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Collection
Prints and Drawings
33
Creator
Carter, John, 1748–1817
11
Varley, John, 1778–1842
9
Girtin, Thomas, 1775–1802
5
Harraden, Richard Banks, 1778–1862
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Unknown artist
2
Alexander, William, 1767–1816
1
Angus, William, 1752–1821
1
Bonnor, Thomas, ca. 1740–ca. 1812
1
Harley, George, 1791–1871
1
Malton, Thomas, 1726–1801
1
Rowlandson, Thomas, 1756–1827
1
Selwyn, H. C.
1
Date
1796
320
1785
93
1791
62
1790
61
1800
58
1827
53
1795
45
1834
42
1793
[remove]
33
1792
30
1823
30
1815
28
1825
28
1810
27
1811
27
1835
27
1806
26
1812
26
1814
26
1820
26
1770
25
1818
25
1912
25
1789
23
1700
22
1804
21
1842
21
1740
20
1761
20
1797
20
1813
20
1817
20
1831
20
1822
19
1832
19
1746
18
1775
18
1807
18
1829
18
1772
17
1830
17
1755
16
1798
15
1799
15
1805
15
1776
14
1794
14
1819
14
1845
14
1863
14
1833
13
1836
13
1860
13
1801
12
1859
12
1745
11
1784
11
1786
11
1802
11
1809
11
1816
11
1837
11
1765
10
1767
10
1773
10
1788
10
1850
10
1871
10
1759
9
1782
9
1826
9
1828
9
1732
8
1778
8
1808
8
1821
8
1865
8
1715
7
1720
7
1736
7
1751
7
1780
7
1852
7
1861
7
1874
7
1717
6
1760
6
1777
6
1781
6
1803
6
1839
6
1840
6
1915
6
1728
5
1750
5
1787
5
1870
5
0
4
1739
4
1749
4
On-site Access
Accessible by appointment in the Study Room
33
Image Use
Free to Use
33
Image Available
Available
33
Classification
Drawings & Watercolors
31
Prints
2
Creator Gender
male
32
unknown
2
Collective Title
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Period
18th century
22
18th century-19th century
11
Materials & Techniques
graphite
27
wove paper
20
laid paper
14
watercolor
14
black ink
10
pens
7
gouache
3
black chalk
2
etching (printing process)
2
board
1
brown ink
1
card
1
cartridge paper
1
gray wash
1
gum
1
gum arabic
1
line engraving
1
pen
1
scratching out
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
42
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
13
to
55
Work Type
drawing
30
watercolor
15
intaglio print
2
Genre
architectural subject
[remove]
33
landscape
9
genre subject
5
cityscape
4
figure study
1
Subject Terms
architectural subject
33
trees
14
figures
10
landscape
9
buildings
6
houses
5
castle
4
church
4
cityscape
4
clouds
4
men
4
river
4
walking
4
arches
3
bridge (built work)
3
chimneys
3
fences
3
genre subject
3
hills
3
windows
3
more
Subject Terms
»
Associated Places
England
[remove]
33
United Kingdom
33
London
13
City of Westminster
12
Palace of Westminster
12
Europe
11
Barnard Castle
2
Battersea
2
Cambridge
2
Cambridgeshire
2
Clare College
2
Durham
2
Greater London
2
Kent
2
Northumberland
2
University of Cambridge
2
York
2
Bamburgh Castle
1
Barnard Castle (castle)
1
Blockley
1
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
5
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
2
Thomas Girtin: Genius in the North (Harewood House Trust Ltd., 1999-03-09 - 1999-06-13)
2
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
33
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Date
1793
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1
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
2
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
3
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
4
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
5
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
6
John Varley, 1778–1842
Ouse Bridge, York
undated
7
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
8
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
9
John Varley, 1778–1842
View of New Street, near London Bridge
undated
10
John Varley, 1778–1842
View of York
undated
11
John Varley, 1778–1842
Norwich
undated
12
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
13
John Varley, 1778–1842
Barnard Castle, County Durham
undated
14
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
15
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
16
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
17
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
18
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
19
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
20
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
21
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
22
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
23
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
24
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
25
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
26
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
27
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
28
William Alexander, 1767–1816
The Dent de Lion, Margate, Kent
ca. 1798
29
Thomas Girtin, 1775–1802
Harewood House, Yorkshire
ca. 1798
30
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
31
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
32
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1798
33
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798