Date: 1793 / Period: 18th century - YCBA Collections Search Search Results

1. The Wandering Sailor

Creator:: Henry Singleton, 1766–1839
Date:: ca. 1798
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 14 x 12 inches (35.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Hussars Embarking at Deptford

Creator:: William Anderson, 1757–1837
Date:: 1793
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 24 inches (46.4 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay

Creator:: Robert Smirke, 1752–1845
Date:: 1793
Materials & Techniques:: Oil on canvas
Dimensions:: Frame: 88 x 73 inches (223.5 x 185.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of R. W. Hutton and J. S. Cogswell
On View:: Not on view

4. A Marmoset in Three Attitudes

Creator:: George Garrard, 1760–1826
Date:: 1793
Materials & Techniques:: Oil on panel
Dimensions:: 15 x 19 1/4 inches (38.1 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Landscape with a Rainbow

Creator:: Joseph Wright of Derby, 1734–1797
Date:: between 1793 and 1794
Materials & Techniques:: Oil on canvas
Dimensions:: 27 1/2 × 39 5/16 inches (69.9 × 99.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of Duncan Robinson, Director, Yale Center for British Art (1981–1995)
On View:: Not on view

6. Christ Church Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1793 to 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Windsor

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1798
Materials & Techniques:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 × 28 inches (50.8 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 10 7/8 inches (20 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Title Page. America, A Prophecy (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "Silent as despairing love, and strong as jealousy..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "What time the thirteen Governors that England sent convene..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "Appear to the Americans upon the cloudy night..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Air (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. At Length for Hatching Ripe He Breaks the Shell (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Alas! (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. My Son! My Son! (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Does Thy God O Priest Take such Vengeance as This? (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Fear & Hope Are -- Vision (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Traveller Hasteth in the Evening (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Death's Door (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Aged Ignorance (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. What is Man!, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Title Page, For Children. The Gates of Paradise (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. I Found Him Beneath a Tree (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Water (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Earth (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Fire (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. I Want! I Want! (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Help! Help! (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Title Page, Visions of the Daughters of Albion (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "But when the morn arose, her lamentation renewd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Frontispiece. Albion's Angel (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Fable XLI. The Owl and the Farmer

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

52. Introduction to the Fables, The Shepherd and the Philosopher

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

53. Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

54. Fable VI. The Miser and Plutus

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

55. Fable XVI. The Pin and the Needle

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

56. Fable XIII. The Tame Stag

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

57. Fable XXII. The Goat Without a Beard

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

58. Fable XXIV. The Butterfly and the Snail

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

59. Fable XXVIII. The Persian, the Sun, and the Cloud

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

60. Fable XXX. The Setting-dog and the Partridge

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

61. Fable I. The Dog and the Fox

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

62. Fable XII. Pan and Fortune

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 10 1/2 inches (26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

63. For Children. The Gates of Paradise, London, by William Blake

Creator:: Prints made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Volume of etchings bound in quarter calf and marbled boards
Dimensions:: Spine: 5 5/8in. (14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

Creator:: Prints made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Volume of 11 relief etchings printed in green ink, with hand coloring in watercolor
Dimensions:: Spine: 14in. (35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Europe. A Prophecy

Creator:: Print made by William Blake, 1757–1827
Date:: 1793, printed 1795
Materials & Techniques:: Bound volume of 17 relief etchings printed in dark brown ink, with watercolor and oil paint added posthumously, on 17 leaves
Dimensions:: Spine: 15 3/8in. (39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Figure Composition Study 4

Creator:: George Romney, 1734–1802
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 6 3/4 inches (11.4 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Figure Composition Study 48

Creator:: George Romney, 1734–1802
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 5 inches (16.5 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Devils for the Temptation of Christ

Creator:: George Romney, 1734–1802
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 6 3/4 inches (14 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

69. Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope

Creator:: George Romney, 1734–1802
Date:: 1793
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 3/4 inches (14 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

70. A Tea Garden

Creator:: Francis David Soiron, Born 1764
Date:: 1793
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 × 21 13/16 inches (48.3 × 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"

Creator:: John Singleton Copley, 1738–1815
Date:: ca. 1798
Materials & Techniques:: Black chalk, white chalk, and red chalk, squared for transfer on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 12 3/8 x 7 1/4 inches (31.4 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Landscape with Cottage and Figures on Horseback

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 x 20 9/16 inches (39.4 x 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 4 x 7 7/8 inches (10.2 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Inside View of Indur Subba

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Pen and black ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 19 1/8 inches (30.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. View of a Rock-Carved Temple, Ellora

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: 1793 or 1795
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 19 1/8 inches (30.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Outside View of Biskurma ka Joompree (Vishvakarma)

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: 1793
Materials & Techniques:: Gray wash and graphite with pen and black ink; squared and numbered in graphite for transfer on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 19 1/8 inches (30.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 14 5/8 inches (26.5 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Hindostan at Anchor in the Strait of Mi-a-tau of the City of Ten-choo-fou at the Entrance to the Gulf of Pekin

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 15 1/16 inches (20.6 x 38.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Two Men on a Country Road

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 7/16 x 12 9/16in. (44.3 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Wooded Landscape with Figures Round a Cooking Pot

Creator:: Thomas Hand, died 1804
Date:: 1793
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 5/8 inches (17.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Ruins du Château du Heidelberg

Creator:: Charles Gore, 1729–1807
Date:: 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 21 3/4 inches (37.8 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. A Park Landscape with Shepherd and Sheep

Creator:: Samuel Howitt, 1756–1822
Date:: 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Amelia de Lautour

