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Collection
Prints and Drawings
488
Paintings and Sculpture
5
Rare Books and Manuscripts
4
Creator
Gay, John, 1685–1732
70
Stockdale, John, ca. 1749–1814
70
Blake, William, 1757–1827
57
Varley, John, 1778–1842
49
Hastings, Thomas Capt., 1778–1854
46
Unknown artist
31
Wootton, John, approximately 1682–1764
29
Kent, William, ca.1686–1748
23
Bartolozzi, Francesco, 1727–1815
21
Cockburn, James Pattison, 1779–1847
16
Gravelot, Hubert-François, 1699–1773
16
Cruikshank, Isaac, 1764–1811
14
Girtin, Thomas, 1775–1802
14
Skelton, William, 1763–1848
13
Grainger, W., active 1793
12
Carter, John, 1748–1817
11
Gillray, James, 1756–1815
11
Moore, James, 1762–1799
11
Wilson,, active 1793
9
Hamilton, William, 1751–1801
8
more
Creator
»
Date
1800
1,017
1802
673
1834
657
1796
628
1775
613
1745
603
1791
568
1749
549
1795
547
1771
522
1789
515
1804
506
1792
505
1827
503
1793
[remove]
497
1825
489
1832
475
1835
467
1790
461
1797
446
1830
443
1826
439
1784
429
1772
417
1794
416
1799
410
1836
399
1820
397
1770
390
1833
386
1700
374
1803
339
1785
335
1818
330
1812
327
1780
326
1798
317
1767
309
1801
304
1768
303
1867
303
1808
296
1807
293
1823
284
1750
278
1805
273
1748
272
1788
271
1813
270
1814
270
1821
266
1811
265
1817
259
1828
258
1783
257
1787
257
1809
257
1764
256
1810
249
1815
242
1837
235
1819
234
1824
232
1831
228
1786
224
1782
223
1755
216
1778
214
1839
207
1822
206
1752
204
1816
203
1730
202
1765
197
1806
197
1829
192
1630
181
1838
181
1725
176
1781
175
1762
172
1777
170
1738
168
1740
168
1850
167
1758
166
1846
166
1840
159
1763
158
1779
155
1776
150
1774
144
1773
142
1855
139
1760
136
1841
130
1859
130
1845
125
1753
120
1842
116
On-site Access
Accessible by appointment in the Study Room
492
Not on view
5
Image Use
Free to Use
[remove]
497
Image Available
Available
[remove]
497
Classification
Prints
276
Drawings & Watercolors
206
Drawings & Watercolors-Miniatures
7
Paintings
5
Books
2
Three-Dimensional Artifacts
1
Creator Gender
male
477
unknown
35
female
6
Collective Title
Gay's Fables
70
Fables by John Gay, Vol. I
53
Sketches, Vol. 6: 152 Drawings of Isle of Wight, Canterbury, and Hampstead, etc.
39
For Children: The Gates of Paradise, Copy E
19
America. A Prophecy, Copy M
18
Fables by John Gay, Vol. II
17
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
Visions of the Daughters of Albion, Copy I
7
Cries of London
5
Iconographie Anglaise par Reynolds et Autres
5
Sketches, Vol. 7: Drawings of Devon, Wales, Lakes, etc.
5
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
4
Sketches, Volume IV: Drawings of Isle of Wight, Hampshire and Devon
2
Antiquities of London and Environs
1
Collection of Prints by Notable Dilettanti
1
Europe. A Prophecy, Copy A
1
The Costume of China
1
The Cries of London
1
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Views in the Province of Kiang Nan, China
1
Period
18th century
370
18th century-19th century
80
19th century
47
Materials & Techniques
wove paper
288
graphite
148
watercolor
115
etching (printing process)
108
line engraving
100
laid paper
59
black ink
50
stipple engraving
32
relief etching
24
brown ink
22
brown wash
20
mezzotint
17
gouache
16
gray wash
15
color printing
14
pens
14
aquatint
7
black chalk
7
ivory
7
gray ink
5
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
224
Unknown
51
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
185
Unknown
51
Work Type
drawing
226
intaglio print
161
watercolor
133
relief print
24
miniature
6
painting
5
frontispiece
4
advertisement
1
broadside
1
engraving
1
panoramic view
1
planographic print
1
seals (marks)
1
Genre
landscape
107
literary theme
89
architectural subject
75
animal art
72
genre subject
61
portrait
39
marine art
26
religious and mythological subject
24
historical subject
21
cityscape
16
figure study
12
military art
7
sporting art
2
botanical subject
1
still life
1
Subject Terms
landscape
70
architectural subject
66
trees
66
men
47
text
40
clouds
36
portrait
30
genre subject
28
nudes
27
figures
24
river
23
historical subject
20
boats
19
religious and mythological subject
19
women
19
hills
18
buildings
16
marine art
16
mountains
16
children
15
more
Subject Terms
»
Subject Period
18th century
1
Associated Places
United Kingdom
56
England
48
Europe
23
London
15
City of Westminster
12
Palace of Westminster
12
Wales
8
Asia
7
Cymru
7
China
6
Thames
6
India
5
Greater London
4
Cambridge
3
Cambridgeshire
3
Ellora
3
Kent
3
Northumberland
3
Rocca di Papa
3
York
3
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
5
Cornwallis, Charles (1738–1805), lieutenant-general
2
Bacon, Sir Nathaniel (1585–1627), painter
1
Barker, Robert, 1739–1806
1
Frederick Howard
1
Hastings, Francis Rawdon, first marquess of Hastings and second earl of Moira (1754–1826), army officer and politician
1
Henry VIII (1491–1547), king of England and Ireland
1
Jackson, William (fl. 1793), Excise man
1
Louis XV (1710–1774), king of France and of Navarre
1
Louis XVI (1754–1793), king of France
1
Montagu, Edward, first earl of Sandwich (1625–1672), army and naval officer and diplomat
1
Percy, Anne (nee Goodriche), wife of Bishop Thomas Percy of Dromore
1
Pisani, Alvise, 114th doge of Venice (1505–1523)
1
Quincey, Thomas Penson De (1785–1859), essayist
1
Reynolds, Sir Joshua (1723–1792), portrait and history painter and art theorist
1
Tipu Sultan of Mysore (1750–1799)
1
Whitefoord, Caleb (1734–1810), wine merchant and diplomatist
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
29
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
29
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
23
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
20
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
19
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
6
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
377
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
70
Yale Center for British Art, Paul Mellon Fund
16
Yale Center for British Art
8
Yale Center for British Art; Yale University Art Gallery Collection
5
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
3
Yale Center for British Art, Bequest of Richard L. Purdy
2
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Gift of Paul F. Walter
2
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
2
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn
1
Yale Center for British Art, Gift of R. W. Hutton and J. S. Cogswell
1
