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Collection
Prints and Drawings
35
Creator
Carter, John, 1748–1817
11
Varley, John, 1778–1842
11
Girtin, Thomas, 1775–1802
5
Harraden, Richard Banks, 1778–1862
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Unknown artist
2
Alexander, William, 1767–1816
1
Angus, William, 1752–1821
1
Bonnor, Thomas, ca. 1740–ca. 1812
1
Harley, George, 1791–1871
1
Malton, Thomas, 1726–1801
1
Rowlandson, Thomas, 1756–1827
1
Selwyn, H. C.
1
Date
1796
328
1785
90
1827
55
1834
52
1790
48
1795
47
1800
46
1797
36
1793
[remove]
35
1810
30
1817
30
1811
28
1825
28
1815
27
1823
27
1835
27
1836
27
1770
26
1806
26
1812
26
1814
26
1820
26
1912
26
1792
25
1818
25
1822
25
1789
24
1791
24
1761
23
1700
22
1804
22
1831
21
1842
21
1740
20
1775
20
1813
20
1746
19
1772
19
1829
19
1802
18
1805
18
1807
18
1794
17
1798
17
1830
17
1755
16
1799
16
1819
16
1850
16
1776
15
1809
15
1788
14
1801
14
1832
14
1833
14
1901
14
1816
13
1859
13
1778
12
1782
12
1784
12
1860
12
1745
11
1759
11
1773
11
1786
11
1808
11
1845
11
1765
10
1767
10
1828
10
1837
10
1871
10
1821
9
1826
9
1863
9
1732
8
1803
8
1865
8
1874
8
1715
7
1720
7
1736
7
1751
7
1760
7
1781
7
1840
7
1852
7
1864
7
1717
6
1762
6
1777
6
1780
6
1824
6
1839
6
1915
6
1728
5
1750
5
1787
5
1843
5
On-site Access
Accessible by appointment in the Study Room
35
Image Use
Free to Use
35
Image Available
Available
35
Classification
Drawings & Watercolors
33
Prints
2
Creator Gender
male
34
unknown
2
Collective Title
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Period
18th century
22
18th century-19th century
13
Materials & Techniques
graphite
28
wove paper
21
watercolor
16
laid paper
15
black ink
10
pens
7
gouache
3
black chalk
2
etching (printing process)
2
board
1
brown ink
1
card
1
cartridge paper
1
gray wash
1
gum
1
gum arabic
1
line engraving
1
pen
1
scratching out
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
42
Width [cm]
Width [cm] range begin
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Current results range from
13
to
55
Work Type
drawing
32
watercolor
17
intaglio print
2
Genre
architectural subject
[remove]
35
landscape
9
genre subject
6
cityscape
4
figure study
1
marine art
1
Subject Terms
architectural subject
35
trees
15
figures
11
landscape
10
buildings
6
clouds
6
castle
5
houses
5
walking
5
church
4
cityscape
4
genre subject
4
men
4
river
4
arches
3
boats
3
bridge (built work)
3
chimneys
3
fences
3
hills
3
more
Subject Terms
»
Associated Places
United Kingdom
[remove]
35
England
33
London
13
City of Westminster
12
Palace of Westminster
12
Europe
11
Barnard Castle
2
Battersea
2
Cambridge
2
Cambridgeshire
2
Clare College
2
Cymru
2
Durham
2
Greater London
2
Kent
2
Northumberland
2
University of Cambridge
2
Wales
2
York
2
Bamburgh Castle
1
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
2
Thomas Girtin: Genius in the North (Harewood House Trust Ltd., 1999-03-09 - 1999-06-13)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
35
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Date
1793
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architectural subject
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United Kingdom
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1
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
2
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
3
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
4
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
5
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
6
John Varley, 1778–1842
Ouse Bridge, York
undated
7
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
8
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
9
John Varley, 1778–1842
Linlithgow Palace
undated
10
John Varley, 1778–1842
View of New Street, near London Bridge
undated
11
John Varley, 1778–1842
View of York
undated
12
John Varley, 1778–1842
Norwich
undated
13
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
14
John Varley, 1778–1842
Barnard Castle, County Durham
undated
15
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
16
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
17
John Varley, 1778–1842
Carnarvon Castle
undated
18
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
19
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
20
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
21
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
22
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
23
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
24
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
25
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
26
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
27
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
28
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
29
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
30
William Alexander, 1767–1816
The Dent de Lion, Margate, Kent
ca. 1798
31
Thomas Girtin, 1775–1802
Harewood House, Yorkshire
ca. 1798
32
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
33
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
34
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1798
35
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798