Creator:: Richard Crosse, 1742–1810
Date:: 1793
Materials & Techniques:: Gouache and watercolor on ivory
Dimensions:: Frame: 4 5/8 x 3 3/8 x 3/4 inches (11.7 x 8.6 x 1.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Peter de Lautour

Creator:: Richard Crosse, 1742–1810
Date:: 1793
Materials & Techniques:: Gouache and watercolor on ivory
Dimensions:: Frame: 4 5/8 x 3 3/8 x 3/4 inches (11.7 x 8.6 x 1.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Joseph de Lautour

Creator:: Richard Crosse, 1742–1810
Date:: 1793
Materials & Techniques:: Gouache and watercolor on ivory
Dimensions:: Frame: 4 5/8 x 3 3/8 x 3/4 inches (11.7 x 8.6 x 1.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Thomas Quincey

Creator:: Horace Hone, 1756–1825
Date:: 1793
Materials & Techniques:: Oil on ivory
Dimensions:: Frame: 3 x 2 1/4 x 3/8 inches (7.6 x 5.7 x 1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Cherub Holding A Laurel Wreath

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Ester Accusing Haman

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Religion

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Aloysis Pisani Eques Et Diri Marci Prourator

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Compassionate Children

Creator:: William Ward, 1766–1826
Date:: 1793
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 23 × 34 1/4 inches (58.4 × 87 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Prospero Disarming Ferdinand, Act I, Scene II

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Promenade in St. Jame's Park

Creator:: Francis David Soiron, Born 1764
Date:: 1793
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 5/8 × 31 5/16 inches (57.5 × 79.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Cow House

Creator:: James Ward, 1769–1859
Date:: 1793
Materials & Techniques:: Mezzotint, printed in color
Dimensions:: Plate: 20 1/8 x 23 3/4in. (51.1 x 60.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

95. Eldest Princesses

Creator:: Print made by Gainsborough Dupont, 1754–1797
Date:: 1793
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 5/8 × 18 inches (62.5 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Hon. George Cranfield Berkeley

Creator:: Print made by Henry Birche, active 1790–1795
Date:: 1793
Materials & Techniques:: Mezzotint with etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 27 × 19 1/8 inches (68.6 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Taming the Shrew, Act III, Scene II

Creator:: William S. Leney, 1769–1831
Date:: 1793
Materials & Techniques:: Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 9/16 × 19 1/8 inches (42.1 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. Caleb Whitefoord, F.R.S., F.S.A.

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1793
Materials & Techniques:: Mezzotint (first state) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 5/8 × 18 1/8 inches (65.1 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. Edward Progers

Creator:: Schenecker, active 1791
Date:: 1793
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 6 5/8 inches (25.4 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Falstaff at Hern's Oak - "Merry Wives of Windsor," Act V, Scene V

Creator:: unknown artist
Date:: 1793
Materials & Techniques:: Colored engraving and stipple engraving
Dimensions:: Sheet: 16 x 18in. (40.6 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Date 1793

Period 18th century

Search Results

1. The Wandering Sailor

2. Hussars Embarking at Deptford

3. The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay

4. A Marmoset in Three Attitudes

5. Landscape with a Rainbow

6. Christ Church Gate, Canterbury

7. Windsor

8. Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam

9. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

10. Title Page. America, A Prophecy (Plate 2)

11. "Silent as despairing love, and strong as jealousy..." (Plate 4)

12. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

13. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

14. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

15. "What time the thirteen Governors that England sent convene..." (Plate 15)

16. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

17. "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)

18. "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

19. "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)

20. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

21. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

22. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

23. "Appear to the Americans upon the cloudy night..." (Plate 6)

24. Air (Plate 6)

25. At Length for Hatching Ripe He Breaks the Shell (Plate 8)

26. Alas! (Plate 9)

27. My Son! My Son! (Plate 10)

28. Does Thy God O Priest Take such Vengeance as This? (Plate 14)

29. Fear & Hope Are -- Vision (Plate 15)

30. The Traveller Hasteth in the Evening (Plate 16)

31. Death's Door (Plate 17)

32. Aged Ignorance (Plate 13)

33. I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)

34. What is Man!, Frontispiece (Plate 1)

35. Title Page, For Children. The Gates of Paradise (Plate 2)

36. I Found Him Beneath a Tree (Plate 3)

37. Water (Plate 4)

38. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

39. Earth (Plate 5)

40. Fire (Plate 7)

41. I Want! I Want! (Plate 11)

42. Help! Help! (Plate 12)

43. Frontispiece (Plate 1)

44. Title Page, Visions of the Daughters of Albion (Plate 2)

45. "But when the morn arose, her lamentation renewd..." (Plate 8)

46. "And none but Bromian can hear my lamentations..." (Plate 6)

47. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

48. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

49. Frontispiece. Albion's Angel (Plate 1)

50. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

51. Fable XLI. The Owl and the Farmer

52. Introduction to the Fables, The Shepherd and the Philosopher

53. Fable XVI. The Ravens, the Sexton, and the Earth-Worm

54. Fable VI. The Miser and Plutus

55. Fable XVI. The Pin and the Needle

56. Fable XIII. The Tame Stag

57. Fable XXII. The Goat Without a Beard

58. Fable XXIV. The Butterfly and the Snail

59. Fable XXVIII. The Persian, the Sun, and the Cloud

60. Fable XXX. The Setting-dog and the Partridge

61. Fable I. The Dog and the Fox

62. Fable XII. Pan and Fortune

63. For Children. The Gates of Paradise, London, by William Blake

64. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

65. Europe. A Prophecy

66. Figure Composition Study 4

67. Figure Composition Study 48

68. Devils for the Temptation of Christ

69. Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope

70. A Tea Garden

71. Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"

72. Landscape with Cottage and Figures on Horseback

73. Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793

74. Inside View of Indur Subba