Yale Center for British Art, Gift of Robert B. Simon
1
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935
1
Yale Center for British Art, Paul Mellon Fund, in honor of Duncan Robinson, Director, Yale Center for British Art (1981–1995)
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Francis P. Garvan
1
Language
English
4
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Date
1793
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1
William Anderson, 1757–1837
Hussars Embarking at Deptford
1793
Not on view
2
Henry Singleton, 1766–1839
The Wandering Sailor
ca. 1798
Not on view
3
Joseph Wright of Derby, 1734–1797
Landscape with a Rainbow
between 1793 and 1794
Not on view
4
Robert Smirke, 1752–1845
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay
1793
Not on view
5
George Garrard, 1760–1826
A Marmoset in Three Attitudes
1793
Not on view
6
John Constable, 1776–1837
Flowers in a Pitcher
undated
7
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
8
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
9
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
10
George Romney, 1734–1802
Figure Composition Study 4
1793
11
George Romney, 1734–1802
Figure Composition Study 48
1793
12
George Romney, 1734–1802
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
13
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
14
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
15
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
16
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
17
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
18
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
19
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
20
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
21
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
22
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
23
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
24
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
25
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
26
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
27
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
28
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
29
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
30
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
31
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
32
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
33
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
34
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
35
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
36
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
37
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
38
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
39
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
40
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
41
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
42
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
43
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
44
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
45
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
46
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
47
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
48
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
49
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
50
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
51
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
52
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
53
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
54
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
55
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
56
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
57
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
58
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
59
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
60
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
61
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
62
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
63
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
64
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
65
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
66
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
67
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
68
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
69
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
70
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
71
John Varley, 1778–1842
Merida, Spain
undated
72
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
73
pupil of John Varley, 1778–1842
A Village Street
undated
74
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
75
James Ward, 1769–1859
Mother and Infant
ca. 1798
76
John Varley, 1778–1842
River Landscape with Two Figures, Lake and Distant Mountains
undated
77
John Varley, 1778–1842
Landscape with a Clump of Trees near a Road and a Stream
undated
78
John Varley, 1778–1842
River, Trees and Distant Town
undated
79
John Varley, 1778–1842
Farm House with a Well
undated
80
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
81
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
82
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
83
John Varley, 1778–1842
View of New Street, near London Bridge
undated
84
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
85
John Varley, 1778–1842
Romatic Landscape with a Castle and a Tree on the Right
undated
86
pupil of John Varley, 1778–1842
On the Thames
undated
87
John Varley, 1778–1842
View of York
undated
88
Joseph Clarendon Smith, 1778–1810
Sand Pits, Hunsdon
undated
89
John Varley, 1778–1842
Linlithgow Palace
undated
90
John Varley, 1778–1842
Millbank
undated
91
John Varley, 1778–1842
Romantic Composition
undated
92
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
93
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
94
Charles Gore, 1729–1807
Ruins du Château du Heidelberg
1793
95
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
96
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
97
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
98
George Morland, 1763–1804
Two Men on a Country Road
1793
99
Richard Crosse, 1742–1810
Joseph de Lautour
1793
100
Richard Crosse, 1742–1810
Peter de Lautour
1793
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