch of a Shore Road near a Platform
undated
83
Capt. Thomas Hastings, 1778–1854
Shanklin Down, Isle of Wight
undated
84
Capt. Thomas Hastings, 1778–1854
Sketch of Cliff and Hills near the Shore
undated
85
Capt. Thomas Hastings, 1778–1854
Between Blackgang Chine and ..
undated
86
Capt. Thomas Hastings, 1778–1854
Sketch of a Group Preparing the Sails near the Shore, Hastings
undated
87
Capt. Thomas Hastings, 1778–1854
Statue of Cain and Abel in the Forest near Leytonstone
undated
88
Capt. Thomas Hastings, 1778–1854
Sketch of a Hilltop Castle with Houses Below
undated
89
Capt. Thomas Hastings, 1778–1854
Sketch of a Ship in a Storm and Sketch of a Family Grouping by an Arch
undated
90
Capt. Thomas Hastings, 1778–1854
East Cowes, Isle of Wight
undated
91
Capt. Thomas Hastings, 1778–1854
Sketch of a Roof with a Large Chimney
undated
92
Capt. Thomas Hastings, 1778–1854
Sketch of a Hillside Bastion, Isle of Wight
undated
93
Capt. Thomas Hastings, 1778–1854
Mrs. Bennet's on Shorwell, Isle of Wight
undated
94
Capt. Thomas Hastings, 1778–1854
From Our Ante Room Window, East Cowes, 15 May 1833
undated
95
Capt. Thomas Hastings, 1778–1854
Sketch of Sailing Boats Moored adjacent to a Village
undated
96
Capt. Thomas Hastings, 1778–1854
Padmore, Isle of Wight
undated
97
Capt. Thomas Hastings, 1778–1854
Sketched View from East Cowes, West Cowes in the Distance
undated
98
Capt. Thomas Hastings, 1778–1854
Sketch of a Structure near the Water
undated
99
Capt. Thomas Hastings, 1778–1854
Medina River, Isle of Wight
undated
100
Capt. Thomas Hastings, 1778–1854
Southampton, Hampshire
undated
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