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Collection
Prints and Drawings
2
Creator
Angus, William, 1752–1821
1
Copley, John Singleton, 1738–1815
1
Malton, Thomas, 1726–1801
1
Rowlandson, Thomas, 1756–1827
1
Date
1808
14
1739
10
1745
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1730
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1773
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1780
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1792
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1827
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1681
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1735
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1753
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1756
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1757
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1760
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1766
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1774
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1779
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1790
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1793
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2
1794
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1796
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1824
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1580
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1825
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1837
1
On-site Access
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Classification
Drawings & Watercolors
1
Prints
1
Creator Gender
male
2
Collective Title
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Period
18th century
2
Materials & Techniques
wove paper
2
black chalk
1
etching (printing process)
1
line engraving
1
red chalk
1
squaring (transferring technique)
1
white chalk
1
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28
Work Type
drawing
1
intaglio print
1
Genre
architectural subject
1
figure study
1
genre subject
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landscape
1
Subject Terms
gesture
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2
architectural subject
1
birds
1
books
1
captains (public officers)
1
chairs
1
church
1
clouds
1
coats
1
costume
1
country house
1
dogs (animals)
1
feathers
1
fences
1
figure study
1
garden
1
gowns
1
hat
1
hats
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landscape
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Associated Places
Bradwell Lodge
1
England
1
Essex
1
Europe
1
United Kingdom
1
Exhibition History
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
2
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1793
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gesture
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1
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
2
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793