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Collection
Prints and Drawings
46
Paintings and Sculpture
2
Creator
Varley, John, 1778–1842
15
Carter, John, 1748–1817
11
Girtin, Thomas, 1775–1802
7
Harraden, Richard Banks, 1778–1862
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Unknown artist
3
Alexander, William, 1767–1816
1
Anderson, William, 1757–1837
1
Angus, William, 1752–1821
1
Bonnor, Thomas, ca. 1740–ca. 1812
1
Cockburn, James Pattison, 1779–1847
1
Cozens, John Robert, 1752–1797
1
Edwards, Edward, 1738–1806
1
Ellice, Jane Lady, 1813–1864
1
Harley, George, 1791–1871
1
Malton, Thomas, 1726–1801
1
Rowlandson, Thomas, 1756–1827
1
Selwyn, H. C.
1
Smirke, Robert, 1752–1845
1
Smith, Joseph Clarendon, 1778–1810
1
Date
1796
333
1814
139
1785
107
1800
104
1827
90
1960
83
1795
80
1791
79
1790
75
1834
75
1825
68
1818
65
1820
59
1815
55
1799
53
1810
52
1830
52
1793
[remove]
48
1831
48
1792
47
1812
47
1835
47
1772
46
1817
44
1823
41
1806
40
1811
40
1829
37
1833
37
1836
37
1740
36
1859
36
1775
35
1797
35
1819
34
1770
33
1798
33
1807
33
1700
32
1789
32
1813
32
1794
31
1805
31
1821
31
1832
31
1784
30
1804
30
1822
30
1842
30
1912
30
1755
28
1808
27
1845
27
1746
25
1816
25
1824
25
1860
25
1761
24
1754
22
1809
22
1782
21
1776
20
1786
20
1767
19
1802
19
1828
19
1863
19
1826
18
1837
18
1850
18
1745
17
1759
17
1762
17
1765
17
1780
17
1801
16
1887
16
1778
15
1788
15
1840
15
1890
15
1751
14
1787
14
1803
14
1839
14
1864
14
1773
13
1865
13
1774
12
1779
12
1843
12
1871
12
1965
12
1717
11
1747
11
1760
11
1720
10
1777
10
1852
10
1861
10
On-site Access
Accessible by appointment in the Study Room
46
Not on view
2
Image Use
Free to Use
48
Image Available
Available
48
Classification
Drawings & Watercolors
44
Paintings
2
Prints
2
Creator Gender
male
47
unknown
3
female
1
Collective Title
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Period
18th century
28
18th century-19th century
20
Materials & Techniques
graphite
38
wove paper
28
watercolor
27
laid paper
19
black ink
11
pens
7
gouache
5
black chalk
3
pen
3
scratching out
3
brown ink
2
etching (printing process)
2
gray wash
2
painting (technique)
2
board
1
canvas
1
card
1
cartridge paper
1
gray ink
1
gum
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
224
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
13
to
185
Work Type
drawing
42
watercolor
28
intaglio print
2
painting
2
Genre
architectural subject
33
landscape
20
cityscape
5
genre subject
5
marine art
3
military art
2
figure study
1
Subject Terms
architectural subject
33
trees
23
landscape
19
figures
11
buildings
8
clouds
8
river
8
houses
7
boats
6
cityscape
6
hills
6
bridge (built work)
5
castle
5
church
4
men
4
rivers
4
shore (landform)
4
sky
4
town
4
walking
4
more
Subject Terms
»
Associated Places
England
[remove]
48
United Kingdom
48
Europe
18
London
14
City of Westminster
12
Palace of Westminster
12
Thames
5
Greater London
4
Cambridge
3
Cambridgeshire
3
Kent
3
Northumberland
3
York
3
Barnard Castle
2
Battersea
2
Clare College
2
Durham
2
Norwich
2
Ouse
2
University of Cambridge
2
more
Associated Places
»
Associated People
Montagu, Edward, first earl of Sandwich (1625–1672), army and naval officer and diplomat
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
7
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
2
Thomas Girtin: Genius in the North (Harewood House Trust Ltd., 1999-03-09 - 1999-06-13)
2
All The Queen's Horses (National Horse Racing Museum, 2003-04-26 - 2003-08-23)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
45
Yale Center for British Art, Bequest of Richard L. Purdy
1
Yale Center for British Art, Gift of R. W. Hutton and J. S. Cogswell
1
Yale Center for British Art, Paul Mellon Fund
1
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1
William Anderson, 1757–1837
Hussars Embarking at Deptford
1793
Not on view
2
Robert Smirke, 1752–1845
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay
1793
Not on view
3
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
4
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
5
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
6
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
7
John Varley, 1778–1842
Barnard Castle, County Durham
undated
8
John Varley, 1778–1842
Norwich
undated
9
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
10
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
11
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
12
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
13
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
14
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated
15
John Varley, 1778–1842
View of York
undated
16
Joseph Clarendon Smith, 1778–1810
Sand Pits, Hunsdon
undated
17
John Varley, 1778–1842
View of New Street, near London Bridge
undated
18
pupil of John Varley, 1778–1842
On the Thames
undated
19
John Varley, 1778–1842
Millbank
undated
20
James Pattison Cockburn, 1779–1847
Bishop's Bridge, Norwich
undated
21
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
22
John Varley, 1778–1842
On the Thames
undated
23
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
24
John Varley, 1778–1842
Ludlow, Shropshire
undated
25
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
26
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
27
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
28
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
29
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
30
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
31
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
32
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
33
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
34
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
35
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
36
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
37
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
38
Thomas Girtin, 1775–1802
Harewood House, Yorkshire
ca. 1798
39
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
40
Thomas Girtin, 1775–1802
Trees and Pond near Bromley, Kent
ca. 1798
41
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1798
42
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
43
John Varley, 1778–1842
Ouse Bridge, York
undated
44
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
45
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
46
William Alexander, 1767–1816
The Dent de Lion, Margate, Kent
ca. 1798
47
Edward Edwards, 1738–1806
Barn Elmes
1793
48
unknown artist
A Barge on the Thames near Fulton
undated